retro originales - Ice Trap

Commercial - JAZZ - Rainy Bar

Commercial - JAZZ - Parkside Diner

AVOID - But Not (Real)ly

Commercial - JAZZ - Light Meadows

Commercial - JAZZ - New Age Swing

Commercial - JAZZ - Cigarettes And Smoky Brass

Commercial - The Chase

Something I ended up making in 10-15 minutes while trying to dig into Lux Nox's PercPlus library a little bit before bed.

Sumthin' Phunkey

A rather adventurous piece I wrote for my senior recital called "Amnesia". I wrote this piece taking a more compositional approach to arranging improvised sections. Having the solo section divided amongst different players, it ties jazz, composition, and aleatoric together in one highly energetic piece of music.

RECITAL - Amnesia

For this piece I took the victory theme from Final Fantasy 7, and combined it with several different themes from my favorite video game, Metroid Prime. There is also some original material in there, but it is mostly a mashup of those two games.

RECITAL - 7. The MOST prime of numbers.

A reimagination of the 2nd Movement from Anton Webern's "Variations for Piano". I heard this and thought it would be great to just arrange it for a bunch different synthesizers in a prog rock ensemble and perform it like a badass breakdown. Needless to say, it worked out swimmingly. All instruments were performed and edited by yours truly.

Enjoy!

VFP II. Sehr Schnell (Webern)

This is a track that Dom and I wrote a bit ago for a commercial opportunity, but never did anything with it. So I figured I'd toss it up.

Fly Away - Rob Wickline and Dominic Tursi

This was another track Dom and I prepared for commercial use, but nothing ever happened with it. So here ya go! Timbaland's "Apologize" reimagined with inspiration from Daft Punk's "Random Access Memories" album. Hope you enjoy!

Apologize (Timbaland Cover) - Rob Wickline and Dominic Tursi

I made a mashup! 
Bassline: I wish
Synths: Billie Jean
Vocals: Don't Stop Believing + I Kissed a Girl

I also added other synths and drums

Ultimate Dance Mix

Taking part in this Lewitt microphones mixing competition was a lot of fun. Retaining the live vibe with the bombastic room sound was a must for me because it sounded so cool, but I needed to make sure there was clarity and the drums still punched you in the face. 

I liked how it sounded as a performance so I didn't do anything fancy with some kind of filtered or effected drum intro or weird effects like that because it took me out of the feeling of being hit in the face by a sound that's happening right in front of me like a live show.

I had a lot of fun processing the bass to make sure you could still savor that 'zipper' sound to its fuzz tone, and also made sure it felt linear throughout the piece by automating the room microphones, ambience delays for the guitar and keys, and the snare reverb so as it builds through the track and specifically the passage driving through to the end had a swarming effect emotionally. 

Also that guitar tone is super cool and badass!

Move Like A Ghost - Saint Agnes (Lewitt Competition)#Makeyourselfheard

Future Funk

Philadelphia-based composer. I use soundcloud as a meeting point for my various musical outlets - original albums/compositions, collaborations, library music, little ditties, and more.

Rob Wickline

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