80's Synth-Pop/New Wave

Here is my last free download for 2013. My X-Mas gift for you.
Enjoy it, but don`t forget to credit me!!!
Facebook for bookings & requests:
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Downloadlimit on Soundcloud is reached. Here you can get it:
https://drive.google.com/drive/folders/1ipYj-_uY79a-5uHO2WsBJlxdeU1izQCz

Spandau Ballet - True - The Unique Deep House Edit

Talk Talk - It\'s My Life [The Reflex Revision]

http://anthinyking.com/
Love Is Stronger Than Pride Cover 
Music Interpritation by Luis Hazlip CEO LueX Productions

Sade ~ Love Is Stronger Than Pride (Anthiny King Cover) Follow Me on IG:@AnthinyKing

if you leave - OMD (Orchestral Manoeuvres in the Dark) COVER

Coucher De Soleil (DOR Projects )

Buy on bandcamp

DJ Eef - Coucher De Soleil (DOR Projects )

Swedish DJ, producer and songwriter Johan Blende debuts on Hell Yeah with a journey to the heart of a grown-up dancefloor in the Med.

Blende is a master of mixing up retro 70s and 80s sound into modern dancefloor delights. He's been doing it for two decades on a wide range of cultured labels from Studio Barnhus to Eskimo, always with a rare charm and leftfield perceptive. With this EP, he taps into the magic of hazy afternoons turning into euphoric evenings by the sea.

'Off To Mallorca' jangles with taught bass notes and sunburnt vocals. Distant synths glow, the jumbled percussion injects just the right dose of ass-wiggling funk and this playful yet sophisticated cut builds toward a blissful rapture. 'Television' ups the ante with prickly acid panning about the mix over sleazy, low-slung drums. Tension simmers as edgy synth motifs stalk the groove and anticipation builds before the whole thing explodes into a cosmic disco payoff. It's raw, unpredictable, and perfect for when things start to get a little weird.

'Como No Brasil' gazes skyward and basks in a wash of shimmering melodies and breezy, wordless vocals that drift like clouds over layered, sun-drenched rhythms. It’s a dreamy, tropical float until a surprise acid storm rolls in and moves things from tranquil paradise to dancefloor hypnosis. Finally, 'Carousel Bagatelle' is a layered, late-night trip that feels both playful and introspective. Hypnotic synths swirl around screwy acid lines and supple, dubbed-out house drums that spin you into a daze.

Blende’s debut on Hell Yeah lands like a postcard from a perfect party - sun-dazed, acid-kissed and endlessly replayable.

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Johan Blende - Off to Mallorca

adrian wolven

cover of Robert Palmer's classic tune with production work from Kinema

Johnny and Mary (Robert Palmer Cover)

Kajagoogoo - Too Shy (Sparkos Remix)

Karaoke Hits 80's, Vol. 12

Safety Dance (Originally Performed By Men Without Hats) [Full Vocal Version]

The Psychedelic Furs - Love My Way (DeKoe's Extended Homage to Call Me By Your Name)

not my copyright, but my tribute to the greatest movie ever, Call Me By Your Name, its awesome actors and its exciting soundtrack

Eigenproduktionen

The Psychedelic Furs - Love My Way (DeKoe's Extended Homage to Call Me By Your Name)

A cover/homage to one of our favorite songs by the late Mark Hollis.
Keith:
There are so many great things about this song. It evokes so many emotions throughout the duration of the song and communicates them so effectively, yet in a pop music context that is pretty universally appealing. When you look under the hood of the song it's entirely genius how all of these elements work together to create something so unique. The arrangement, the constant dramatic key shifts, the "whale" and "bird" sounds, the very busy prominently mixed bass line, the choppy acoustic guitar accompaniment...it's a clever song that's crafted with thought, care, and intention performed well and mixed well. The timbre of the synths chosen alone is a feat worthy of note as each part represents an integral sonic character to the song that when taken away or replaced can completely change the intention of the song. Mark's lyrics are thoughtfully crafted. The melody is dynamic and varied with a significant vocal range which he handles with absolute ease.

Hollie and I chose to keep the tempo the same (it's 126...and a HALF, genius.) but to attack this song in half-time as a way to accentuate what we felt were the more languid nature of some parts of the original. We wanted this to be an interpretation rather than a re-creation of what Mark did. We kept the structure pretty close to the original as I think that's part of what makes the song really successful. In regard to timbre, I wanted to keep this very synth-based and try to achieve what he did with having different synth sections define the characteristic of the song, but put some different melodies and textures in there. As it turns out Mark's range and Hollie's are remarkably similar, so we kept in the same key.



https://www.youtube.com/watch?v=5ixRWvrkUHo

Music by Keith & Hollie Kenniff

Talk Talk - It\'s My Life [The Reflex Revision]

Robert Nikolic

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