Dobry kawałek. Fajny klimat, brzmienia i przyjemne wokale.

Fantastic production, Roberto! 🎵 The progression and structure of this track is so well crafted - love how you've layered those sound elements and vocal snippets! 🎧 The arrangement flows beautifully and creates such a dreamy house vibe. ✨ While it leaves us wanting more (a slightly longer version would be epic!), every second is pure quality! 🔥 Those house elements you've included hit just right. Stellar work! 🌟

This is so Powerful in Ambience. Wonderful Production of BassLine and Melodies...🔊🔥

🔥🔥Awesome song🔥🔥
🔥What great vocals & instrumental accompaniment ..
🔥awesome job with the arrangement & production 
👏👏👏Bravo👏👏👏

[UNDER CONSTRUCTION]

Meet ____________ (insect and spider specie, when my computer is fixed)

Calm and Steady tracks series no. 489

created on 2024/12/06

Picture CREDIT (none yet, there's no picture so far ; )

hk_calm-steady_tracks_489

Written 1984 by Terry Reeves
Performed by: Vocals - Terry Reeves, Guitar Terry Reeves, Bass - Brian Reeves
Recorded: Wallington Croydon London


For me George Best was the greatest player that ever lived, but suffered from being better at what he did than everybody else. 
At one time in my life I think I was within an inch of becoming an alcoholic and yes at the time it solved all my problems. I was rescued by a beautiful women but unfortunately George was not.
He was one of my greatest heroes and I spent a large amount of my early years trying to emulate some of his football skills. I was given the opportunity to meet him on two occasions and he was a really nice genuine man and I was really upset when he died.
My brother Brian and me completed this recording in one afternoon and he came up with the fantastic bass line, it was always our intention to develop it and take it further.

This is my tribute to George Best

LYRICS

Yes I drank the bottle dry
Please don't ask the question why
Just except this drunken man
Drinking for another plan

Couldn't take things in my stride
Second place it hurt my pride
Told to take some time to think
Think I'll have another drink

CHORUS

Yes he's the greatest he really has it all
The king of any man who ever kicked a ball
He makes the head lines every time he shows his face
I wonder if they know our hero up in space
If not it's just a disgrace

He's here
Georgie   
No fear

Tried to force me to retire
From the bottle I admire
Knew I'd lose out in the end
Destroying me or my best friend

Belong to no one else but me
I'm not public property
I know I have myself to blame
Life is not my favourite game

CHORUS

It's not as sad as you might think
Not looking for a missing link
And I don't need an open door 
Cause all I have to do is poor

Georgie Georgie come back Georgie
Georgie Georgie come back Georgie

Best Of Both Worlds

overexposed negative of the garden

BOUNCE

Vocals Jo Richter and jeff gardiner

poem by Jo Richter

The timid tip of your toe won't do
Tensions tighten till you break through
 scintillating Screeds of singular hue
turtle purple, piranha blue.

The torrid tip of my tongue won't Try
to call out the creatures that boldly swim by
superpositions of fact and belief
when the riff vibrates the sea and the reef.

Cymbals bells lyres when the goddess is near
it Says as is quintillion tier
The tentative tug won't tear down the tarp
Zen scholars tend the unplugged Harp...

The Tentative Tug-- with Sonic Structures and Silent Stretches

Kocioł Chałwy

080924_t1_t1

The camper was making dangerous chemicals...💊🩹
I was inspired by foreign dramas!!📺✨
thank you for listening！！
DAW: Cubase pro 13

Spotify↓↓
open.spotify.com/artist/312MPUfW0fyacOfLoDMc9u

Instagram↓↓
https://gate.sc/?url=https%3A%2F%2Fwww.instagram.com%2Fsuperps32023%2F%3Fhl%3Dja&token=68bce4-1-1686833662817

Science Camper

Finest Drunk Teaser

To save the human race from all evils,
Gods said to Pandora: we give you this box to keep
and do not open this box, do not open this box! 
Pandora's curiosity opened the box
and all the evil in the world crawled out.
She quickly closed it, leaving only hope inside,
and the pessimism of "false expectation". 
The evil is out there, but still there
is hope for better.
Can we fix that?

