Love the change in vocal here 🤍 That synth bass awesome

Loving this rap style & lyrics 😉🔥🔥🔥

Awesome feel and vocals, great synth melody and beats!

nice one again, the turmoil of toxic relationships, the suffering...hard hitting angry lyrics. Rise above🛸

Your Mix 8

The sudden death of rock drummer Taylor Hawkins (Foo Fighters) prompted me to write this song. While preparing for a live performance, life may abruptly end, symbolized by the lyrics “a snare without a rhythm”.
Arpeggiated flat5/major7 chords open the song, creating an uneasy feel as if something is about to happen. The unexpected song's ending symbolizes that “fate cut another ribbon”.

Fate Cut Another Ribbon

The Enter Ruptions

The wacky adventures of Inspector Looso - New Fetchflix TV Show

soundcloud.com/user-461764443/sets/the-wacky-adventures-of

The Phantom is a white collar criminal that Inspector Looso has been following for weeks across the country to find his link with other financial criminals. Even though Inspector Looso installed a twin turbo on his engine, his 1969 Citroen 2CV is no more than a wreck with four donkeys running on cheap scotch under the hood. This morning the Phantom is driving his sumptuous 1939 Lancia Astura specially designed by Pininfarina to go see his partner in crime Maximilian Moneybags. Looso is flooring the accelerator in order to keep up with the Lancia Astura in the twisty roads. However, the road holding of the 2CV is as good as a sandal on a banana peel and thus Looso ends his chase in the ditch with the wheels up and the morale down. What are The Phantom and Mr. Moneybags up to anyway?  For sure, Inspector Looso’s boss will not be happy after this new goof.

“This story is a work of fiction. Any similarity to actual persons, living or dead, or actual events, is purely coincidental.”

Music: Syrel
Photography: Syrel, 1939 Lancia Astura shot at the Museo Automovilístico de Málaga 2024
 
Musical Notes: In scientific research & development borrowing from one author is called plagiarism but borrowing from a dozen is called research LOL. You may recognize at some places The Planets, (Mercury) by Gustav Holst, The Love for 3 Oranges and Lieutenant Kijé by Sergey Prokofiev, Raiders of the Lost Ark by John Williams and probably many others that I do not remember. In DAW we trust.

The wacky adventures of Inspector Looso

The Phantom Pursuit

Cast of Characters:
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums, vocals, lyrics, and seed idea 
TexMex Shaman– @texmex-shaman –Stephen– electric guitar, mastering, and seed idea
Mistermark – @user-432503709 – Mark – all instruments in the break, including clavinet, organ, bass, and drums, as well as production, editing, and mix
Llanpsych-- @llanpsych -- Tez – electric guitar
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – 4-string fretless bass 
The Eclectic Collective -- composition

This song began its life when Ken came to with a series of drum skeletons about half a year ago with the intent of starting several McDonald's themed songs that The Mysterious Decibel was writing for the group. Well MD had some life getting in the way and then decided to pursue another project full time, leaving us with four solid songs, but without vocals. Ken ended up supplying the solid lead vocals and harmonies you hear the whole way through, with original lyrics that he also wrote.
  But before any of that happened, we got this song together. Stephen was first up, coming up with the main guitar riffs that carry the whole way through. Josh responded quickly to the his guitar parts with some matching bass to go along with it. 
  About this time, Mark heard the funky break in there, and so installed every part of it all on his own, including the clavinet, organ, bass, and drums. Although, Ken is also still playing in the break, as well. When we had it pretty well set, Tez came along and added some fiery guitar to go along with Stephen's. 
  Once we had it in the can, we turned it over to Mark for his expert mix. Stephen mastered it for us, too, for the final, winning touch.
  This ended up being a satisfying product of The Eclectic Collective's teamwork. We hope you enjoyed listening to it as much as we enjoyed creating it.
Original Lyrics by K2 and The Three:

I built my library, by burning it to  the ground
I live my life, through all this singing sound
Can’t remember, what then we should’ve done
It’s up to you, now, you’re the chosen one

Scaling the riverbank
Scaling the riverbank
Scaling the riverbanks
Scaling the riverbanks

Till we reach solid ground
Pit for play dirt(pay dirt)
Muddy water all around
Sift the sandbox
There’s gold in them thar hills
Treasures lying
Skills to pay the bills

Hanging on and on
…. and I, can’t find my way up!

