cappuchino

dont be a stranger

BLSSD

2 L U V H E R S O
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New joint by yours truly featuring stoopid dope vocals by Eric Roberson & Blvck Spvde
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DL:
http://jamesbiko.bandcamp.com
+
https://music.apple.com/gb/album/2luvherso-feat-eric-roberson-blvck-spvde-single/1435175819
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Artwork/Design by James Biko

2LUVHERSO

2LUVHERSO feat Eric Roberson & Blvck Spvde

So Far

Come On (feat. Kojey Radical)

Fuck Yo Feelings

Gone (Instrumental)

Expectations (Instrumental)

Treal (Instrumental)

The second single from the upcoming album 'Everlasting' by Sons Of The James – a duo project from singer/songwriter, Rob Milton and producer/musician, DJ Harrison.  Inspired by Richmond, VA and a blend of classic Gospel music and early 2000's Soulquarians-era R&B and Soul. 

'Everlasting' album out November 19th, single out now: smarturl.it/sotjeverlasting

Vocals by Rob Milton 
Instruments by Devonne Harris 

Produced by DJ Harrison 

Mixed by Zeroh and DJ Harrison 
Mastered by Kelly Hibbert at Almachrome 

Artwork by Tawfiq Mardini 

Executive Producer: Kenny / Fresh Selects 

FSX-044-02 © 2020 Fresh Selects.

Follow:
@therobmilton
@djhsounds
@freshselects

Everlasting

Sons Of The James "Can't Believe You Love Me"

IVORY is the debut album from London based musician and producer, R-kay.

This body of work represents R-kay’s homage to the musical gravitas of the piano, which R-Kay cites as the starting point & key driver behind his creative process.

Since R-Kay released his last body of work ‘Groove Gems II’ he has further developed his sound, working as a contributor, musician and producer with many artists as well as composing for TV. IVORY serves as bold reintroduction and memento of R-kay’s development in sound & production. Sonically, he crafts a listening experience that converges upon his HipHop/Neo-Soul roots, whilst merging contemporary jazz and ambient elements, creating a moody yet expansive soundscape.

R-kay enlists the help of some of the UK’s most promising talent to explore the texture in our lives by tackling relatable extremes. The themes explore some of the more testing aspects of life (of which R-kay associates with a particularly volatile period in his own life). However, this is accompanied by hope, brightened up by moments of free flowing, ‘left’ musical expression (Searching, Greenhouse, The Reunion) which almost symbolises letting go and reclaiming one's peace and identity.

Clockwork (Feat. Suelily)

Treal (Instrumental)

RobertGlasper

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