OVERVIEW LYRICS PEOPLE ALSO SEARCH FOR Lyrics You and I it's time began In the moves, in the howling wind Bitter line Bitter end My enemy My only friend We're half asleep in the wilderness And whose to say who knows best You say you'll change I call 

Alluring, spell binding , mesmerising !!!!!

I love your music so much, its so lovely snd relaxing. Keep it up!

Chill

 "A Lonely Man" is based on parallel stories. One part expresses my own struggles with everyday life and another part expresses my imagination of what 'struggling' actually entails. Researching old reference books and documentaries, I focussed on the struggle of the slaves in chain gangs in America in the nineteenth century. I tried to harness old slave/gospel type vocal rhythms in the track to reflect the parallel story . "A Lonely Man" is a story of one man's battle, both real and imagined.

A Lonely Man (demo)

Diamonds and Rust- Joan Baez Cover- Cover by Julianna Reel

Available on iTunes on February 1st.

Written by Martha Paton
Recorded at Peer Music Studios. 
Featuring Miriam Cheah, Ben Longman, Pete Hobbs and Toni Wiseman.

Lights to Lines

David Gray - You're The World To Me

Three Grand Keys

Great American Novel

Get 'Netzwerk (Falls Like Rain)' & 'Netzwerk (The Album)' here: http://po.st/KlangkarussellPreOrder

http://www.klangkarussell.com
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http://www.twitter.com/Klangkarussell
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https://www.play.spotify.com/artist/041iTeoMIwXMlShuQPIVKo
https://www.youtube.com/user/KlangkarussellTV
http://www.youtube.com/user/KlangkarussellVEVO

Keep it coming (Klangkarussell Remix)

"Down at the bottom of bank street
There's a house, stands up all by itself
With nothing to lean on

You'll find nobody home
cept the leaves the rain the dirt the howling wind
sings a restless song

Stuck in the heart of your homeland
Is a knife, you cannot help but twist
Though you don't know it yet

And right in the eye of the hurricane
There you stood you wept you brought out something pure
and there you buried it
(For anyone to find)

Restless , endless, nameless, deathless, voiceless, deathless, restless restless

Back in the garden of england
They say deep in these hills there is a crown
Which will bloom when it is needed

And though they all think you're unstable
You keep telling everyone the ravens have left the tower
Did you finally lose your patience

Restless , endless, nameless, deathless, voiceless, deathless, restless restless
All these old buildings make us feel like children

Wooden Arms - Restless

Roo Panes - Lullaby Love

Julia Stone's new solo album 'By The Horns' available May 29th, 2012. PRE-ORDER the new album NOW at: www.itunes.com/juliastone

Visit Julia Stone online:

http://www.juliastonemusic.com/
http://www.facebook.com/JuliaStoneOfficial
http://www.myspace.com/juliastonemusic
http://www.twitter.com/juliastonemusic
http://juliastoneofficial.tumblr.com/

Julia Stone - The Line That Ties Me

New album from Robert Francis 'Strangers In The First Place' available now on Vanguard Records. 

iTunes: http://bit.ly/MSIPwo
Amazon Mp3: http://amzn.to/Q6ovan
Amazon (physical): http://amzn.to/Q6orrb

Some Things Never Change

Damien Rice - Accidental Babies

Following the international release of ‘Future of Hope’ the movie comes...‘Future of Hope the Soundtrack’

A unique soundtrack encompassing an original score by Biggi Hilmarsson, with extracts of impactful dialogue from 'Future of Hope' the movie and featuring a brand new song by Damien Rice 'The Connoisseur of Great Excuse'.

Also, featuring a selection of exceptional musicians from Iceland, Ireland and the UK including; AMPOP, Blindfold, Feldberg, Lara Runars and Vyvienne Long.

A Rousing Soundtrack
- The Irish Times

True ear confectionary
- The Daily Newspaper, Iceland

Great score, very innovative
- National Radio 2, Iceland

A truly effective soundtrack
- DV Newspaper, Iceland

© 2010 biggi music

------------------------
album credits:

Original Score & Songs by
BIGGI HILMARSSON

featuring DAMIEN RICE, AMPOP, FELDBERG, LÁRA RÚNARS, BLINDFOLD & VYVIENNE LONG

Original score written, arranged and produced by Biggi Hilmarsson
Recorded at Biggi Music Studios, London 2009 - 2010
and Vogaland, Reykjavik, June - July 2010
Track 6 mixed by Arnar Helgi Aðalsteinssonat Lalaland Studios, Reykjavik
String arrangement on 'Lost Control' assisted by Scott Twynholm

