Crépuscule no.1-8

Temple of Us | Music by REKHA - IYERN [Fe] | Live Keyboard Jam | GOTH ROCK

Instruments: Keyboards, V-Synth, V-Drum Programming

Vocal Version coming soon!

Cover Art Design: Original Acrylic Painting, Photo & Graphics by REKHA - IYERN [Fe]

Music Composed & Produced, Recorded & Performed, Mixed & Mastered by REKHA - IYERN [Fe] at IYERN [Fe] RECORDS IN CANADA





TEMPLE OF US M1 REKHA April 22nd 2023

Temple of Us

Temple of Us | Music by REKHA - IYERN [Fe] | Live Keyboard Jam | GOTH ROCK

A little allegro for folk orchestra with a burlesque, circus flavor. On violin, as always, my dear friend, the fabulous @RosinDust.
From time to time Tatiana gives concerts in orphanages and asylums so she has promised me that she will play this piece soon on one of those occasions, hoping it will bring them some joy. I am very happy about it!
Here the other pieces together: soundcloud.com/francescocartocci/sets/grazie-tatiana

Composition and all arrangements: Francesco Cartocci

The flying circus - with Rosin dust

From the Album: "Arrhythmia & Blues" 2024

Lyrics:
You come into my home
Through my screen
You see, I don't like to be alone
You know what I mean?
Sit next to my laser beam (2X)
A dystopian wet dream

Sit next to my laser beam
It's an American dream
AI Guru selling dopamine
Space age hookah store scheme
(C'mon C'mon) sit next to my laser beam
Because I am the one who loves you (2X)
Sit next to my laser beam

At a server farm out in the desert
Corporations force feed us our souls
Will you give up your control?
Does the phone make you whole?
This is all I know
Watch me make these circuits blow
Because I am the one that loves you(2X)
Sit next to my laser beam

Sit Next To My Laser Beam

Somewhere

Norse  Metal

Crépuscule no.1-8.5

Crépuscule No.5

Crépuscule no.1-8.4

Crépuscule No.4

Crépuscule no.1-8.3

Crépuscule No.3

Crépuscule no.1-8.2

Crépuscule No.2

Crépuscule no.1-8.1

Crépuscule No.1

Double Dare

I do not know why I choose the successful reggae duo as the unfortunate protagonists of my little ecological horror story in which they come face to face with the MOSS MUMMY, but I bet they gave it HELL!!!

CHAKA
CHAKA
CHAKA
DEMUS
OH
CHAKA
CHAKA
DEMUS
AND PLIeRS
PLIeRS
CHAKA
CHAKA
CHAKA
DEMUS
AND PLIeRS
VERSUS
VERSUS
THEY'RE VERSUS
CHAKA DEMUS
AND PLIeRS
VERSUS
EVERYONE
JUST ABOUT EVERYONE
OK LET'S THINK ABOUT THIS
WHAT ARE WE DEALING WITH ?

SPAGNUM MOSS
THAT CAME TO LIFE
TO HUNT YOU DOWN
AND STEAL YOUR WIFE ?
GOD'S GREEN GlOOp
COVERED IN JUICE
IT TOOK A FULL MOON 
TO SET IT LOOSE
ON…YOUR RAGGA

ChAKA DeMUS AnD PLIeRS VeRSUS THE MOsS MUMmY

M-Canelé

Meditation (version finale)

Ganimedes

- www.artificialis.nl - 
Livestream Improvisation Tue 20:00-21:00 GMT+2 postponed untill when I return home from personal stress issues
https://www.youtube.com/@robbie-de-groot

(Short version Bio*)
Robbie's first encounter with music was at the age of 6 when one of his aunts gave him a bugle to play on. Few months after Robbie was alowed to rehearse with the local fanfare and kept playing the bugle for 1 year and the baritone 1 year after that. After getting his 'A' diploma, Robbie then returned the lent baritone and said: "Now I have enough" and stopped playing a brass instrument. Yet, a few years later, when he was 11, he found a keyboard on the attic and played it fondly. When his parents could not hold out much longer to hear the same tune over and over (pippy longstockings), his mother then decided Robbie needed 
piano lessons and brought him to a teacher in Groningen: 'Jan Meiborg'.

Quickly became clear that Robbie enjoyed this much and took lessons for 7 years. Here he learned much about improvisation in blues and learned to get more in touch with the piano in general. The last study was on a piece of Franz Liszt: 'Liebestraum no.3'. Jan dared a bet: "If you can play this piece well within 4 weeks, I'll buy you a chocolate cake." So the challenge was accepted. Yet... Robbie was young and became more busy with other things than the piano and Robbie knew he was going to fail.

Thus, with a loss, yet with no side of the bargain, Robbie bought a chocolate cake himself for Jan, and without any words, the both of us knew that this would be the last time of the study. 

Which became more clear the coming year. Robbie did not even touch a piano for over a year and was hanging around with his friends more often. Yet after that specific year, he came home to his parents house... Looked at the piano... Thought to himself: "Could I?... then... Should I?" and began improvising with no one else in the room. Finally he accepted that this had to be his main course. 

** Read the full story on artificialis.nl ** (available in lots of languages but dutch is the main language and the rest is probably pretty poorly translated by machine translation)

Crépuscule No.2

Robbie de Groot

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