Another beautifully executed piece Robert!! Awesome combination of sounds and rhythms. Great job!!

Nice work synchronizing work on all the instruments

Is it live recording? Are you the composer? Loved it❤️

Did you write this? It is very nice! I hope it is a compliment if I say it really gives me West Side Story vibes :D

This song brings a smile/ chuckle to my face (I hope that's an okay reaction!) Love the percussive drive and accents. Small allusions to bits of songs that somehow feel very familiar. I think whenever you combine xylophone, sliding trombones and violins, cowbell... there is going to be some comedic relief in it.... I believe I even heard a 'whoopee' whistle played at the beginning... you don't hear that in many romantic ballads:-) You can certainly visualize and feel the 'tug of war' dance between two people. It'd be awesome to see this choreographed. I think this is an amazing composition but, as one percussionist to another, I do feel it "needs more cowbell".

what a jam hey this sounds amazing keep it up

Magnificent classical piece.  Great production.

This is really awesome - totally danceable too! I'm seeing a great choreographic piece in your future;)

This play list does not include Enlightened City, Suite for String Orchestra or A New Eaarth for Orchestra, Chorus and Narrator. These will be added soon.

Video for A New Eaarth: http://www.youtube.com/watch?v=CZlzCkWUfwI

Full perusal scores: http://robertpaterson.com/orchestra/

Publisher: Bill Holab Music: http://www.billholabmusic.com/composers/robert-paterson/robert-paterson-works/

Contact: http://robertpaterson.com/contact/

Selected Orchestral Works

hour after hour
10,000
hour after hour
10,000
hour after hour
imma put in my 10,00
hour after hour 
putting in my my overtime and after hours

10,000 Hours-Prod By KBV DOE

Ex Lover - Yangboy Raphael Ft Leroy Mendez

This track was made in SPLASH. I made this out of nowhere and because I'm bored. This is a little bit messy, so sorry in advance.

Social Media Accounts:

Instagram: haileyjamaica
Facebook: Crimson Scarlett Eilish
Soundcloud: Hailey Villanueva
Highrise: HaileyJamaica

My Facebook Page was Unpublished. So, I just put my writing account. I don't have the links of my accounts but next time, I'll put it. HSHS! 

Hailey Jamaica Villanueva - Technology is Broken

Señorita (feat. MF)

Dark Mountains for orchestra
Commissioned by the Vermont Symphony Orchestra, Jaime Laredo, conductor
Publisher: Bill Holab Music: http://www.billholabmusic.com/store/index.php?main_page=product_info&products_id=994
For More Information: https://robertpaterson.com/dark-mountains
View Score: https://issuu.com/robertpaterson/docs/dark_mountains_for_orchestra_fs-bou

PROGRAM NOTES
Vermont is famous for its green mountains, but I often find myself taking long drives through the mountains on overcast days or even at night, when the mountains lose color and become gray silhouettes. Many roads in Vermont are so dark, particularly in the Northeast Kingdom, that you need to use headlights, even during the day. Dark Mountains is meant to portray the beauty and grandeur of the mountains and the peacefulness of the open roads, but also the darkness and occasional treacherous passes one may encounter during the evening hours. The piece is in three connected sections. The first section portrays the calmness and austerity of a quiet evening. The second is inspired by a fast drive down winding country roads, with twists and turns, frequent tempo changes and shifting gears. The final section evokes the feeling of looking at the nighttime sky with moonlight shining through the trees and the sounds of nature in the distance.

This piece is commissioned by and dedicated to the Vermont Symphony Orchestra and Jaime Laredo, and was originally written for the Made in Vermont Music Festival.

Dark Mountains (for Orchestra)

Electric Lines for Orchestra, music by Robert Paterson
Duration ca. 9'
Winner of the Lousiville Orchestra Composition Competition
Performances by Minnesota Orchestra, American Composers Orchestra
Publisher: Bill Holab Music: http://www.billholabmusic.com/store/index.php?main_page=product_info&products_id=932
For More Information: https://robertpaterson.com/electric-lines

PROGRAM NOTES
In past summers I have taken long trips across America from New York to Colorado. Driving along the highways, there are endless fields, infrequently dotted with farms and farm machinery. Contrasting the farmland's somewhat natural splendor, there are thousands of miles of electric lines—ubiquitous and perhaps even unsightly, yet somehow blending in with the scenery.

What I find most dramatic about many of these electric lines—other than their gargantuan size—is the realization that day after day, a dizzying amount of information travels through them and across great distances: billions of pieces of information are packed inside these powerful cables. In Electric Lines, my goal is to take the audience on a sonic roller coaster ride: I want the audience to feel tremendous energy and power and the thrill of instantaneously sending and receiving information at light speed.

Although electric lines inspire this work, there is nothing technically "electrical" about it: there are no synthesizers or electrical instruments used, with the exception of the vibraphone. The electric qualities in many sections are highlighted by tense string trills, long, powerful melodic lines and by giving many of the players energetic, concerto-like parts. I also try to make the melodic lines sound charged and electric by enhancing them with various types of orchestral accents and by pairing different instruments using parallel or almost parallel lines at close intervals.

