Techno

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oratorio in darkness

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Art Class / Art School

Art Class

Keepsakes - Impossible (Eating The Sun)
Stream & Buy - https://turborec.lnk.to/Impossible-EatingTheSun

Hot off his killer 2024 remix of Tiga and Hudson Mohawke’s “BUYBUYSELL,”  UK-New Zealand DJ/Producer Keepsakes makes his proper Turbo debut with the Impossible (Eating the Sun) EP. From merciless techno bangers to caustic track titles that will absolutely shred your preconceived notions about the world and sneer at them as they writhe bleeding on the cold, hard ground, this release validates our label’s OCD-level commitment to living on the edge of something at all times.

The title track doubles as a massive forest rave bomb AND the No. 1 battle weapon for opening DJs looking to fuck over the headliner, while “Bongo Funeral” reimagines tribal techno as the chief export of a village ruled by emotionally unavailable gremlins. Next, “Snacks at Waco” makes skillful use of a hammering industrial beat to hammer home the importance of loyalty and community, and “Parasocially There for You” deftly soundtracks anxiety dreams about meeting your favorite podcaster. Finally, closer “Nimby Orgy” likely represents the very first sexual aftercare banger. NOTE: we’ve heard bad things about both NIMBYs and YIMBYs, and as such have adopted a militantly neutral position on the matter of who is f-ing and s-ing in our backyard. 

Given that Keepsakes is a vinyl-only DJ, we’ve done him the courtesy of making this release available both on vinyl and digitally. While this would have been an incredible opportunity to completely shut him out of playing his own tracks, we decided that this would be unfair to the music itself. Because at the end of the day, Turbo takes its marching orders from Harmony, Melody, Rhythm, and Timbre, and to betray even one of our ethereal masters would be tantamount to kicking our own vision square in the nuts. IOW: ain’t never gonna happen.

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Stream & Buy

Keepsakes - Bongo Funeral

Artist: Alexander Johansson & Mattias Fridell
Title: Bentik Zone EP
Label: Blueprint Records
Cat. No: BP082
Format: Vinyl / Digital
Released: 2 May 2025

Track Listing:
A1. Bioturbation
A2. Epifauna
B1. Mikrohabitat
B2. Nekton

Alexander Johansson & Mattias Fridell return for their third outing on James Ruskin's Blueprint Records to follow their "Geometriska Strukturer EP" in 2023 and "Marvatten EP" last year.

This Swedish duo have built an impressive reputation since their production debut in 2000 and have gone on to release music on labels including Audio Assault, Symbolism, Blueprint, H. Productions, ARMS, XXX Records, and their own Lømsk label which they launched in 2022.

Their new "Bentik Zone EP" features three peak-time assaults alongside a more experimental closing track, set for release on vinyl and digitally on 2nd May.


www.blueprintrecords.net

GTG Premiere | Alexander Johansson & Mattias Fridell - Bioturbation [BP082]

SEVEN’s latest release is a colab between label co-founder CRYME and his friend Ben Reymann (Room Trax). Itstands as perfect example of how house and techno complement each other. „Saveur de Monbi“ exemplifies SEVEN’s commitment to blending classic and modern sounds, delivering an EP that is both timeless and fresh.

Out now on Digital Download and 12" Vinyl from selected record stores and SEVEN's Bandcampn store.


Saveur de Monbi

Acid Array

Buy on Bandcamp

Premiere | CRYME x Ben Reymann - Acid Array [SEVEN7005]

HATE exclusive premiere.
Full streaming of the EP soon on our HATE YouTube channel.

Support the label, buy it here: 
https://gigifm.bandcamp.com/album/virgo-space-acid-2

Following the first two releases on Sea~rène, GiGi FM returns with “Virgo Space Acid”, a deeply personal and sonically assertive exploration of transformation and healing.

Artist: GiGi FM
Title: Virgo Space Acid
Label: Sea~rène
Catalog: SRN003
Format: 12" Vinyl & Digital
Genre: Electronic
Style: #Techno
Release Date: May 23, 2025

All tracks written, produced and performed by GiGi FM.
Mixed and mastered by Ahmet Altinbas.