Pandora's Box

Night dreams

Semantic Error

Cast of Characters:

David Marconi — @david-marconi-917184705 — electric guitar, bass, foundation synth plus midi percussion and assorted traditional voices, production, mix, and composition
Elpiverse — @elpiverse — Elpi -- vocal composition, arrangement, and production
Ron Lewis — @ron-lewis-779503933 — synth 
TexMex Shaman --  @texmex-shaman –Stephen– sitar and mastering
Mistermark – @user-432503709 – Mark – talking drum
Llanpsych-- @llanpsych -- Tez – electric guitar
J.J. Terrell-- @j-j-terrell—JJ-- synth flute
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums and percussion
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – 5-string fretless bass
AliasZen (Elpi's husband) — artwork (created with the help of AI)


This song began with David, who wrote it on the guitar, synth, and bass over a programmed beat he created. He and Josh met more than two months ago and decided to do a collaboration, based on mutual enjoyment of and respect for each other's music. Dave had this song pretty much fleshed out, although it was still a skeleton when he offered it to Josh, who, of course, got the rest of the Eclectic Collective involved. 
  Dave asked us all to compose our own parts for the song, so we all got to work right away doing that. We all realized that the first order of business would be to get a real beat on this, so Ken accomplished that task with some dynamic, Eastern inspired drums and percussion, which he plays throughout the song. JJ then stepped in and added his best eastern flute magic. Stephen was next with the perfect-vibe sitar you hear in the first two sections. 
  Josh came next to add his five-string fretless bass to the mix, augmenting David's high, staccato bass with his deep, low tone bass. Then, for the third section, where David's Gilmore-esque guitar solo resides, Josh drops out, allowing for Dave's awesome bass playing in that section. However, Josh does come in again towards the end, in the final section, too. Also, in that section, Tez dropped an augmented, harmonic, electric fire, complementary guitar part. Then, David's frequent collaborator and friend Ron added some well blended, ethereal synth to the first section, too.
  Once we had the instrumental parts pretty much laid down, we began to discuss getting a woman to sing on this, as David was inspired by The Great Gig in the Sky, by Pink Floyd, and we all agreed. Who we found to do it actually blew all of our minds. JJ, being familiar with her music, contacted Elpi first, and we were all lucky enough that she agreed to do it. Having heard Mediterranean music all her life in Greece, she tapped into what her husband said were her "ancient Greek roots," for her spectacular vocal performance. She finds all the modal notes and places them perfectly throughout her sections. 
  But before we were done, Mark came through with some really striking talking drum parts in the first two sections, too. Once we had everything in the can, David took over, both with some masterful editing and production, and with the balanced, dynamic mix. The mix was a formidable task, but he did it with considerable skill, also taking everyone's opinions into account, which is a talent in and of itself. When he was done with the mix, he turned it over to Stephen for the mastering, which the latter did to everyone's satisfaction, as always.
  This is the first song the Eclectic Collective has done with David, Elpi, and Ron, and we all hope it's the first of many, as we welcome them into the EC family. They all have some wonderful music on their pages, too, so do yourself a favor and check out all of them, as well. We hope you enjoy listening to this song as much as we enjoyed creating it.  

TheSiege

Sweet dreams, collected relaxing music

you are currently fourth in the waiting line

Echoes in Steel

Follow us on Beatport and all streaming sites; Spotify and more.
If you want a musical production contact us at the following email address: djarcadeproduction@gmail.com
or send message at : +39 392 22 53 816

℗ 𝔻𝕁𝔸ℝℂ𝔸𝔻𝔼 Production

Lost in the dream (feat. Daisy Allen)

