@poor-relatives

Suemori - Yasoshima Kakete
Pavel Milyakov & Bendik Giske - Untitled 2
Hiele - Gestures
estrel1_2_april		
Oneohtrix Point Never - Shifting
Gooooose - Ion
Hyperlink Dream Sync - Loyalty To Tech
Geins't Naït and Scanner - Miki
Don Bradshaw - Distance Between Us part 1
Sjunne Ferger’s Exit - Strangelove
Minae Minae - Algenuberzug
Twinkle 3 - Opik 2099
Charlotte Leclerc - Quand Vient Le Jour
Kiri-Uu-Creak - Whoosh
Veimevaka Jagamine - Distributing The Dowry
Laughing Hands - Four
David Chesworth - Schoolbooks Decide

Khidja | Noods Radio | 26.04.21

Tracklist :

Get a Room ! - Jungle Night Walk
Alternative Theme From Gay Man's Guide To Safer Sex - Coil
Variation sur trois bancs (Pilooski Massane Love Remix) -Golden Bug feat The Liminanas
Zorro Colorado - Iro Aka
El Esquema de Tu Latido - Senthulà
De Puta Madre Terra - Front de Cadeaux
Tokoyo No Kuni (Wolf Müller Remix) - Golden Bug & Vega Voga
Le Réveil - DC Salas
Tamba - Golden Bug
Derrumbes Y Escaleras (Chez de Milo Remix) - Vontier & Mago
Tachyon Frog - CCL
Slavery of Mortality - K I A
Elektrisk - Oprofessionnell

PONT-LEVIS @ Kiosk Radio 24.11.2021

So here is the other part of the third episode of our audiovisual series 'Render'. Alongside Vatsanah, Aurin played a ride on the energy and mood rollercoaster.

@aaaurin

RENDER : Aurin

On June 24th I released my debut album titled „Strapazen und Genesung“ / „Strain And Recovery“ on the Amsterdam Label Knekelhuis. In this show I introduce you to parts of the record, accompanying thought processes as well as music of others that inspired me along the way.

Framework & Context at Operator Radio (30.06.22)

in 2007 boomkat invited me to do an exclusive set for they CDR mix session series. Its out of stock for a long time. I think i´ll play some of it at Letra Tone festival on the 11th of April at Radialsystem Berlin.  c u there! 

pataphysical mix tape 01

After a failed live show attempt on the Tuesday due to some technical issues, we ended up recording this 2 hour b2b instead and it streamed on Thursday 30th November instead. Here's how it worked out. 

Tracklist:

Shanti dub - David Starfire 
Machine learning - Doctor Jeep
Sylph- Coucou Chloe 
Orck- Gesaffelstein 
Born Free - M.I.A. 
Lancer - Prakikal 
Pleasure Is Everything - Mark William Lewis 
Ambient Dance - Earth Trax 
Littered Horizon - U-Art 
Dolce Morte - Soft Crash 
La Blues (Marie Davidson Remix) - Special Interest 
Disco - Sextile 
Wendy (Venderstrooik remix) - Caline with C
Cut to Cleanse - Kontravoid 
Monkeys Run The Planet - New Hook
Kings Valley - IM KELLER 
27BD - Binary Digit 
Pitbull (vocal mix) - Deft, Tim Parker, LVRA 
New Symbols (Manni Dee Remix) - SCALER 
EBM 1 - Thomas P. Heckmann 
At Night - The Hacker 
Rupture (Hardspace Mix) - Helena Hauff 
Maia - Pleiadians 
The Cold Song (Arnaud Rebotini Remix) - Klaus Nomi 
Make Love To A Machine -  Acidulant 
Hope - EPROM 
Largatixa - Doctor Jeep 
Make Some Noise - DJ Crisps 
It’s Called A Dip - Animistic Beliefs 
Meet Her At The Love Parade - Da Hool 
Running - IMOGEN 
Turn The Page (Theon Bower Bootleg) - Overmono x The Streets 
Atomic Instability- Dirk Wiertz 
Eh Wut - Addison Groove 
Hide & Seek - Dina Summer 
Burning Eyes - Neu-Romancer

Feed The Void w/ Birds B2b dj leroy 30/11/23

Bass Commander - Fear No System [09.12.2023]