Photography by Yumiya Saiki.
Layout by Studio Phazed.

Special thank you to all my close friends of my space time continuum ~ I am grateful for y'all (｡♥‿♥｡)

Tracklist:
1. Calibration
2. Mercury
3. Virgo Space Acid
4. Floresta

Follow #GiGiFM here:
https://soundcloud.com/gigi-fm
https://www.instagram.com/gigif_m/
https://www.facebook.com/GiGixFM/

Rooted in the energies of 2025, the Year of the Snake, this four-track EP channels the mystery and intuition of the serpent, weaving together Virgo’s archetypal forces of the healer and the alchemist.
Across driven beats, hypnotic acid sequences, and vocal-infused textures, “Virgo Space Acid” reflects a journey of renewal, self-ownership, and inner power.

From Berghain to The Bunker New York, GiGi FM has long been known for her ability to channel movement into sound. With “Virgo Space Acid”, she refines her craft even further, working with fewer elements yet pushing them to their fullest expressive potential. She explores the full range of her voice, shaping it into textures, atmospheric layers, and even percussion, while separately reworking classic 909 drum machine sounds into something entirely her own. This EP is a statement of both discipline and liberation, where minimalism meets deep transformation.


Opener “Calibration” sets the tone with its mantra-like intention: an invitation to realign and tune into one’s own energy. Built around a driving bassline, nostalgic yet forward-moving synths, and GiGi’s own spoken word, “A breath holds time, calibrates space”, the track creates a moment of clarity before the journey begins.

“Mercury” follows, embodying the trickster, the messenger, the shapeshifter. Playful and urgent, its bouncing synth sequences move like conversations in motion, with rising tones driving the track forward, pushing toward a restless ascension that mirrors Mercury’s role as a bridge between realms, both celestial and internal.

The title track, “Virgo Space Acid”, is the wormhole: the brain battle, the transformation. With a heavyweight 303 bassline, spiraling bleeps reminiscent of birds, and powerful classic 909, it is pure tension and release, an acid-drenched trip through motion and evolution.

Closing the record, “Floresta” is a sensual and grounding moment of
reflection. Named after the stage at Waking Life Festival where GiGi felt a pivotal shift in her healing journey, the track mirrors the scene with dub chord sequences, emotional rising pads, and percussive vocal elements. Like the purple and pink drapes floating above the dance floor at sunset, Floresta is both a farewell and a prelude, a misty horizon where one chapter closes and another awaits.

With “Virgo Space Acid”, GiGi FM continues to expand her sonic language, deepening her connection between body, rhythm, and transformation. More assertive, more urgent, yet deeply intuitive, this is a record of movement, clarity, and self-empowerment.

"We are Sea~rène, swimming in-between supernatural tides, forever
following the emotional waves of the universe." GiGi FM

℗ & © 2025 GiGi FM - Sea~rène.
All rights reserved. Made in the EU.

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Virgo Space Acid

Premiere: GiGi FM — Virgo Space Acid [SRN003]

Strange Perception

Serial Disc Touchers [SDT Recordings] returns with its third instalment — a solo release from label founder Grace Dahl.

“I Want To Dance” channels an infectious house groove with subtle tension that builds toward the break, topped by a simple yet commanding vocal — delivered by Grace herself.

A personal favourite and longtime closing track in her sets, the track now officially joins the SDT catalog as a celebration of the joy and freedom that define the label’s ethos.

Mastering by STIPP
Mixing by STIPP and Grace Dahl
Artwork by SOLO
Vocals by Grace Dahl

Bandcamp: https://serialdisctouchers.bandcamp.com/track/i-want-to-dance
Beatport: https://tinyurl.com/ar47p7ap
Spotify: https://open.spotify.com/album/1wJ4tKqjQ4r305oeZo5bd6

I Want To Dance [SDT]

Missing the shit out of you (Psytrance)

Don't take me home

FREE DOWNLOAD 019 | Jahn Fall - Trained to Go 🦹🥁

For our new freedl eighteenth single catalogue, we’re excited to have Jahn Fall's first appearance on the label with “Trained to Go”.