A liquid drum & bass track with female vocals and a laid back vibe

Dont wanna fall

https://www.instagram.com/robertoklavi?igsh=ejNpMnNpNTRrNXMx

https://www.threads.net/@robertoklavi?invite=0

https://youtube.com/shorts/uapOPoFIpAw?si=5jXDypbwKqb1BZ8j

electronic music and keyboard player. 🌟 From an early age, I grew up in the world of sounds, and my heart always beat to the rhythm of rock and roll. Today I create songs in trance and techno styles, exploring the endless possibilities of synthesizers. My favorite instruments are: Yamaha MODX8 - a powerful synthesizer that opens the door to countless sounds. Roland Gaia 2 – perfect for creative experiments. Bass Station – giving my songs depth and character. I invite you to follow my musical journey! 🎶✨ #ElectronicMusic #Trance #Techno #Keyboardist #YamahaMODX8 #RolandGaia2 #BassStation

Genocide, June 2025:
Israel is only the executioner, every nation which has armed that country in the past year is an accessory to that genocide, an accomplice, a facilitator.  We cannot talk about war crimes because when you target unarmed civilians, mostly women and children, we are talking about a massacre, like terrorists do, not a war. The people who orchestrated that massacre, in the US, the most duplicitous, followed by those of the UK, Germany, France, and probably a few lesser ones should be tried for crimes against humanity just as well as Netanyahu and his cabinet, because it has been going on for two years, generously reported by media of all kinds, so the enablers knew exactly how the arms were to be used, as a tool for revenge, domination, and humiliation of the Palestinian people.  The conflict has ceased to be about the defense of anything for months.

The parties responsible have made a mockery of decency, morals, fairness, proportion, or justice, not to mention empathy.  Of what little there was, these concepts will be a lot longer to come back than they were to be struck down.  

Is it 1984 already?!?!
 ...

I have not been able to recover access to my other account [https://soundcloud.com/ha-kekong] for a couple of years.  I have tried a few times to get back into it but SoundCloud doesn't trust me.  Same phone number, same email addresses, and they still claim that they can't verify my identity.  I created that account about three years ago as a substitute to my regular account which SoundCloud temporarily closed.  They closed it as part of some upgrade procedure in their system, the result of a bug that affected many accounts, about two years ago.  Since SC did not inform its users I didn't know if that was permanent or not, so I created that other account which I can't access.  Don't be mad if I have not replied to your message in the past two years, that's because I never got them ; ) ... You can always reach me here though.
...

This one here (957729823) is for regular folks.

I love you, both.

...

You can't see it because of the angle with which I took the shot, aiming down, but beyond those blocks is the sea.  To the left is the Mediterranean, to the right is the Atlantic Ocean.  No it's not Gibraltar, but a little bit further West. ... Actually I checked recently and it is further North more than West, I thought I was facing South when in fact I probably was facing the Atlantic ocean, which is why I suppose the waves were of a decent size where we were.
...

My face and the bike are a courtesy of Joël Vaudreuil
[https://vimeo.com/user8897093]  ... Merci Joe!
I then went ahead and butchered his work with a borrowed helmet.
... Sorry Joe. =(
...

I'm trying to promote what I think is good music, so if you want to help out a bit I'd rather you [like] or [repost] my *playlists* rather than my field recordings, if you don't mind, unless you are a die hard fan of those things. Thank you ; )

I speak French, so if you send me a private message, and that you are a francophone, please write in French, thank you.  ... I mean, you don't absolutely have to, but I would prefer it. 

All my field recordings (except for when I record a person) are public, freely downloadable by anyone who is able to click on the button.  I encourage anyone interested to use them in any way whatsoever, on purpose or accidentally. No need for permissions or credits or any other kind  of administrative maneuvers.
...

Anarchists give me hope.

I'm a big fan of EFF.  Love ya EFF.  (no connection with the above line)
... and of course Richard Stallman and Linux and all the others.  Bless yous.

Now don't be lazy, go find out what it is this "EFF" that I'm talking about.  I'll give you a hint: it has to do with computers.

You have a nice day now.  Hugs & Kisses.

Night dreams

Roberto Klavi

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