New to you
It’s goo to you
New to you
It’s goo to you
New to you!

Scaling the River Banks
Scale the riverbanks
Scaling the riverbanks till we reach solid ground
Scaling the riverbanks till we reach solid ground

Hanging  on and on
And I can’t find my way up!

Scale the River Banks
Scaling the riverbanks!

Scale the riverbanks!


Scale The Riverbank - The Eclectic Collective

Savage aspirations 
Devastating my discourse
I destroy relations 
Minus all of the remorse 
Wires are corroded inside
 I do not feel a thing 
Numb to all your inhibitions 
And the disrespect you bring

Fighting you no more
Fighting you no more 
Fighting you no more 
Fighting you no more 


Ticking clocks will mark the spots your mouth led you astray
Connecting dots I sense the plot
And march the other way 
I’ve been treated wrong for far too long to stay quiet, no more 
Singing songs and going is like a fucking chore
I used to walk through open doors
Now I’m only hitting walls 
I used to hope for somehing more 
I now I accepting the fall

Despite my mind 
I realize my desperation dies
I find time and visualize the times that I survived
Through thick and thin and all of it the bullshit pain from the ride 
The push and pull debauchery
Of everyone’s fucking needs 
The mouth that holds no bars
Lashing out verbal fuckery 
I insult you in bunches
Have you beg for reprieve 
My insides cannot conjure up a lie to let you leave 

So when I shit all over you you know I shit it well
As dispel your sense of self into a fucking hell
I lend faith to a broken wheel 
You have to pay to play
Now I’m broken dead and gone
Witness me a lightless flame

Fighting you no more

2006.... Lots in the noggin around then . Pretty intense vocal. I've always said I need to re record it to take the intensity out of it but maybe that makes it ...


Lyrics

Eee ahhh
This is for your God
Which is you
call back to 
or who'll nurture you
Three people (You / Mum / Dad)
I am a mind body
I am a body mind
I am the wind
I am a tree
I am a wolf
I go free and this I gulp

You are a mind body
You are a body mind
You are rhebind if you accept my kind
You are free to be a wise wolf
Eternity if these you gulp

Ah ahh ah ahh

I am a mind body
I am a body mind 
I am the wind
For I am mankind
And you are free to be whatever you want to be
Infinity
I your sense or belief or whatever you believe
Whatever doesn't deceive
it's hurts but it works but it hurts

Experience is what you bad if your that lad 
Redemption makes all good 
Ascension ain't no good or bad
Just life
No shite

📜Probe {2006 Original}

Cast of characters:
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick four-string fretless bass, Roland Phantom 6 synth, vocals, lyrics, arrangement, composition
J.J. Terrell-- @j-j-terrell—JJ--  Yamaha Genos 2 and Yamaha MoXF8 
synth, organ, electric piano, and vocal harmonies
Mistermark-- @user-432503709 -- Mark – clavinet     
Llanpsych-- @llanpsych -- Tez – Fender Stratocaser through a VST synth FX device
TexMex Shaman– @texmex-shaman –Stephen–  Gibson Les Paul electric guitar, Fender Acoustasonic acoustic guitar, Gibson Earl Scruggs Mastertone banjo, mix, production, and mastering
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums and percussion

