Beautiful and exquisite piece,Robert!!   a fantastic compositions from beggining to end. Once again, great job!!

Loved the travelling pizzicato strings throughout! Made me think of children playing. Fabulous composition as always.

Very dramatic moves with beautiful pizzicato

another wonderfully beautiful composition 👍😁 great job

Fragile, and yet strong, I like the pulsating nature a lot. Top

Amazing composition, I'm in love with all that pizzicato - Great work!!!

me gustan tus composiciones son llamativos de todos lados👌

I definitely like this classical music right here man this is ready for a good movie score

Fight The Feeling

Let's picture ourselves
And two chairs, nothing else
Talk about everything or nothing
Shall we?

Let's now stop looking
For elusive happy endings
Second chances don't come twice
Don't you see?

Take a chance
Take a chance
Take a chance on second chances

Let's say hello to the world
And try to judge no soul
Humanity is standing at crossroads
Are you in?

Let's sit back and see
If our sorrows are worth it
Second chances don't come twice
Don't you see?

Take a chance
Take a chance
Take a chance on second chances

You gotta take a chance on second chances
A second chance is all it takes


Album - Heart to Heart (C)2020
Song - Second Chances
Music - Russell Lucas and  Sreyashi Mukherjee
Vocals and Lyrics - Sumi (Sreyashi Mukherjee)
Arrangement and Production - Russell Lucas 
Mixing - Romano Erafficci

Second Chances (EP - Heart to Heart)

Track from  the Instrumental Rock Album 2022 from MODVÆGT:
The World is Burning - https://soundcloud.com/modvaegt/sets/the-world-is-Burning

V. 1.1 m
Released January 2022

Heat (Instrumental)

having troubles with public speaking? struggling to speak to a person you fancy? are you nervous....but exited? (see what I did there 😏)

Well GUESS WHAT??? WE HAVE THE CURE FOR YOU!!! Make sure to listen to "I'm Nervous" by us, The Group. Listening to this banging tune will change your life FOREVER!!! Soon you'll be as confident as can be. 

And also make sure to follow us on Instagram and YouTube!

and Remember FOR NERVOUS FOLKS ONLY 👍

lyrics: 

Im in the limelight 
some might be jealous of me,
My mind is really busy right now
As you all can see 
Millions of judgements all at once
Is tough to observe

But Theres a thing i used to do, back in the day, it goes like this

 it's called the...


Is this a dream?, there's stress on my head
Feel like a potato, left out on a bed.
I could wear the spotlight like my favourite suit, Could  be some trendy fashion just for you
Take the phobia's pressure with a whole new texture. I'm fine with that passion that's my pure perfection


I'm nervous, But excited
Can't help it, I wanna hide it
Have to embrace it, texturize it 
Work on it, Express it.

I'm nervous,But excited 
Can't help it, I cannot hide it
Have to express it, jump on it
Suppress it, surpass it


I'm Nervous but Excited

Rêverie

Marcus Aurelius

Frog In A Pot Of Water (Dear Liza)

I stare, through the window, at the streets
Watching them go, like little bees.
Nowhere to go.

They seem to be pretty busy
But they must be as bored as me.

I go to the kitchen, slowly.
I want to make a cup of tea.
I can't  find another thing to do.
I've been like this, since I broke up with you.

If I could go back to the shore
I would stop being bored
I could breathe and run to the sea
I'm busy being bored

What is the real purpose of this?
Sadly, I can't find my way in this mess.
Instead I drink a cup of tea.
And damn it, I will let it just be.

If I could go back to the shore
I would stop being bored.
I could breathe and run to the sea.
I'm busy being bored.

Busy being bored

In the Information Age data is an object that can be used to create multiple realities, each vying for dominance.  Some data points are ignored and some amplified, and in this way narratives are developed and reinforced.  Today’s #MusicalMinute alludes to a lot of these ideas but the results can sound confusing.  What do you think?

