Sublunar Records releases a V/A compilation "Corpora Part III" that features artists such as Oscar Mulero, Adriana Lopez, Donor, Kangding Ray and Desroi. Monument premieres Desroi`s track "In Rites" from the release, which will be released on the 10th of October.

Buylink: https://sublunarrecords.bandcamp.com/album/c-o-r-p-o-r-a-part-iii
Design: Margherita Baldi

@desroi
@sublunar-records

MNMT Premiere: Desroi - In Rites

Pre-escucha de la décima primera referencia de "Out of Sight" disponible a partir desde el 14/09/2023.

Pre-order disponible en Bandcamp-

OOSXI

Previews OOSXI

Bandcamp

Dynamic Forces - Limbo

Lost In Ether | P R E M I E R E |  Benales - Undo [KR]

artist name: Benales
label name: KR Records (Ket Robinson Records)
release name & cut number: [KR050] _ "KR Records - 5 years anniversary VA"
release date: 28/03/2024
pre-sale: https://ketrobinsonrecords.bandcamp.com/album/kr050-5-years-anniversary
shops links: https://ketrobinsonrecords.bandcamp.com/album/kr050-5-years-anniversary

Explore more:
https://www.instagram.com/ketrobinsonrecords
https://open.spotify.com/playlist/0L9FlLz3cIV38c0RU0WhMu
https://www.facebook.com/KetRobinsonRecords

Lost In Ether | P R E M I E R E |  Benales - Undo [KR]

Bandcamp: https://artsrecordings.bandcamp.com/album/art-of-remembering

Rethe - Evaporate (ARTSX045)

Artist: Philippe Petit
Title: 'Strange Luck'
Label: (MS)
Cat. #: MS08
Format: Vinyl & Digital
Release: 24th May,​ ​2024
Pre order: https://mylesserge.bandcamp.com/album/ms08-v-a-the-replacements

Sounds From NoWhere is pleased to premiere a new Philippe Petit' gem on '(MS)'.

Hailing from Michigan, USA, vinyl and techno label (MS) is the creation of Myles Sergé that usually focuses on his own original cuts, but has also featured quality remixes from Lee Holman and Rennie Foster.

'The Replacements' is a new VA release with four tracks by four different artists from Argentina, France, and America.

Philippe Petit calls Chamonix home, and the French maestro heads up Knotweed Records and Decision Making Theory (DMT) and has also appeared on Ben Sims' Symbolism, Len Faki's Figure, Slam's Soma, Radio Slave's RSPX amongst others. 
"Strange Luck" adds a deep and soulful take to the EP, using delicate delays on the lead and a warm, throbbing bassline to guide this classic Detroit-influenced jam.

@philippe-petit-chamonix
@myles-serge

Premiere: Philippe Petit - Strange Luck [(MS)]

Stream / Download: https://ffm.to/tr543

We are happy to launch a new series of TREATMENT compilations focusing on new talent as-well-as well-known names on Tronic, and this time we share with you the third project featuring 11 new and exclusive tracks ranging from raw, deep sounds to peak-time techno & electro. Please take a close listen, as all these artists deserve your attention.

TREATMENT, Vol. 3

Hold Me

Free Download

Fatima Yamaha - Whats A Girl To Do (Riaz Dhanani Mash Up Edit)

Drive (Ø [Phase] Remixes)

Drive (The Age Of Automation) (Ø [Phase] Nocturnal Mix)

Inland
'2122'
COUNTER011
12'' & Digital

Inland returns to his home label with a new four track EP - ‘2122’.

After an explorative soundtrack-LP with conceptual artist Julian Charrière on A-TON in late 2018, and a high pressure club 12’’ on Figure in March, this next EP from the UK-born producer (Ed Davenport) tightens the gap between those two contrasting disciplines. Tough, galvanic techno cuts pair with detailed bleep trips in a new strain of mature and confident output.

