From the soundtrack to HBO documentary 'Mea Maxima Culpa: Silence in the House of God'. Original score by Ivor Guest & Robert Logan; nominated for 'Outstanding Music Composition for a Miniseries, Movie, or Special' at the 65th Primetime Creative Arts Emmy Awards. 

This piece written/performed by Robert Logan. Production: Ivor Guest/Robert Logan. Cello part played by Philip Sheppard.

Buy soundtrack here: https://itunes.apple.com/gb/album/mea-maxima-culpa-silence-in/id716676829

Mea Maxima Culpa: Opening Credits

From 'The Three Worlds', an album released under the pseudonym Firehand.

Vocals: Lianne Chan

For more information:
https://firehandmusic.bandcamp.com/album/the-three-worlds

Ravish

Written/produced by Lana Del Rey/Robert Logan/Ivor Guest. Unreleased.

Strangelove

Feafora

Music created by Ivor Guest & Robert Logan.

Recorded at Microcosm and The Shed, London during 2007, 2017, 2018, and completed by RL at The Shed in 2022.

“We monitor many frequencies. We listen always. Came a voice, out of the babel of tongues, speaking to us. It played us a mighty dub.”
― William Gibson, Neuromancer

Hackers [with Ivor Guest]

Composed and produced by Robert Logan, October 2022.

https://robertloganmusic.bandcamp.com/track/kunming-love-theme

Kunming Love Theme

From a collection of synth pop (!?) tracks created between 2005-2022, released under pseudonym Robot Logon. Pay-what-you-want download!

https://robotlogon.bandcamp.com/album/space-trains

'Space Trains'

A one-room-flat can became a hidden refuge for everything a kid needs: robots, space travel, virtual forests, pixel animals, bad programming attempts, magical-digitally-injected affections. There you are, in a small warm purple-hazed room inside, while outside is cold and bleak - though room can see to room. There is the flicker of CRT screens, of early videogames not taking themselves seriously but still eliciting visceral emotional responses in you to this day. Their beeping tentacles reach out from the past and hold your current brain! And on this day you remember the naive escapist sci-fi dreams and indistinct elations of childhood - the uncomplicated friendships, the visions of ludicrous and scary digital beings, weird school documentaries about electricity, the emotions of computer pets and voyages to 8-bit alien planets - all against a dark background. The warmth is felt, and tears fall.

'"Playing" is not simply a pastime, it is the primordial basis of imagination and creation.' - Hideo Kojima

Virtual Tropics

Taken from my third album, 'Flesh'.

https://robertlogan1.bandcamp.com/album/flesh-2

---------------------------------------------------------------
‘Flesh’ is Robert Logan’s third full-length album and sees him further develop his idiosyncratic sound whilst continuing to open up new possibilities within the field of electronic music. As ever, Logan’s methodology is rooted in an obsessive desire to push the technology at his disposal to the limit – all his sounds are created from scratch or are created by deconstructing found sounds and acoustic instruments through extreme digital processes. Moreover, most of the album is composed using quarter tones, an experiment which is most in evidence on tracks that feature contributions from Andy Knight [Emporor’s New Clothes] on pocket trumpet. Other contributors include Sarah Sarhandi on viola and drummer Frank Byng [Snorkel, Prescott] who guests on the first three tracks and is a nod to his live band set up. This contrast between ‘live’ instrumentation and his own digital methods taps into some of the themes that Logan is exploring in the music and that give the album its title – ideas about flesh and spirit, technology and nature, mind and matter.

"The album's velocity has the stability of a high-wire walker, but despite outbreaks to the contrary, Logan's ammunition isn't stuck on autofire. Methodical pincer movements puncture sceneries like balloons, and Logan layers technology like a game of skyscraper-high Jenga ('Photovoltaics')… …Logan is out for his pound of 'Flesh', and once again comes back quids in. 8/10" [Clash]

"The album veers between mutant dubstep [Viker Raver] and sledgehammer techno [Straighten], heading into otherworldly, blissed-out opiate moments via analogue alien oddness. Typical of any really good trip, it's really difficult to define. 9/10" [DJ Magazine]

'Flesh, his third album, a musical object so radical and daring it seems not to belong to his time.' [Trax]

"meticulously produced, methodical and brilliant." [Igloo Magazine]

"Flesh is like a lot of things, and yet it has a personality, a usefulness, a quality all to itself. Recommended." [Louder Than War]

"If you haven’t heard his work yet, you’re in for a treat." [Space and Sound]

"Flesh exemplifies a conspicuous degree of confidence and assurance. What's particularly noteworthy is that, although the hour-long collection draws upon myriad styles, among them IDM, funk, folk, classical, and electronica, Logan fuses them fluidly such that no one style asserts itself to the exclusion of others." [Textura]

"…a challenging but ultimately rewarding listen; initially jolting yet meditative, the shadows it creates lure you into an all-encompassing world of unsettling dreams and hallucinogenic scenes. This is uncomfortable in a manner that intrigues and delights as much as it scares – go on, I dare you." [Digital Fix]

Playground

Voice Of Oxidation [release tbc]

Taken from my E.P, '16 Bits of Heaven'.

Composed, produced and performed by Robert Logan.

https://robertloganmusic.bandcamp.com/album/16-bits-of-heaven

16 Bits of Heaven

"Playing is not simply a pastime, it is the primordial basis of imagination and creation." - Hideo Kojima

From the E.P '16 Bits of Heaven' E.P:

https://robertloganmusic.bandcamp.com/album/16-bits-of-heaven

Mode 7 Vision

Metroid's Memories

It seems a shame so much unreleased music should sit on my hard drive unheard, so here’s an excerpt of an improvisation with Brian Eno from 2007. 