Original Score & Songs ‘Fool’s Mate’ & ‘Lost Control’ performed by:
Biggi Hilmarsson - piano, vocals, harmonium, guitars, ukulele
Maddalena Branduardi - cello
Ewan Campbell - cello
Simon Perry - violin and viola
Edward Brenton – violin
Neil Cameron - double bass
Enrique Galassi - double bass

Song title: Fool’s Mate. Writers: Birgir Hilmarsson Artist: Biggi Hilmarsson 
Copyright / Publisher: 2010 Biggi Music Ltd. | www.biggimusic.com

Song title: Lost Control. Writers: Birgir Hilmarsson Artist: Biggi Hilmarsson Copyright / Publisher: 2010 Biggi Music Ltd. | www.biggimusic.com

Additional Music:
Song title: The Connoisseur of Great Excuse
Written, Produced, Recorded & Mixed in Ireland by Damien Rice. Artist: Damien Rice.
Copyright / Publisher: heffa ltd. 2010 / Warner Chappell ltd. 
Manager: Bernadette Barrett.
Performed by:
Damien Rice - vocals, piano, guitar, drums, percussion, bass, clarinet
Dylan Penn - percussion Gemma Hayes - backing vocals, percussion
Helgi Jonsson - trombone. Hopper Penn - percussion
Sarah Jane Murphy - backing vocals 
Sean Penn - percussion
Vyvienne Long - cello

Song title: Sail To The Moon. Writers: Birgir Hilmarsson, Kjartan F. Ólafsson, Jón Geir Jóhannsson. Artist: AMPOP. Copyright / Publisher: 2007 AMPOP ehf.

Song title: How Do I Know? Writers: Birgir Hilmarsson, Kjartan F. Ólafsson, Jón Geir Jóhannsson. Artist: AMPOP Copyright / Publisher: 2007 AMPOP ehf.

Song title: Confused. Writers: Birgir Hilmarsson, Sveinn M. Jónsson, Teitur Árnason. Artist: Blindfold Copyright / Publisher: 2009 Blindfold Music / Biggi Music Ltd.

Song title: Late Always Writers: Vyvienne Long Artist: Vyvienne Long Copyright/Publisher: Vyvienne Long Courtesy of: Happyhazard

Song title: You & Me. Writers: Einar Tonsberg. Artist: Feldberg. Performed by: Einar Tonsberg & Rósa Birgitta Ísfeld. Manager: Charles Gadsdon – the qe company. Copyright/Publisher: Kobalt music publishing ltd. 2010

Song title: My Land. Writers: Lára Rúnarsdóttir. Artist: Lára Rúnars. Performed By: Lára Rúnars, Arnar Þór Gíslason, Jakob Smári Magnússon, Birkir Rafn Gíslason Copyright: Record Records ehf 2009. Manager: Nicholas Knowles

for further info visit:
www.futureofhopesoundtrack.com
www.futureofhope.co.uk (official movie website)
www.biggihilmarsson.com

The Connoisseur of Great Excuse - Damien Rice

Our debut album "When It Was Now," is now available on iTunes- smarturl.it/atlas

Subscribe for more new music on YouTube- bit.ly/W8yTQS
iTunes - www.smarturl.it/atlas
Facebook- facebook.com/atlasgenius
Twitter- twitter.com/atlasgenius
Tour Dates- atlasgenius.com/tour

About Atlas Genius-
The members of Adelaide, Australia’s Atlas Genius do things a little differently….They set about building a studio where they could write and record music for their newly formed band 3 years before they even played their first live show as Atlas Genius. For two years, they devoted their days to constructing their dream studio and spent their nights performing songs by The Police, The Beatles and The Rolling Stones at local pubs to pay the bills. “We really got down and dirty with dry walling and literally laying the floorboards, and at the same time we were taking a couple of days a week to focus on writing songs,” recalls Keith Jeffery, Atlas Genius’s vocalist/guitarist. "We had a lot of song ideas and it was important to us to have our own studio where we could experiment and hone in on our sound," adds brother and drummer, Michael Jeffery. The studio was designed and outfitted by the brothers with the help of their father (who comes from a music and engineering background). Once the studio was complete, the first song that Atlas Genius finished was a song called “Trojans,” which they wrote, recorded and produced in collaboration with their friend, keyboardist Darren Sell. After many weeks tweaking the song, Michael insisted that the song was ready to be heard outside of the studio walls. Within an hour, “Trojans” was on the Triple J Unearthed Website, SoundCloud, and for sale via TuneCore on iTunes, Amazon and Spotify worldwide.