On the A1 and B1 lie optimised, modernist DJ tools; ‘2122’ and ‘Noisefields’ both journey toward a brooding, alien inferno. Meanwhile orbiting alarm signals (’Stowaway’) and the psychedelic funk of ‘Lifeline’ chart a lesser-known course, scanning the outer reaches in search of new sonic textures and future dance rituals.

The vinyl release of '2122' will feature a full-cover sleeve featuring artwork by London-based photographer Tom Kavanagh. Mastered by FAR.

Inland - '2122'  [COUNTER011] preview

FLOORPAN "THE MASTER'S PLAN" (CLASSIC MUSIC):
https://cmc.lnk.to/cmcd141d

Before I got into this music I wanted to be an originator ; I wanted to be original".
Founding member of the legendary group Underground Resistance as a 'Minister Of Information' with ‘Mad’ Mike Banks & Jeff Mills, his seminal works on Jeff Mill's Axis and his very own M-Plant imprint paved the way for a wave of stripped-down dancefloor minimalism that directed much of techno's path throughout the late Nineties.
Robert Hood makes minimal Detroit techno with an emphasis on soul and experimentation over flash and popularity. 

"Growing up in Detroit, I grew up with Motown in the house - a lot of Motown and Philadelphia soul, artists like Marvin Gaye of course and Curtis Mayfield. I remember Isaac Hayes, the soundtrack from ‘Shaft’ had come out. My father was a jazz musician; he played piano, trumpet and drums. My mother was in an R’n’B group.
We listened to a lot of Motown - in fact, my grandfather’s first cousin is Berry Gordy.
"I was influenced by my father - I wanted to play trumpet like he did."
Robert's father tragically died when he was just 6. The photo of Robert siting down holding a trumpet is his fathers.
"I had to beg my grandmother to let me borrow the trumpet to take a picture with it"

In the early 90's he began to concentrate on his own production 'Vision EP', the 'Riot EP' and X-102 were big stepping-stones for him as they were the first releases he worked 100% on his own. The X-101 to X-102, were Waveform Transmission projects with Mills for Tresor. He slowly progressed to work more and more on his own, but collaberated on some of the first Axis releases with label owner Jeff Mills as H&M (Hood & Mills) with ‘Tranquilizer EP’ and ‘Drama’.

He soon decided it was time for him to start his own label to focus on what was in his soul musically. M-Plant started in ’94. I had developed this “grey area” sound - what I mean by that is that in Detroit, even when the sun is out, there’s something in the atmosphere. I don’t know if its pollution or whatever, but the sky has that grey haze over it. It’s got to be something from the industrial factories there. I’d never really heard a sound like that before and it came from a Roland Juno - it was a chord sound that really went along with my depiction of what Detroit was at that time. A lot of buildings were abandoned and there was a lot of lifelessness in the city, especially downtown. The M-Plant, in minimalism, kind of reflected that. I remember thinking of Detroit like a museum. You know, like a work of art standing still, suspended in time. There wasn’t a whole lot of activity going on.

Releasing singles such as "Internal Empire,", “The Protein Valve” "Music Data," and "Moveable Parts", "The Pace", more recently "Range", "Alpha" and that isn't even touching his other monikers Floorplan, Monobox, The Vision, etc.
"M-Plant is what I've always wanted to hear: the basic stripped down, raw sound. Just drums, basslines and funky grooves and only what's essential. Only what is essential to make people move. I started to look at it as a science, the art of making people move their butts, speaking to their heart, mind and soul. “It's a heart-felt rhythmic techno sound. M-Plant is just M. minimal. “

Although his desire to remain underground has been replaced by an urge to reach a wider audience, mainly via his housier, disco, gospel moniker Floorplan with his daughter Lyric Hood,   Hood remains fiercely critical of artistic and economic movements destructive to inner-city communities and has combined his musical enterprises with outreach and social activist ends.

Drive (The Age Of Automation) (Ø [Phase] Nocturnal Mix)

Robert Hood - Floorplan

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