17 Aug 25 Clattering Chatter

Suite for String Orchestra
Duration: 15'
For More Information: https://robertpaterson.com/suite-for-string-orchestra
Publisher: Bill Holab Music: http://www.billholabmusic.com/composers/robert-paterson/
Purchase Sheet Music: http://billholabmusic.com/store/index.php?main_page=advanced_search_result&search_in_description=1&keyword=%22suite+for+string+orchestra%22

PROGRAM NOTE
Unlike some of my previous works, Suite for String Orchestra is not inspired by an over-arching programmatic theme. Although there are some technical and motivic relationships between some of the movements—particularly the first and fifth—the movements are generally unrelated and are meant to be noticeably distinct. It is in five short movements and is intentionally written in an “old-fashioned,” somewhat archaic style. I initially played around with the idea of titling this work Old-fashioned Suite or Old Time Suite, but there seems to be a sufficient sprinkling of “new fangled ideas” in this work to make these alternative titles seem inadequate.

The first movement, Allegro vivace, is written in a “mid-20th century American” style. My model for a few of the sections in this movement is the evocative, German phrase Sturm und Drang, which literally translated means “storm and stress.”

In the second movement, Trapped waltz, I imagine an ethereal, yet cognizant waltz floating above the stratosphere, looking for a place to rest, but hobbled and shackled by a pounding rock and roll drumset. I see this as a metaphor for the various dances throughout history that have come and gone but are continually vying for attention in contemporary culture. The movement fades out at the end, as if the waltz is eternally looking for a place to settle down. Admittedly, I was somewhat inspired by the collage works of Charles Ives.

The third movement, Nocturne, begins slowly and sadly, and I imagine the pulse in the beginning as similar to the gentle breathing of someone who is asleep. The middle of the movement is much more intense and violent, and the end is as soft and calm as the beginning. The first chair violin and the first chair violoncello have brief solos in this movement.

Although material from the middle of the fourth movement, Balinese scherzo, is derived from a Balinese scale, the beginning is somewhat chromatic and the ending is essentially based on the E-major scale. This movement is distinctive in that the orchestra is asked to play pizzicato almost the entire time.

The fifth movement, Finale: allegro moderato, is the movement that is most reminiscent of the first movement. The ending combines material from the beginning of both the first and fifth movements.

Suite For String Orchestra - IV. Balinese scherzo

This is a continuation of Tool's Triad song, with some heavy metal mixed in with it.
A demo track.

Gonden - Triad Continued

American composer Robert Paterson is a true New Yorker—born and bred in Buffalo, he lived in Rochester and Ithaca for over ten years, in New York City for over twenty years, and now lives in Saratoga Springs, near the Adirondacks. Paterson’s colorful music embraces a wide variety of themes, everything from goddesses and online dating to mathematics and the environment. His music is filled with emotion and fierce rhythmic energy, marked by elegance, wit, and meticulous craftsmanship. Named Composer of The Year by the Classical Recording Foundation at Carnegie Hall, Paterson is the winner of the Alfred I. DuPont Award, and his opera Three Way won the Grammy® under Best Classical Producer of the Year. His music is often a Best of the Year pick on National Public Radio. His orchestral tone poem, Dark Mountains, regularly airs on NPR’s Performance Today. Three Way premiered with Nashville Opera, then BAM (Brooklyn Academy of Music), and across the United States. Minnesota Orchestra, Louisville Orchestra, The Oratorio Society of New York, Buffalo Philharmonic, Albany Pro Musica, Albany Symphony, Musica Sacra, Austin Symphony, Vermont Symphony, and ensembles worldwide perform his works. Paterson gives masterclasses at the Curtis Institute of Music, New York University, the Aspen Music Festival, the Cleveland Institute of Music, and more. He is the Artistic Director and house composer for Mostly Modern Projects. Robert is a lifelong vegan and advocates for animals and the environment, celebrating the natural world with ground-breaking works such as his Triple Concerto, A New Eaarth, Listen, and I Go Among Trees.

Suite For String Orchestra - IV. Balinese scherzo

Robert Paterson Composer

Recent comments

Wolfgang Music 10510

deep resonancy

MORS VIVERE

Anibal Seminara

Related tracks