“We had begun to think that music was a pipedream and we had all gone back to university to pursue more realistic careers,” says Keith. “We’d had such a long slog of playing late nights and working all day, and it felt like we didn’t really have anything to show for it.” But then, in the midst of cramming for their Fall 2011 semester final exams, Neon Gold discovered “Trojans” on the Triple J Unearthed Website and wrote a post praising “Trojans” as a song sure to “invade your head, all dressed up in a clever disguise of earnest vocals riding a hooky riff.” Checking the band’s email account for the first time in over a month, the band found that dozens of record labels, publishers, lawyers, booking agents and management companies from all over the world had contacted them.

“We were trying to focus on school, but it was just impossible,” recalls Keith. “So we said, ‘There’s something going on here. Let’s get back to the music.’” The band added manager, Jonny Kaps from +1, to their extended family to navigate all of the interest as the band focused on writing and recording more songs.

Quickly named an iTunes Single of the Week in Australia and New Zealand, “Trojans” reached #4 on Hype Machine by the end of May. In August, SiriusXM Satellite Radio’s Alt-Nation discovered the song on a blog and decided to give it some spins. There was an immediate reaction from listeners, and in September, “Trojans” was placed into heavy rotation, where it maintained a top-five position on the listener-generated Alt-18 countdown and peaked at number one for 4 consecutive weeks in January 2012. “Trojans” began selling over a thousand tracks per week on U.S. iTunes and soon climbed to 45,000 sales - all with zero promotional efforts from the still-unsigned Atlas Genius.

“Knowing we had this audience that was waiting on new songs, we had a much greater sense of purpose than we had before,” says Keith. “It was really exciting to know that there were people who wanted to hear more of our music.” Although labels were clamoring for the band to come to the U.S. and play a series of showcase gigs, Atlas Genius turned down those offers in favor of staying in Adelaide to keep writing and recording new songs. In February 2012, after months of communicating with numerous labels via Skype, the band chose to travel to the US in order to make their label decision.

“We’d never been to America before,” says Keith. “We flew in at night and saw this sea of lights, and it really became apparent to us how massive the U.S. is. It was pretty intimidating - like ‘How do we fit into all this?’” In April 2012, the band returned to the states having made their decision to sign with Warner Bros. Records. “We felt a connection with them,” notes Keith. “Everyone there feels very creative and dedicated to the music.”

The band’s first release from their new label home, the EP Through The Glass (produced, engineered and mixed by the band), came out in June of 2012. With Through The Glass completed, Atlas Genius then holed up in its studio and worked on writing and recording its first full-length album, while at the same time rehearsing for their first ever tour. The tour started in August 2012 and led to three more tours back to back taking them thru to the end of the year. Thus, their full-length debut was finished up between tour dates and got completed just before Christmas 2012. When It Was Now is set for a US release on February 19th, 2013, with an international release to follow soon after.

The debut captures Atlas Genius’s singular combination of sophisticated musicality and warm, wistful spirit. Infused with a classic sensibility, each of the songs would fit seamlessly if somehow slipped into a long-treasured mixtape. On the shimmering “Symptoms,” for instance, taut keyboard riffs mesh with urgent acoustic strumming before the band bursts into a gently frenetic, guitar-drenched chorus. Meanwhile, “Back Seat” blends its pulsing bass throb with a sweetly infectious beat and tender vocals that alternately soar and sigh. And on “Trojans,” Atlas Genius begins with a restrained guitar melody and vocal (“Take it off, take it in/Take off all the thoughts of what we’ve been”) before giving way to the handclap-accented, harmony-soaked refrain and lush yet kinetic bridge.

“It’s still surreal,” says Keith of all that’s happened over the past 18 months. “I think when we were very young, we had hopes that something like this might happen one day,” he continues. (Thanks largely to encouragement from their Beatles fanatic parents, who encouraged the brothers to begin playing music by age 14.) “But then you grow up a bit and it seems less and less likely. So when we put ‘Trojans’ out, we figured it would be a success if maybe a hundred people heard it. We don’t want to force our music onto anyone. Our goal is to write songs that we love and we hope they connect with other people too.”

Some Things Never Change

RobertFrancis

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