Techno Selection by Mhost Likely

Inside Pax 2024

Download here: found.ee/fjaak-rmx01

Mr. G unveils a remix of "Unity" with a mellow, dub-infused approach. Slowing down the pace, this remix channels a deeper, more introspective energy, balancing rich, textural layers with smooth rhythms ideal for late-night or sunrise sets. With a stripped-back groove and atmospheric depth, "G’s Dub" offers a reflective counterpoint to the high-energy Time Jack Remix, showcasing Mr. G's versatility as he moves seamlessly between vibrant intensity and cool, dub-laden sophistication.

BUY HERE

FJAAK - Unity (G's Dub)

Ben Klock & Fadi Mohem announce debut collaborative album featuring Coby Sey and Flowdan on new label LAYER

Ben Klock and Fadi Mohem present their first collaborative album on their new label LAYER. The ten-track full length project titled Layer One follows the hypnotic EP Klockworks 34 that set the stage in 2022. In a bold departure from the techno roots that have defined and nurtured their careers, Klock and Mohem are now pushing genre boundaries, exploring IDM, ambient and experimental electronic music while still retaining the brilliance that characterised their earlier work.

The conceptual direction of Layer One delves into a post-human world, where humans are close to extinction on Earth, leaving only imprints, traces, and relics behind—digital fossils and machine-generated images capturing fleeting moments of non-human photography, as Artificial Intelligence remains in a world that quietly thrives without us. We do not perceive this as a bleak apocalyptic dystopia, but more a sober and serene reflection of a world that continues to exist and flourish, indifferent to the absence of humanity. Despite this unremitting setting, through this journey we find survivors who signal a remembrance of the human sensibilities.

Elevating this project are two very human and dynamic collaborations featuring the charismatic Coby Sey and the legendary grime MC Flowdan. Sey, a prominent figure in the British music scene known for his work with artists like Tirzah and Mica Levi, injects his music with a mesmerizing emotional depth. Opening the album with the powerful track ‘Ultimately,’ Sey offers spoken-word musings on creativity and life over experimental landscapes meticulously crafted by Klock and Mohem. Nostalgia permeates this opening track, and track 7 ‘Clean Slate’ reinforces this sentiment with Sey’s stream-of-consciousness wordplay.


Written and produced by Ben Klock and Fadi Mohem
Cat. No. LAYER01 – All rights reserved
℗ & ©️ 2024 LAYER Records

Ben Klock & Fadi Mohem - Layer One

To speak to Luca Daniel Schwarz aka LDS about his music is to be enthusiastically guided into a complex world of his own creation: clean and powerful techno which pulses with life from the textured patterns and drum sequences that have fills and accents that would make anyone who's picked up a set of drumsticks envious.

Yet this ecosystem of noise is deceptive; Schwarz's process for making music is very different to how a live drummer would create the same subtlety of performance. Forever researching new technology, Luca got deeply interested in different programming languages, and created a series of probability based music tools for manoeuvring sounds and sequencing.

Manipulating those probabilities takes a skillful alchemy, needing understanding of both musical structure and how the tools he devised work. To return to the drummer analogy, if the drummer is focussed and intentional in the moment of playing, then the method used in LDS tracks is almost diametrically opposed, with all of the intention coming in the assembly of the instruments, potential paths, and gateways; once play is pressed the music flows, following all the rules that were set in advance, not unlike a domino run or Rube Goldberg machine.

And like a domino run, the results are fascinating and, ultimately, fun: staccato vocals pop in and out in 'zipp prompt'; laser-like synths pulse; background noises sweep across the aural plane of the dub techno of 'diff, blockmix' and 'pow' adding texture that brings vitality all-too-easily missed out when complex mathematical processes become entwined with music creation. The high sensitivity to texture and rhythmic detail in Stadion Progg is multiplied further on Jean Redondo's remix - whose track, Hypersonic, was the backbone of 2023's 'yet' compilation on Tresor.

The balance between technology and a sense of fun might also come from the maker; it's not easy to overstate Schwarz's passion for what is now his favourite way to make music, "it never gets boring. There's always a moment of anticipation to see what actually emerges." And the true "power of 2" comes into play when the resulting music can be fed back through the system again and again, potentiating the music in exponential ways.

