Very nice. Love those strings makes it so emotional ... great work!

I really like the pulsed sound introduced at ca. one minute. You do it subtly, which is really effective.I also like the solo bowed string sounds very, very beautiful.

Beautifully layered strings. It's got such a sense of deep sadness, and the pulsing bass is just perfect.

I really liked the choice of chords very melancholic.

This is both beautiful and melancholic at the same time and I really like the juxtaposition.

Love that nice thick synth with the LFO, nice work

Yeah! Love that kind low keys on the piano... or whatever sounds like this...

so wonderful Minor key playing my friend i like it

More of Flipside Mantra @ https://soundcloud.com/user-544580140

Get away dust - feat.  Flipside Mantra

Hopes and Dreams

Shadows in the Past

Sumi - Shadows in the Past

Buy this track on Bandcamp: https://elallaa.bandcamp.com/track/ice
Thank you!!!
#instrumental #Classical 
Inspired by Ramin Djawadi's "The Night King"
Image from Unsplash.

This is a collaboration I have done with Hanna Bienert. She's a stunning violin player, it was a real pleasure to work with her and create this piece. Thanks Hanna!

Music Video:
https://www.youtube.com/watch?v=eirnLySxA1Y

Abstractions (feat. Hanna Bienert)

Play on Spotify

Souls Of Travel

Red Kite feat. Ren Faye

Ghost Theater for Two Female Singers, Large Chamber Ensemble and Optional Film. Duration: 11'. Publisher: Bill Holab Music: http://www.billholabmusic.com/composers/robert-paterson/robert-paterson-works/

PROGRAM NOTES

Ghost Theater was commissioned by David Alan Miller and the Albany Symphony for the Dogs of Desire, the symphony’s groundbreaking, eighteen-member, chamber ensemble. The only requirement, other than length and instrumentation, was that I work with a collaborator, so I chose award-winning, Vermont-based filmmaker Jay Craven.

The work is about what the title describes: a theater haunted by apparitions, and in particular, disembodied shadows and ghosts of soldiers killed in combat. However, as the work was created, it took on additional inspirations: the thought of being haunted by one’s past, especially via a musical lens, and also the memories of war stories told by my father when I was growing up, who was born and raised in Rensselaer, right outside Albany, and who was stationed in Korea during the Korean War. Throughout the work, I interweave abstract references to pieces and composers that have not only inspired (or haunted) me, but also my mentor and longtime friend, Christopher Rouse. In particular, I quoted the drum part for Led Zeppelin’s When The Levee Breaks, the same drum lick that also appears in Rouse’s Bonham for eight percussionists. The entire piece is presented as a series of connected, pseudo-programmatic vignettes, each one flowing into the next, without break. The vocal texts are derived from three sources: an epitaph found on many European gravestones, and brief quotes from poems by Wilfred Owen and Pablo Naruda.

Although this work may be performed as a stand-alone concert work, it may also be presented with Craven’s film. In the world of filmmaking, films are usually created first, with music added later or even at the very end, but Jay and I went back and forth quite a bit, treating the process in a more collaborative manner. Once we had an idea, Jay created a rough outline and then shot footage in collaboration with video artist Catherine Siller. After studying a rough cut, I composed the music. The film was then edited around a digital mock-up of the music. The result is a surreal, dreamlike work that interweaves music and film, creating an aural and visual tapestry.

Ghost Theater is dedicated with gratitude to Christopher Rouse, David Alan Miller and the Albany Symphony.

Ghost Theater

Train

A hypnotic, daunting soundscape with a retro sci-fi atmosphere. Detuned guitar plucks set the rhyme for a rumbling bass and subtle, outer-worldly sound effects which create an eerie acoustic plane filled with suspense.

For commercial and derivative licenses, please visit us on Sounzone, where you can buy this track for a number of additional uses.
https://www.sounzone.com/artist/covert-acoustics?id=36829&format=producer

Beauty In a Minor Key(UPDATE)

Patient 82

Recent comments

Related tracks