Someday After All

The first song from the collaboration of Robbie Gennet and Jaco Caraco

I Miss You by Robbie Gennet & Jaco Caraco

Beautiful Ways
Lyrics and music written by Diane Ward © all rights reserved.

From the album "Beautiful Ways"
Produced by Jack Shawde & Diane Ward

Musicians:
Diane Ward - lead & backing vocals, keyboards, tambourine
Jack Shawde - electric guitars, siren
Debbie Duke - bass
John Yarling - drums
Nicole Yarling - backing vocals

Lyrics:
Give me your will, give me your breath
I wanna feel inside and no one else
Baby, it’s you
Hold out your hand and close your eyes
I wanna walk you through to the other side
I’ll give and you’ll get

It’s 1 for a colorful dream
It’s 2 for a heart I adore
It’s 3 for your beautiful ways, so what am I waiting for?
What am I waiting for?

This city heat’s gonna tear us down
I feel such a wreck when you’re not around
And guilty with you
I bite my lip from the fear and the freeze
And the sound of a voice in my ears
Trust and you lose

It’s 1 for a smile carved from grace
It’s 2 for a heart I adore
It’s 3 for your beautiful ways, so what am I waiting for?
What am I waiting for?

Beautiful Ways

A cheeky ode to love, to be sung to your paramour in the boudoir! This song first appeared on the Fonogenic EP by Robbie Gennet

Naked In The Night

Guerrero

Recorded, arranged and produced in Fort Lauderdale on 2/12/15 by Adam Matza.

Animoog, Alchemy.

Wake & Bake

From a voice message from Lisa "Noodles" Hayden to Scott McGrath.

RIP, Noodles.

Noodles on Soul Circles

Highlights the 105m, the drone loop the track is built over is processed with a percussive setting, and the only overdub is another percussive voice, in this case a looping preset on the Sub Phatty (bank 1, preset 2) feeding the sync on the 107 which in turn is run through the 105m to create hand drum-like patterns, which were sped up & down to follow the motion of the piece. The drum feel is augmented by feeding that signal through 108m to accent different resonances of the tone. Slow animation of the 105m across the main track (with mix & envelope around 7 & rate at 2) creates a subtly shifting stereo signal from the Sub Phatty's mono output.

Someday After All

Robbie Gennet

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