BANDCAMP

PREMIERE: LDS - diff, block mix

Art Class / Art School

Art Class

BIPOLAR FRUITS

BIG AS YOU ARE (feat. KAT)

GiGi FM - Virgo Space Acid [SRN003] 

A1. Calibration
A2. Mercury
B1. Virgo Space Acid
B2. Floresta

Release date : 23rd May 2025
Pre-order : https://gigifm.bandcamp.com/album/virgo-space-acid-2

All tracks written, produced and performed by GiGi FM.
Mixed and mastered by Ahmet Altinbas.
℗ & © 2025 GiGi FM - Sea~rène.
All rights reserved. Made in the EU.
Photography by Yumiya Saiki.
Layout by Studio Phazed.

GiGi FM - Virgo Space Acid [SRN003]

1st single in the series

Mastering by Znzl
Visual by Solveig Herrström

Free Download

Your Kiss My Bliss

HATE exclusive premiere.
Full streaming of the EP soon on our HATE YouTube channel.

Support the label, buy it here:
https://mote-evolver-label.bandcamp.com/album/chl-r-topography-e-p
https://www.deejay.de/CHLAeR_TOPOGRAPHY_EP_MOTE071_Vinyl__1145388

Swiss Primal Instinct boss, Chlär, debuts on Luke Slater's Mote-Evolver with the ‘Topography’ EP.

Artist: Chlär 
Title: Topography EP
Label: Mote-Evolver
Catalogue: MOTE071
Format: 12" Vinyl + Digital
Genre: Electronic
Style: #Techno
Release date: May 21, 2025

Tracklist:
A1: Altitude
A2: Serac
B1: Lamin
B2: Phantom Grid

Next up on Luke Slater's Mote-Evolver is Primal Instinct co-founder Chlär with the 'Topography' EP. It follows his debut album, 'The Architects of Shadows', which came out on Primal Instinct at the tail end of 2024, and sees the Swiss-bom, Germany-based artist deliver four more tracks of unmistakable, dance-floor-primed Chlär sound.

Chlär's 'Topography' EP embraces Mote-Evolver's tradition of deeper groove Techno with finesse, seeing 'Altitude' kick off proceedings as a heads-down slice of hypnotism featuring can't-miss Techno rhythm while otherworldly creatures add to the atmosphere. 'Serac' then delves even further, its effective bassline welded together with subtle sequences before we flip the record around for 'Lamin', a track rife with ghostly dub chords and remnants of a vocal sample. Closing out the trip is 'Phantom Grid', a clap riding its groove as it builds the intensity, dropping the pressure with hammering kickdrums and excellent, warped percussion for another lose-yourself club offering from the ever-promising Chlär.

Follow #Chlär here:
https://soundcloud.com/chlaer
https://www.instagram.com/chlaer_/
https://www.facebook.com/chlaermusic/
https://ra.co/dj/chlar

Follow #MoteEvolver here:
https://www.mote-evolver.de/
https://soundcloud.com/mote-evolver
https://www.instagram.com/mote_evolver/

___
DISCLAIMER: All tracks are uploaded in a low quality for promotional purposes only and with buy links to respect label and artists.

CONTACT EMAIL: hatemusic1@gmail.com

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Topography EP

Altitude

Premiere: Chlär — Altitude [MOTE071]

Support here: https://mutual-rytm.bandcamp.com/album/permean

Techno innovator Regent has already made his mark on Mutual Rytm with two previous outings highlighting his
refined but powerful style. The Berlin-based artist joins the dots between bold percussive grooves and distinct
cerebral layers, with his productions continuing to receive wide support from DJs and tastemakers across the globe.
This return to SHDW’s flourishing label features one of his most anticipated tracks to date – a truly timeless
warehouse anthem that marks an exciting new chapter for both Regent and the label.
The first remix comes from Steve Rachmad under his Sterac guise. This version channels the spirit of his early
work – pure, stripped-back techno at its finest. Tightly programmed and deep, it features burrowing bass and impish
synths dancing up top to occupy the mind while the body moves.

PREMIERE: Regent - Permean (Sterac Remix) [MRS002]

Eternal Life EP

The Throne

Special Candy – Extaz
A hypnotic techno trip built on psychedelic loops and rolling grooves.
Trippy textures, spaced-out synths, and a bassline that pulls you deeper every time.
Perfect for late-night sessions and underground journeys.
Press play. Take the trip. 

