Techno

Ben Sims Feat. Tyree Cooper - I Feel It Deep [Sandwell District Remix]

Altars

Lament Configuration

Donato Basile AKA DJ Plant Texture always wants his music to tell a story, and with his debut EP on Tresor Records, entitled Life, he’s now trying to tell the biggest story there is.

According to the artist, “Life is about the fear of growing up”; both the anxiety itself and acknowledging and moving past it.

This narrative seems to have struck a chord with those who have heard the track, “People want to reflect themselves in the music; something personal. Lots of people have been in touch after hearing it; I guess they feel something melancholic in it. Personally, I imagine the track is like the life of a person; going from being born through childhood and youth and onwards, so perhaps they hear this?”

Having used an MPC since the early 2000s, Basile feels an intuitive connection to the hardware he uses, and so the creative process is very spontaneous: “I know where everything is so the music is made immediately.  I make everything in the first ten minutes; after that if it’s not right then I just abandon it and start something else.”

This immediacy, and familiarity with his equipment is apparent on the A-side, where Basile’s previous life as a drummer comes to the fore and tracks like Cycles and Ripetivo display his native understanding of groove but also how to stir things up - the three A-side tracks find classic techno rhythms seemingly falling apart only to snap back into place even stronger.

The B-side finds Donato exploring more of his melodic side with WTT and the aforementioned title track showing Plant Texture’s love of breakbeat and classic techno.

The three digital bonus tracks continue this exploration of melody and syncopated beats - The EXP Days echos the wistful feeling of Life, as Basile meditates on the times spent at EXP, his record shop in Bari, which functioned as a meeting place for electronic producers in the area. 

Together the eight tracks show a breadth of knowledge and ability of an artist that has grown older and more experienced over time, and is ready to share his evolution.

Life

BANDCAMP

DJ Plant Texture - The EXP Days

Art Class / Art School

Art Class

Art School



Artist: VA
Title: We Are Not Alone Pt. 9 
Label: BPitch Berlin 
Catalogue: BPX040-PT9 
Format: 2x12 Vinyl + Digital 
Genre: Electronic Style: #Techno 
Release date: April 4th, 2025

Berlin-based Sarah Sommers steps up with an all hardware journey of tension-building synths, deep bass and hypnotic percussion.

Buy it here: wearenotalone.lnk.to/part9

@sarahsommersmusic 
@bpitch-control 
 
Thanks!


Sarah Sommers - Industrial Espionage- BPitch Berlin  [PREMIERE]

Let The Bass Kink

Pre-order: https://opusseries.bandcamp.com/album/leave-your-body

@septonly lands on his @opus-series imprint with a brand new EP, 'Leave Your Body', made up four raw and immersive club cuts designed to blur the line between body and mind.

Closing the EP, 'Playing With Fire' brings a surge of kinetic energy, anchored by a rolling, relentless bassline.

More exclusive music

Premiere: Sept 'Playing With Fire'

Irish techno legend Sunil Sharpe joins the Posh End Music ranks for a split EP with label boss Fear-E.

Sunil Sharpe - Cahersiveen(Clip)

Premiere of selected next release 💚

Label: [selected]
Format: Digital
Catalog: SELECTED027
Release name: Bodyworks
Release Date: May 30th, 2025

Release link: https://selected-berlin.bandcamp.com/album/bodyworks

Follow Jessie Dols:
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Support the label!

Jessie Dols - Drum Echoes [selected]

Records & Vibes

Presenting a portfolio of twitchy techno tectonics with a sharp line in corporate acumen, LDS returns to the market with a double-dose of limber futurism for PM+.
 
Stuttgart shock broker Luca Daniel Schwarz has been firing and perspiring on all cylinders since he went public around 2016. Past form for the likes of Subwax BCN and Blue Hour have all shown a deadly instinct for modern variations on the techno tradition, and he keeps pushing at the form with a fine balance between playful disruption and poker-face propulsion.
 
'Business Influencer Theme' is a jagged bolt of hi-tech soul littered with crafty edits, luminescent synth strokes and a mid-section pep talk to get you match fit for the midnight power lunch. 'Portal Merge (Peak Mix)' leans towards the growling, subtly emotive brand of electro pioneered by the Weatherall-Tenniswood dream team, bolstered with modernist sound design flex and another canny helping of sliced-up word salad.
 
Forecasting at the intersection of social commentary and cutting-edge club clout with devastating clarity, LDS packs a lot into his wry, laser-focused motivational workouts. The outlook is weightier than a hedge fund manager's bloated bar tab.