The third entry in Lucy’s trio of adventurous full-lengths is visually introduced by artwork of a pearl-bearing shell, designed by Stroboscopic Artefacts’ resident visual artist (and Lucy’s brother) Ignazio Mortellaro. This drops a subtle hint as to the nature of its contents: just as a pearl slowly forms within its enclosing body in response to organic challenges, Lucy’s work is also a kind of crystallization of memory and experience into an artifact of great value.
Listeners to this album will be struck immediately by how different it sounds from past Lucy productions, while still retaining the feel of relentless questing that defined his previous two solo LPs Wordplay for Working Bees and Churches, Schools, and Guns (or, as Lucy himself defines the feeling, the equal valuation of “precision and exploration”). Initially feeling like Lucy is guiding his listeners on a slow and slightly apprehensive down-river trip through the Amazon, or some similarly thriving but as-of-yet undiscovered terrain, the album is enriched by several layers of ambience and by the wordless, improvisational (yet still somehow narrative) vocals and flute of Jon Jacobs. Without a doubt, it’s an album with an “initiatory” atmosphere that listeners should commit themselves to hearing in one sitting, with as little interruption as possible. However, unlike many initiatory rites, this is no arduous ordeal at all: great care has gone into connecting each chapter of the album with the same silver thread of entrancing story-telling. On standout pieces like “She-Wolf Night Mourning,” electronic arpeggiation and persistent synthetic flutters perfectly merge with the unique tone colors of resonant acoustic percussion and pensive woodwind. Elsewhere, pieces like “A Selfless Act” reconcile technoid pulses with melancholic, yet intoxicating echoes of Mediterranean musical traditions.
Interestingly, many of the tracks on Self-Mythology refer to old legends and well-known fairytales (e.g. the opening track which references Baba Yaga’s magical hut), or to more broadly defined states of consciousness (“Samsara,” which features an especially strong, sustained choral interplay between glassy synth sequences and earthy flute sonorities). This is where the album is truly unique and relevant in its ambition. The interplay between the graphic design, the vocal and flute performances of Jacobs, and the sound design chosen by Lucy aims to be an intimate audio autobiography of its creators while also referring back to the stories that have shaped human destiny for millennia. This work is a meditation upon the reciprocity between personal hopes and fears and collective dreams and nightmares; an exploration of the endless interplay between the universal and the deeply individual. It is the tale of that uncanny process by which our own conscious experience draws from the pool of archetypal information, while also contributing to it.

Lucy 'Self Mythology' [SALP004 - SACD007]

Tripitaka pitched down rework

Photo by @philstruck

Tripitaka (Slowed Down Rework)

INTERVIEW > inverted-audio.com/mix/hodge

@hodgebristol steps up to our podcast series with an all-ambient mix recorded live at @elevatorshanghai - It's a headlong experience that awaits, lulling you into a world of beatless serenity and vaporous captivation.

IA MIX SERIES

Read

IA MIX 293 Hodge

For full track listing click here: https://bleep.com/features/bleep-mix-116--gimmik

Here we have an incredible edition in our Bleep Mix Series from Martin Haidinger aka Gimmik, one half of Abfahrt Hinwil alongside Chris Cunningham. Morphing from the pioneering work of Eliane Radigue through IDM styles of Miles Tilmann on Toytronic, minimal techno from G-Man and seminal dub techno from Maurizio. Featured later on in the mix we have more work from Gimmik alongside tracks from the recently reissued @abfahrthinwil album Links Berge Rechts Seen.

Bleep Mix #116 - Gimmik (Abfahrt Hinwil)

Robert Lippok has been testing art’s outermost edges for over four decades. His background at the costume department of the German State Opera in Berlin, the studies at the School of Art and Design Berlin-Weissensee, and the pioneering band projects Ornament und Verbrechen (1983) and To Rococo Rot (1995 – 2014) informed a transversal practice spanning from music composition, visual art, stage design, performance and costume design.

Experimenting with a wide range of music technologies, found objects and self-built instruments, Lippok’s pieces – whether an album or an interactive installation – have always transcended mere self-expression to address the role of art as a space-carving and architectural practice. Through the years, his works have been exhibited in the Palais de Tokyo, Neue National Galerie, Hamburger Bahnhof, Künstlerhaus Bethanien, Haus der Kunst in Munich, Gropius Bau, and the Athens Biennale amongst others.

Lippok’s ever-present interest in collaborative and interdisciplinary projects catalysed joint ventures with international artists including Doug Aitken, pianist Ludovico Einaudi for an extensive tour, choreographer Constanza Macras , opera director Sebastian Baumgarten, and multimedia artist Julian Charrière.

Known for his long-standing contribution to raster-noton’s catalogue through timeless avant-techno releases, notably “open close open” (2001), “redsuperstructure” (2011), “Applied Autonomy” (2018), Lippok’s live appearances have been presented at worldwide festivals and venues such as ADE, Berghain, CTM, Funkhaus Berlin, MUTEK, Sonar, and Unsound.

Robert Lippok’s dedication to research has engaged him with renowned institutions for creative investigation and education, being part of the curatorial board of the spatial audio system 4DSOUND, a member of the board of trustees of the Spatial Sound Institute Budapest, and a fellow of Olafur Eliasson’s Institut für Raumexperimente in Berlin. From 2017 to 2022, Lippok was a tutor at New York University in Berlin, where he taught the production class “Experiments in the Future of Production and Performance”

pataphysical mix tape 01

Robert Lippok

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TweaKnobz

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ref11

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