#Techno #Underground #Hypnotic #Groovy #Extaz

Drunked ( Free DL )

Marlon Hoffstadt & KI:KI - Losing Control remix by Myrah.

Marlon Hoffstadt & KI/KI - Losing Control (MYRAH REMIX)

iKush - Dubious Behavior

iKush - Dubious Behavior (FREE DOWNLOAD.WAV)

Mad Mike - The Final Frontier

Peter van Hoesen | Axis Mundi

🅆🄸🅃🄷🄾🅄🅃 🄱🄻🄰🄲🄺 🄲🅄🄻🅃🅄🅁🄴 
🄽🄾 🄲🄻🅄🄱 🄲🅄🄻🅃🅄🅁🄴

FLOORPAN "THE MASTER'S PLAN" (CLASSIC MUSIC):
https://cmc.lnk.to/cmcd141d

Before I got into this music I wanted to be an originator ; I wanted to be original".
Founding member of the legendary group Underground Resistance as a 'Minister Of Information' with ‘Mad’ Mike Banks & Jeff Mills, his seminal works on Jeff Mill's Axis and his very own M-Plant imprint paved the way for a wave of stripped-down dancefloor minimalism that directed much of techno's path throughout the late Nineties.
Robert Hood makes minimal Detroit techno with an emphasis on soul and experimentation over flash and popularity. 

"Growing up in Detroit, I grew up with Motown in the house - a lot of Motown and Philadelphia soul, artists like Marvin Gaye of course and Curtis Mayfield. I remember Isaac Hayes, the soundtrack from ‘Shaft’ had come out. My father was a jazz musician; he played piano, trumpet and drums. My mother was in an R’n’B group.
We listened to a lot of Motown - in fact, my grandfather’s first cousin is Berry Gordy.
"I was influenced by my father - I wanted to play trumpet like he did."
Robert's father tragically died when he was just 6. The photo of Robert siting down holding a trumpet is his fathers.
"I had to beg my grandmother to let me borrow the trumpet to take a picture with it"

In the early 90's he began to concentrate on his own production 'Vision EP', the 'Riot EP' and X-102 were big stepping-stones for him as they were the first releases he worked 100% on his own. The X-101 to X-102, were Waveform Transmission projects with Mills for Tresor. He slowly progressed to work more and more on his own, but collaberated on some of the first Axis releases with label owner Jeff Mills as H&M (Hood & Mills) with ‘Tranquilizer EP’ and ‘Drama’.

He soon decided it was time for him to start his own label to focus on what was in his soul musically. M-Plant started in ’94. I had developed this “grey area” sound - what I mean by that is that in Detroit, even when the sun is out, there’s something in the atmosphere. I don’t know if its pollution or whatever, but the sky has that grey haze over it. It’s got to be something from the industrial factories there. I’d never really heard a sound like that before and it came from a Roland Juno - it was a chord sound that really went along with my depiction of what Detroit was at that time. A lot of buildings were abandoned and there was a lot of lifelessness in the city, especially downtown. The M-Plant, in minimalism, kind of reflected that. I remember thinking of Detroit like a museum. You know, like a work of art standing still, suspended in time. There wasn’t a whole lot of activity going on.

Releasing singles such as "Internal Empire,", “The Protein Valve” "Music Data," and "Moveable Parts", "The Pace", more recently "Range", "Alpha" and that isn't even touching his other monikers Floorplan, Monobox, The Vision, etc.
"M-Plant is what I've always wanted to hear: the basic stripped down, raw sound. Just drums, basslines and funky grooves and only what's essential. Only what is essential to make people move. I started to look at it as a science, the art of making people move their butts, speaking to their heart, mind and soul. “It's a heart-felt rhythmic techno sound. M-Plant is just M. minimal. “

Although his desire to remain underground has been replaced by an urge to reach a wider audience, mainly via his housier, disco, gospel moniker Floorplan with his daughter Lyric Hood,   Hood remains fiercely critical of artistic and economic movements destructive to inner-city communities and has combined his musical enterprises with outreach and social activist ends.

Art Class

Robert Hood - Floorplan

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