Shostakovich's Fugue in A Major is an incredible example of constrained compositional writing.  The piano is only playing notes in the harmonic traid of a single chord at any one time, creating zero harmonic dissonance and something incredibly beautiful.

A Piano Piece with Perfect Harmony (Shostakovich's Fugue in A Major)

Here's one I've been working on for a few months. It's very special to me, and I hope it's one you'll remember your summer by.

I love you guys.

Thunderstorms

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A new synthwave/cyberpunk track I made :D

[CyberPunk/SynthWave] Late At Night

Thunderstorms (Dfalcon remix)

Spungstep

I write sins not tragedies but something's wrong

GLITCH (2019)
for mixed quartet (clarinet, violin, cello, and piano)

Revised quartet version commissioned by Music from Copland House
(Previous piano trio version commissioned by ÆPEX Contemporary Performance)


Performed by Music from Copland House:
Moran Katz (clarinet), Pala Garcia (violin), Alexis Gerlach (cello), and Peggy Kampmeier (piano)

Copland House’s CULTIVATE Residency concert
Merestead, Mt. Kisco, New York - June 9th, 2019


program notes:

GLITCH is a playful take on a record player skipping when playing a track, causing portions to loop unevenly or to be jumped over entirely. While this experience may be frustrating when it happens, it also recontextualizes the material from the existing track, creating a unique listening experience with the same sounds. Using off-kilter and “screwed up” grooves and glitchy ostinato patterns, the piece attempts to portray this sonic phenomenon to take the performers and listeners on a playful, fun, and wild ride.

This work was written for CULTIVATE 2019, Copland House’s emerging composers’ institute, and was premiered by the Music from Copland House ensemble at the Merestead estate in Mount Kisco, NY on June 9, 2019. Many thanks to Music from Copland House for commissioning this piece.

GLITCH

Ritualistic

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My brother will occasionally post his own productions to this channel as well.

Thunderstorms

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