This song started when as a vague idea Josh came up with while listening to Lionel Richie's All Night Long followed by Michael McDonald's song Sweet Freedom. He wanted to create a song that uses that same basic structure because those are both perfect pop songs in his opinion. He came up with a rough structure on his bass and piano before enlisting the help of his team of musical superheroes. 
  Ken was first up to bat, adding his magical drums and helping Josh find a groove on his bass. Ken later added the hand percussion that adds a spicy drive to the song, too. Next up was Mark, who added the funky clavinet throughout. Stephen threw down after Ken, adding some foundational guitar to the stew. He also added the awesome banjo you hear trickling throughout. Very shortly after, Tez came through with the trippy guitar solo at the end. JJ followed with the breathy organ that lifts the whole thing aloft.
  Now that we had a solid foundation to work with, Josh added the synth "horn" part in the middle, as well as the vocals, including the third harmony part in the choruses. JJ added the fifth harmony part in the choruses soon after. He also added the synth hooks throughout and synth solo at the end. Not stopping there, he also added the electric piano intro, with Ken's drums, and Stephen, who added the electric guitar in that part, as well.
  Now that the whole thing was in the can, it was time for a mix. One of our resident production experts, Stephen, did the honors, as well as the mastering. 
  This is an example of everyone in the Eclectic Collective adding just the right puzzle piece to form the bigger picture. We hope you enjoy listening to this as much as we enjoyed making it. 

Original lyrics by Josh Clary:

Got a little baggie
Got a tank of gas
Now what I need from you 
Is to light a fire under my ass

Let’s put down our phones
And turn up the tunes
By now you know there’s nothing 
That we can’t get up to

Wherever we go 
That’s where I want to be
Just as long as 
I know I have
You there with me
Because
I’m down for anything x2
And you know that’s true
You know that’s true

Whatever you wanna do
Whatever we get up to 
I’m down for anything
Anything

With you I love to eat
But I never want to sleep
Because I don’t want to miss out 
On spending any time with you

When I hear you laugh
Or get excited with a gasp
You make my heart feel like
I just ran a lap

Let go on a run 
Or figure out some fun
Or jump in the car and drive to where 
The ocean meets the sun

Chorus repeats/Chorus reprise

When you hit me with those eyes
You know you hypnotize me
And just when I think you won’t 
You can still surprise me 

We’ve done it all before
Now let’s go do it all some more
Every day is a reward 
When I feel like I just scored



Down For Anything - The Eclectic Collective

Christmas Waltz.
Wishing everyone a joyful, happy Christmas.

Navititas

Christmas Waltz

A re mix of an old recording... I felt it had a 70's sound and doubt it's ever gonna go much more than this so... enjoy a bit of 70's

A bit closer to the edge

Hey my friends! 
Feel invited to listen to my brand new song: Love Vibes (All Around). It's kind of like a surfing Christmas song (carol) by me! ❄️
I hope you will like the vibe.
Merry Christmas to each of you! ❄️
   Artur

Love is all around us

Beautiful vocals combined with modern and retro synths, upright piano, plucks, drums, and arps give this a weeknd type vibe or even tate mcrae.  Here I give you "Out Of Body."  I hope you enjoy it as much as I did creating it!

Out Of Body

Cast of characters:

Mistermark-- @user-432503709 -- Mark – backup organs (Wurlitzer and B3), VST steel drums, vocals, lyrics, composition, production, mix

J.J. Terrell-- @j-j-terrell—JJ-- Yamaha Genos 2 electric piano voice and lead organ

Llanpsych-- @llanpsych -- Tez – Epiphone Les Paul electric guitar

TexMex Shaman– @texmex-shaman –Stephen– Fender Custom Shop Telecaster electric guitar and mastering

K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums and percussion

Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Fender Precision four string bass