A few of the sections and transitions in Electric Lines are modeled after the physical characteristics of the cables and power line towers. Many of the musical lines occur in groups of two’s and three’s; some of them dip and swoop like power cables, while others are electric rod straight, but tense and electrified. There are also occasional anvil-accented "power chords" that act as markers to delineate certain sections.

Even though Electric Lines might seem to have industrial underpinnings and allusions to mechanics, I am not trying to align myself with the early twentieth century Italian Futurists: it is more the present than the past that I am thinking of in this work.

Electric Lines (for Orchestra)

Symphony in Three Movements for Orchestra
Duration: 19’
Mostly Modern Festival, American Modern Orchestra, Chris Rountree, 2018 Faculty Conductor
Skidmore College, Arthur Zankel Music Hall, Saratoga Springs, New York (USA), 6/10/2018
Commissioned by the Cayuga Chamber Orchestra for their 25th Anniversary Concert, Kimbo Ishii-Eto, conductor
Publisher: Bill Holab Music: http://www.billholabmusic.com/store/index.php?main_page=product_info&cPath=103_137&products_id=1339
For More Information: https://robertpaterson.com/symphony-in-three-movements

PROGRAM NOTES
The first movement, Bright and jubilant, is generally cheerful and upbeat, but occasional clouds of gray cast shadows over the musical surface. I associate this movement with traveling to a lover, and particularly over great distances. The brightness of this movement also subtly reflects the "silver anniversary" occasion for which this work was originally commissioned.

The slow second movement, Serenade, represents the unique intimacy that lovers share. Most string players in a chamber orchestra—even the first stands—never have a chance to play exposed material. This is interesting because although the string sections most often play as homogenous groups, the first stands of the string section are in an arc have an intimate view of each other. In this movement, the first stands of the violins, violas and cellos all have solo material whereas the rest of the strings often play gentle, long trills. My goal in to give all of the string players in the first stands an opportunity to shine.

The third movement, entitled Dancing games, is the most energetic of the three. It is has quirky, dance-like rhythms and a strong sense of pulse. In this movement, I imagine two lovers engaging in a bickering, yet friendly verbal dance match, their playful sentences bantered and volleyed back and forth like some sort of demented game of badminton in fast-forward mode. I suppose this would mean that the kind of dance I am imagining here is not one that you would necessarily move your feet to, but one meant for listening and that makes your insides want to move and shake.

Symphony in Three Movements - I. Bright and Jubilant

Symphony in Three Movements - II. Serenade

Symphony in Three Movements - III. Dancing Games

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Official Single "Here I Am" by Micah Thunder. Produced by @Edgar Wonder 
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Lyrics:
Do not live for tomorrow
Today is gone
Dead and gone
My soul lingers on

Searching for a reason
why the days will pass
good times will not last
life goes by so fast

You got what I need
what I want to see
In this world
Oh no,
We know how this goes
We know how this grows
and How it ends

I’m searching
For purpose
Can’t find my way
Don’t know if I’m worth it

It’s so dark
I’m so tired
Searching for a spark of life


Don’t Worry
You’re Perfect
Coming up so fast
It makes me nervous

Let’s dance
let’s smile
a miracle is worth my time

You got what I need
what I want to see
In this world
Oh no,
We know how this goes
We know how this grows
and How it ends
 
how this grows
how this goes
How it ends

I can be your man
I’ll do all I can
help me understand 
give you all I am
You can be my woman
Help you grow
Show me what lovers know
You won’t walk alone

You got what I need
what I want to see
In this world
Oh no,
We know how this goes
We know how this grows
and How it ends

© 2021, Micah Thunder, All Rights Reserved

HOW IT ENDS - MICAH THUNDER

why can't you stay, i need u now :(
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Trouble Child

Trouble Child (prod. Hieloways)

American composer Robert Paterson is a true New Yorker—born and bred in Buffalo, he lived in Rochester and Ithaca for over ten years, in New York City for over twenty years, and now lives in Saratoga Springs, near the Adirondacks. Paterson’s colorful music embraces a wide variety of themes, everything from goddesses and online dating to mathematics and the environment. His music is filled with emotion and fierce rhythmic energy, marked by elegance, wit, and meticulous craftsmanship. Named Composer of The Year by the Classical Recording Foundation at Carnegie Hall, Paterson is the winner of the Alfred I. DuPont Award, and his opera Three Way won the Grammy® under Best Classical Producer of the Year. His music is often a Best of the Year pick on National Public Radio. His orchestral tone poem, Dark Mountains, regularly airs on NPR’s Performance Today. Three Way premiered with Nashville Opera, then BAM (Brooklyn Academy of Music), and across the United States. Minnesota Orchestra, Louisville Orchestra, The Oratorio Society of New York, Buffalo Philharmonic, Albany Pro Musica, Albany Symphony, Musica Sacra, Austin Symphony, Vermont Symphony, and ensembles worldwide perform his works. Paterson gives masterclasses at the Curtis Institute of Music, New York University, the Aspen Music Festival, the Cleveland Institute of Music, and more. He is the Artistic Director and house composer for Mostly Modern Projects. Robert is a lifelong vegan and advocates for animals and the environment, celebrating the natural world with ground-breaking works such as his Triple Concerto, A New Eaarth, Listen, and I Go Among Trees.

Symphony in Three Movements - III. Dancing Games

Robert Paterson Composer

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