Mastering by: Isle Audio
Artwork by: Håkan Ullberg

LDS - Business Influencer Theme

HATE exclusive premiere.
Full streaming of the EP on our HATE YouTube channel.

Support the label, buy it here:
https://air-ways.bandcamp.com/album/laughing-in-4d

Artist: Audrey Danza
Title: Laughing in 4D
Label: AIR WAYS
Catalogue: AIRWAYS03
Format: 12" Vinyl
Genre: Electronic
Style: #Techno
Release date: July 8, 2025

produced by Audrey Danza
Artwork by Alexander Goll
Design by Benjamin Zivota

Tracklist:
1.	Laughing in 4D
2.	Treadmill Fog 
3.	Rebels in the Sauna
4.	Martian Protein Shake
5.	Synthetic Lunch (Digital Bonus)
6.	Fermented Daydream (Digital Bonus)

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Laughing in 4D

Premiere: Audrey Danza — Laughing in 4D [AIRWAYS03]

34. racing hearts beat the same

Bandcamp

Hollowprint

Un set producido enteramente por mí, fragmentado y secuenciado para posteriormente presentarlo en un hybrid set, ¡Espero te que te guste!  🔥

CA-TH-55

FLOORPAN "THE MASTER'S PLAN" (CLASSIC MUSIC):
https://cmc.lnk.to/cmcd141d

Before I got into this music I wanted to be an originator ; I wanted to be original".
Founding member of the legendary group Underground Resistance as a 'Minister Of Information' with ‘Mad’ Mike Banks & Jeff Mills, his seminal works on Jeff Mill's Axis and his very own M-Plant imprint paved the way for a wave of stripped-down dancefloor minimalism that directed much of techno's path throughout the late Nineties.
Robert Hood makes minimal Detroit techno with an emphasis on soul and experimentation over flash and popularity. 

"Growing up in Detroit, I grew up with Motown in the house - a lot of Motown and Philadelphia soul, artists like Marvin Gaye of course and Curtis Mayfield. I remember Isaac Hayes, the soundtrack from ‘Shaft’ had come out. My father was a jazz musician; he played piano, trumpet and drums. My mother was in an R’n’B group.
We listened to a lot of Motown - in fact, my grandfather’s first cousin is Berry Gordy.
"I was influenced by my father - I wanted to play trumpet like he did."
Robert's father tragically died when he was just 6. The photo of Robert siting down holding a trumpet is his fathers.
"I had to beg my grandmother to let me borrow the trumpet to take a picture with it"

In the early 90's he began to concentrate on his own production 'Vision EP', the 'Riot EP' and X-102 were big stepping-stones for him as they were the first releases he worked 100% on his own. The X-101 to X-102, were Waveform Transmission projects with Mills for Tresor. He slowly progressed to work more and more on his own, but collaberated on some of the first Axis releases with label owner Jeff Mills as H&M (Hood & Mills) with ‘Tranquilizer EP’ and ‘Drama’.

He soon decided it was time for him to start his own label to focus on what was in his soul musically. M-Plant started in ’94. I had developed this “grey area” sound - what I mean by that is that in Detroit, even when the sun is out, there’s something in the atmosphere. I don’t know if its pollution or whatever, but the sky has that grey haze over it. It’s got to be something from the industrial factories there. I’d never really heard a sound like that before and it came from a Roland Juno - it was a chord sound that really went along with my depiction of what Detroit was at that time. A lot of buildings were abandoned and there was a lot of lifelessness in the city, especially downtown. The M-Plant, in minimalism, kind of reflected that. I remember thinking of Detroit like a museum. You know, like a work of art standing still, suspended in time. There wasn’t a whole lot of activity going on.

Releasing singles such as "Internal Empire,", “The Protein Valve” "Music Data," and "Moveable Parts", "The Pace", more recently "Range", "Alpha" and that isn't even touching his other monikers Floorplan, Monobox, The Vision, etc.
"M-Plant is what I've always wanted to hear: the basic stripped down, raw sound. Just drums, basslines and funky grooves and only what's essential. Only what is essential to make people move. I started to look at it as a science, the art of making people move their butts, speaking to their heart, mind and soul. “It's a heart-felt rhythmic techno sound. M-Plant is just M. minimal. “

Although his desire to remain underground has been replaced by an urge to reach a wider audience, mainly via his housier, disco, gospel moniker Floorplan with his daughter Lyric Hood,   Hood remains fiercely critical of artistic and economic movements destructive to inner-city communities and has combined his musical enterprises with outreach and social activist ends.

Art Class

Robert Hood - Floorplan

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