nice arrangement! well played, good work [via https://sc.repostexchange.com]

Very nice and emotional piece,indeed.  Awesome flow and production

A lovely piece, love the natural pacing and  piano tone

Interesting and thoughtful exploration, I didn't realise what I was listening to at first, refreshing interpretation

Beautiful rendition, I love the spin that you've put on this! I could picture hearing it in many films etc

In your face retro hard rock instrumental (newly remastered)

Passive Aggressive

Deep Blue Ocean for two pianos
Duration: 12'
Publisher: Bill Holab Music: http://www.billholabmusic.com/store/index.php?main_page=product_info&products_id=938
Online Perusal Score: https://issuu.com/robertpaterson/docs/deep_blue_ocean_-_fs-bound
For More Information: https://robertpaterson.com/deep-blue-ocean

PROGRAM NOTES
Although Deep Blue Ocean is not meant to be overtly programmatic, I thought it would be wonderful to explore the oceanic depths, so during a trip to the Gulf of Mexico I became a certified scuba diver. I was truly inspired, whether by the large rolling waves on the open sea, the delicate back and forth of beds of seaweed, the vibrant colors of fish clustering around cities of coral, or the beams of sunlight that cascade over the ocean’s surface.

I was also inspired by my four year old son Dylan: his name means ocean or god of the seas in Welsh; he is an Aquarius, which means the water bearer; he is an excellent swimmer, and he loves listening to a movement of one of my choral works entitled Infinite Oceans.

While writing this piece, I could not have known that the worst oil spill in U.S. history would occur just north of where I visited. The darker moments in this work are the result of this tragedy. It is in three connected movements: The Darkness Below, Sunbeams and Waterfalls, and Accents and Waves.

Deep Blue Ocean is written for Steven Gosling and Blair McMillen of the American Modern Ensemble and is dedicated to my son Dylan.

Powerhouse Pianists II

Deep Blue Ocean - III. Accents And Waves

enjoy the journey and let your thoughts fly...

Feel free to follow on youtube for visual accompainment: https://www.youtube.com/watch?v=A1A5d60t6-g

made in @ableton

restlessdaydream

kaufen

The intro bass part of this track was created month's ago . I saw no future of this track then . But suddenly a few days ago I heard the draft part and felt the urge of finishing it , And here it is .

Sunshine

When you grew up loving your nation and you're still you, but your nation has changed...

                                 -or-

Play the National anthem without playing the National anthem...

[Rob-E's Piano Bar] Oh, Say Can You See [Not-Quite-Right Arrangement]

A composition inspired by the title of a book and one of those dreams where you never complete what you set out to achieve.

Background image by Gerd Altmann on Pixabay: bit.ly/30KZBdX

The Hope of an Ending

EGYPT

Entanglement

AN EXPERIMENT BY ME, I MADE THE FULL PROD. THE INSTRUMENTAL & VOCALS & MIX & MASTERING.
  PLEASE LET ME KNOW WHAT Y'ALL THINK !!!!??  
                I LOVE THIS ONE, AND I HOPE Y'ALL DO TOO!!
XOXOXOXO

KRAE- 'THE COLORS ARE LOST TO ME'  -(PROD. & VOCALS BY KENNA-RAE)

Snus - Olles Gånglåt

Written: 2019-20
Duration: ca. 21'
Instrumentation: string quartet
Commissioned by The Indianapolis String Quartet
Premiere: The Indianapolis String Quartet, Carnegie Hall, Weill Recital Hall, New York, NY, March 5, 2020.
Publisher: Bill Holab Music: http://www.billholabmusic.com/composers/robert-paterson/
For More Information: https://robertpaterson.com/string-quartet-no-3

PROGRAM NOTES
String Quartet No. 3 consists of five movements that explore “other voices,” either literally or figuratively. In a literal sense, this could mean speaking or singing in a way that is not considered normal or even out of one’s control. It could also mean speaking differently for a desired effect. Figuratively, “other voices” could mean a voice that is not one’s own. All five movements touch on these definitions in one way or another.

The first movement, Twist and Shout, uses musical patterns that sound like stuttering or someone who has a severe form of Tourette’s Syndrome. I use these sounds as a technical point of departure, incorporating jagged rhythms, erratic melodic patterns, and sudden volume shifts throughout the movement.

The second movement is entitled Poet Voice, and uses this style of reciting poems as a point of departure. In particular, this movement is based on a video of Louise Glück reading her poem “The Wild Iris,” which is included in a book of poems of the same name for which Glück won the Pulitzer Prize. Glück’s poem compares human suffering and finding a voice to the growth of a wild iris that makes a “passage from the other world” underground, despite the difficulty of breaking through. In the image of the wild iris, the explosion of color symbolizes new life. In this movement, I mimic Glück’s speech patterns and structure the movement around the sound of her voice and the content of her poem, essentially giving new life to her poetic reading. 

The third movement, Auction Chant, is inspired by North American auctioneering, which is a rapid-fire, rhythmic repetition of numbers and “filler words” spoken by auctioneers in the process of conducting an auction. This movement is also inspired by country fiddle music, which is a type of music often played in areas where auctioneering takes place.

In the fourth movement, Effects Pedal, I mimic sounds made by electronic effects pedals—and in particular, a vocal effects pedal, but without the use of actual electronic effects on the stringed instruments. I also use musical effects that sound somewhat like swallowing helium, which raises your voice when you inhale it, or sulfur hexafluoride, which lowers it.

The final movement is entitled Anthem. In this patriotic-sounding, yet slightly humorous movement, I weave together various sports themes and state songs from around the United States that are used to rile up fans at sports games.

String Quartet No. 3 was commissioned by The Indianapolis Quartet.

The Indianapolis Quartet: Robert Paterson - String Quartets 1-3

String Quartet No. 3 - III. Auction Chant

Presave Hamilton County Line's Upcoming Release on Spotify:
https://bit.ly/HCLAhead

[Rob-E's Piano Bar] Oh, Say Can You See [Not-Quite-Right Arrangement]

Forget Me Not Records Artists

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