This song began with Mark, who fleshed out the entire thing, from the rhythm section, to the organ that you hear in there, to the lyrics and vocals, before he laid it on the rest of us. We all got a chuckle from the tongue in cheek humor of the lyrics, and were excited to work on a song about an anachronistic adventure of a soulful caveman. 
  Ken was first up with his version of the the beat, finding the soul in the rhythm. Josh was next up, of course, using his "normie" bass for the his version of the line. Once the rhythm section was in place, it was JJ's turn to shine, adding his slick, soulful e. piano to the mix. 
  Now that they had a solid foundation on which to play, Stephen and Tez added their guitar magic to the mix. Stephen with the rhythm and the fills, and Tez with the ripping solo at the end. Mark also added the festive VST steel drums that you hear throughout at this point, too. Now that the music was laid down, he perfected his awesome vocals to complete it.
  It was in the can at that point, and just needed Mark to throw a pro sounding mix on it. Then, Stephen mastered it in his always expert way to finish it off.
  Mark wanted to record an old skool classic Soul song (a la Al Green), which he did, all on his own. But then, once he unleashed it onto the EC gang for their interpretation, they ran with it in a whole new, almost tropical direction, and it was decided to release 2 versions of the song, both of which you can find on Mark's page. Stephen does double duty on guitar for both versions. 
  This was a real team effort, even though it's really Mark's baby. The Eclectic Collective has many different methods of creating music. This one was a great exercise in trying to bring about Mark's vision. We hope you enjoy listening to it as much as we enjoyed creating it.
Original lyrics by mistermark:
(Verse 1)
Walking through this concrete jungle
I’m just trying to stay out of the way 
just me and ol’ Rex, my furry companion 
we been fielding funky looks all day
then somebody saw me kicking rocks with my bare toes
he said buddy have you lost your way?
then I sat right down and I started to cry
and this is what I had to say…

(Chorus)
I’m a caveman, I can’t catch a break
everybody says I’m so passé 
I’m a caveman, it’s too much to take
I’m ancient history or so they say 

(Verse 2)
Sittin’ in my man cave watching the clock crawl
there's nothing good on my tv 
my big grubby hands can’t flip thru the channels
i cant even hold a cup of tea
I was chatting on the phone making plans with a lady
a little bit of company
but my date split QUICK when I opened the door
man I wonder what’s wrong with me

(Chorus)
I’m a caveman, I can’t catch a break now
the ladies say I’m so passé 
I’m a caveman, it’s too much to take
I’m ancient history or so they say

(Verse 3)
The big city’s fine but something’s on my mind
I feel a little incomplete
I miss my old club, for rustling up some grub
and the touch of grass below my feet
I’ve been around longer than all your creation, 
like the rocks and trees and streams
I wanna get back home, where forever I’ll roam
even if it’s only in my dreams

(Chorus/outro)
I’m a caveman
I can’t catch a break 
everybody says I’m so passé 
I’m a caveman, it’s too much to take
I’m ancient history or so they say

I’m a caveman, 
must be come kinda mistake
everybody says I’m so passé 
well I’m a - a caveman
It’s too much to take
but

Caveman( EC Version) -Eclectic Collective

LookUp

Cookie Jay's birthday.. she wanted to do a mad take on her fav Buzzcocks track. So we did

Ever fallen in love (cover)

It's a cool way of building a tune. 

For the second time...


Record on phone

Then play along with the recording and record it again live. Having a full jam with yourself... or at least it feels more like that cause they're one shot runs.... Proper musical schitzophrenia 😆🔆

I like the radio like compressed effect you get from the first recording on the second recording  too so you get a naturally unusual mix by doing nothing else other than play it twice

April

‘’Pukaar’’ is a haunting rock ballad about a guy left alone after the love of his life walked away, leaving nothing but silence and shadows behind. The song’s slow-burning guitars and aching vocals paint the picture of a man standing in the dark, calling out her name, hoping she’ll hear him — even if she’s long gone. Each chorus rises like a desperate echo, filled with pain, regret, and the faint spark of hope that she might come back. It’s raw, emotional, and powerful — the sound of love slipping through your fingers, and the heart refusing to let go.

Pukaar

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

I have a mind and soul that uses music as an extension to express itself.  I'll find the right keys or chords or just catch a vibe and things happen. I mix it down into a sonic symphony for my ear drums and a visceral voyage for the soul. It might not sound like what's on the radio or anything like your favorite band but I'm not trying to. I simply do what It is I can do best. I do me. Simple. Authentic. Raw. 

My sound is a mix of rock and electronic elements. I've been influenced by many types of music and you'll hear it all blend together nicely if I'm hitting my mark proper. My production methods are a mix of Ableton, my guitar, my midi keyboard, and my mind. Basic, but enough to do some damage.

Bon Appetite  \m/

Fighting you no more

Razzi

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