*FREE DOWNLOAD*;
📲 https://hypeddit.com/danwc1

Support the great artist;
🦹 https://open.spotify.com/artist/2M8zWhDVZmYIbCDu19Ka7v
🦹 https://soundcloud.com/jahnfall
🦹 https://www.instagram.com/jahnfall/

Trained to Go

*FREE DOWNLOAD*

Jahn Fall - Trained to Go [FREEDL019]

Jeff Mills - Step To Enchantment

Initial release of this Steve Rachmad minimal workout

Music Man MM077

Ignacio - Virton (Original)

....The unpredictable composition of the products (which vary in a broad probabilistic and somewhat chaotic manner) distinguishes fission from purely quantum-tunneling processes ....

Deep Heet Vol. 4

Planetary Assault Systems - Desert Races

FLOORPAN "THE MASTER'S PLAN" (CLASSIC MUSIC):
https://cmc.lnk.to/cmcd141d

Before I got into this music I wanted to be an originator ; I wanted to be original".
Founding member of the legendary group Underground Resistance as a 'Minister Of Information' with ‘Mad’ Mike Banks & Jeff Mills, his seminal works on Jeff Mill's Axis and his very own M-Plant imprint paved the way for a wave of stripped-down dancefloor minimalism that directed much of techno's path throughout the late Nineties.
Robert Hood makes minimal Detroit techno with an emphasis on soul and experimentation over flash and popularity. 

"Growing up in Detroit, I grew up with Motown in the house - a lot of Motown and Philadelphia soul, artists like Marvin Gaye of course and Curtis Mayfield. I remember Isaac Hayes, the soundtrack from ‘Shaft’ had come out. My father was a jazz musician; he played piano, trumpet and drums. My mother was in an R’n’B group.
We listened to a lot of Motown - in fact, my grandfather’s first cousin is Berry Gordy.
"I was influenced by my father - I wanted to play trumpet like he did."
Robert's father tragically died when he was just 6. The photo of Robert siting down holding a trumpet is his fathers.
"I had to beg my grandmother to let me borrow the trumpet to take a picture with it"

In the early 90's he began to concentrate on his own production 'Vision EP', the 'Riot EP' and X-102 were big stepping-stones for him as they were the first releases he worked 100% on his own. The X-101 to X-102, were Waveform Transmission projects with Mills for Tresor. He slowly progressed to work more and more on his own, but collaberated on some of the first Axis releases with label owner Jeff Mills as H&M (Hood & Mills) with ‘Tranquilizer EP’ and ‘Drama’.

He soon decided it was time for him to start his own label to focus on what was in his soul musically. M-Plant started in ’94. I had developed this “grey area” sound - what I mean by that is that in Detroit, even when the sun is out, there’s something in the atmosphere. I don’t know if its pollution or whatever, but the sky has that grey haze over it. It’s got to be something from the industrial factories there. I’d never really heard a sound like that before and it came from a Roland Juno - it was a chord sound that really went along with my depiction of what Detroit was at that time. A lot of buildings were abandoned and there was a lot of lifelessness in the city, especially downtown. The M-Plant, in minimalism, kind of reflected that. I remember thinking of Detroit like a museum. You know, like a work of art standing still, suspended in time. There wasn’t a whole lot of activity going on.

Releasing singles such as "Internal Empire,", “The Protein Valve” "Music Data," and "Moveable Parts", "The Pace", more recently "Range", "Alpha" and that isn't even touching his other monikers Floorplan, Monobox, The Vision, etc.
"M-Plant is what I've always wanted to hear: the basic stripped down, raw sound. Just drums, basslines and funky grooves and only what's essential. Only what is essential to make people move. I started to look at it as a science, the art of making people move their butts, speaking to their heart, mind and soul. “It's a heart-felt rhythmic techno sound. M-Plant is just M. minimal. “

Although his desire to remain underground has been replaced by an urge to reach a wider audience, mainly via his housier, disco, gospel moniker Floorplan with his daughter Lyric Hood,   Hood remains fiercely critical of artistic and economic movements destructive to inner-city communities and has combined his musical enterprises with outreach and social activist ends.

Art Class

Robert Hood - Floorplan

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