See my bandcamp page to download the piece and for more information:
https://robertloganmusic.bandcamp.com/album/envoid

Brian Eno & Robert Logan Improvisation 2007 [excerpt]

My first new album in eight years - 'Brutalist' - is now available for preorder at Slowfoot Records. 
Please see this Bandcamp link for more on its background story (and if you do want to get it, use the code 'brutalist' when preordering to get 15% discount) -
https://robertlogan1.bandcamp.com/album/brutalist
Many thanks. 🙏

Black Mamba

2008 Robert Logan remix of 'Corporate Cannibal' from the Grace Jones album 'Hurricane'.  

Grace Jones Corporate Cannibal Remix

Written/produced by FKA Twigs and Robert Logan in 2008. Unreleased.

Electric Affection - with FKA Twigs (unreleased)

Track 10 from my album, 'Brutalist'. For more information: https://robertlogan1.bandcamp.com/album/brutalist

The Four Angels

From the 'Extasis E.P', out now on Slowfoot Records.

robertlogan1.bandcamp.com/album/extasis-ep

itunes.apple.com/us/album/extasis-ep/id986530192

Also available from Amazon, Boomkat, Juno Download, etc.

:-)

Axon

Track 7 from my surprise new album, 'Regenesis' [coming just months after my previous double album 'Brutalist', released on Slowfoot Records January 2025.]

A link to the album:
https://evel.bandcamp.com/album/regenesis

Riser

https://slowfoot.bandcamp.com/album/flesh

Vespine Domain

An edit of track 2 from the album 'Biosonic' by Steve Roach & Robert Logan. Released April 2016 on Projekt Records.
 
Presented on 'Biosonic' as part of a 70-minute continuous flow.

Album available now at Projekt Records and Steveroach.com: 
www.projekt.com/store/product/pro00326 
http://steveroach.com/store/store.php?artistID=275

See also: 'Second Nature' by Steve Roach & Robert Logan
https://projektrecords.bandcamp.com/album/second-nature

OmniGen [with Steve Roach]

From the album 'Flesh Decomposed', out now on Slowfoot Records.

For more info: slowfoot.bandcamp.com/album/flesh-decomposed

Pocket trumpet played by Andy Knight.

Four Wheels

'Sharks' is the opening track on the new 'Pop E.P', which celebrates 10 years since the release of my first album, ‘Cognessence.’
Thanks to Skye Edwards for vocals.
'Pop E.P' is currently available as a name-your-price download on Bandcamp. For more info on the release, see below:
https://robertlogan1.bandcamp.com/album/pop-ep

Pop E.P

Name-Your-Price

Sharks

https://firehandmusic.bandcamp.com/album/sky-gardens

Midday Swirl

Cues from Academy Award winning 2007 documentary 'Taxi to the Darkside'. Composed/produced by Ivor Guest & Robert Logan.
Remastered by Robert Logan in 2019.

Vocals: Amar Dhanjan and Faheem Mahzar.
Cello: Philip Sheppard

Taxi To The Darkside

https://robertloganmusic.bandcamp.com/album/you-me

"...something of a prodigy... ...Robert Logan is a man that is already showing a maturity and a musical/textural understanding that many never find" [BBC]

"The essential last word in electronic soundscapes." [DJ magazine]

"Fraught and broody... ...Logan is versatile and imaginative." [The Wire] 

"brooding fractured rhythms and dark electronic atmospheres..." *** [Q magazine]

"Robert Logan keeps his creations on a tight leash, though; it’s all choreographed scissor-kicks, controlled texture-bleeding, with a dexterity of sound design beyond the brutalism of the cut-and-shut splice-and-dice merchants of mentalism." [igloo magazine]  

"This is awesome. The last word in studious electronica's re-imagining of Grime and Dubstep. At moments it is preposterously architectured, like a housing estate built by Iannis Xenakis hellbent on fully exploring the possibilities of concrete." [Woebot]

“Cognessence is so rich and varied in its moods, and so thoughtfully and expertly textured, that the results pretty much transcend the requirement for comparisons – the album sits entirely on a ledge of its own." [Barcode]

"There are few signs of innocence in his sophisticated debut, either, with Logan taking on the stylistic might of titans such as Massive Attack and Autechre... ...there seems to be little out of reach for such prodigious, sure-footed talent." [Flavorpill]

"Absolutely outstanding...impossible to quantify" [Mary Anne Hobbs - BBC Radio 1]

"Logan shares a foreboding air akin to Burial but with a restless rhythmic undercurrent that sounds like it’s being
gnawed away by metallic ants." [Metro]

"Robert Logan is another one of those dudes who you'll grow to become envious of over time. Repeated listens to his debut Cognessence stir up a bittersweet mixture of awe and envy. This cat is 19 and he's doing things in his garden shed with distortion and electronics that makes speakers quake in a very different way." [Rock A Rolla]

"With his debut album, Robert Logan had set the bar rather high, but he effortlessly surpasses it with this second effort... ...With Inscape, Logan has delivered one of the strongest records of the year so far." - 4.7/5 [Milk Factory]

"Inscape is a technically impressive piece of work, and a treat for all sets of ears that pine after flamboyant, intricate electronica." [Boomkat]

"Those familiar with Robert Logan’s work will know what a pioneering force he is on the electronic music scene.” [Buzzin Electronic Music]

"Logan’s first album Cognessence was described as “the essential last word in electronic soundscapes” but I would say that Inscape is the essential first word in electronic soundscapes as he’s ripped up the rule book with this one and started again." [Fly Global]

"Logan’s music is strong enough to standout on its own" [Headphone Commute]



Robert Logan

Pinned to spotlight

Popular tracks