Fiyaaaa! / His Eye Is on the Sparrow

His Eye Is on the Sparrow (feat. Carol Otis)

Supernatural

Oasis

Star B - House Sound EP (Floorplan / Gaetano Parisio / Johannes Albert Remixes) is the latest release on Snatch! Records.

Buy/Stream: https://music.snatchrecords.com/snatch184

Selected Feedbacks:
Laurent Garnier “yessssssssssss ohh yesssssssssss”
Nicole Moudaber “super”
Paco Osuna “Will try thanks ;)”
Solardo “wicked thanks”
Stacey Pullen “cool thanks”
Sam Divine “dope!”
Carlo Lio “great package”
Mat.Joe “DOPE!!!! +++++”
Tiger Stripes “Yes, loving the Floorplan remix. Hot hot hot!”
Joyce Muniz “nice one!”
Robbie Rivera “bombs”
Ramiro Lopez “Nice one, thx”
Huxley “house massive is wicked”
Sasha Carassi “Cool!”
Mathias Kaden “Love all 3 Mixes!! Thanks”
Danny Howard BBC Radio 1 “SO GOOD”
DJ MAG SPAIN “TRACKS 1 & 3”
Christian Homan (RTE Pulse) “nice work on al”

House Sound EP

02 Star B - House Massive (Johannes Albert Remix) [Snatch! Records]

Theory of Light EP

Photon

The second single off Jim Carsons Pimp House Beats, Vol. 2 is a smashing remix from Las Vegas local Nico Salazar who has just returned from London, England, UK, after getting lost in the city on the way to his gigs. He played many radio shows and gained new fans. Inspired by Londons love for all things house Nico was able to approach Carsons original track with a groovy, funky, disco house feel and lay down the funk with a banging kick drum. Not for the faint of heart, this track will have you jumping out your seat searching for jellies, jam, cola, & lollipops. Great job Nico from everyone at Cola & Lollipops familia. This version is sub-licensed to Music is Medicine - MIM by Cola & Lollipops & Anahata Love Recordings - Publishing House - COLA & LOLLIPOPS - registered with BMI

Pimp House Beats, Vol. 2

Jim Carson - Move It Like Olga (Nico Salazar Remix) Soundcloud Preview

Buy SHAKE004: http://bit.ly/tripcamp

180gram vinyl record stores worldwide, and digital via BandCamp.

Soundcloud audio is 96KBPS MP3

SHAKE004

Claudia's Trip

Samsima / Get Down

Get Down (Original Mix)

Out now on vinyl & digital release - lnk.to/REKIDS132

UK techno legend Mark Broom returns to Rekids in February to release four uplifting cuts in the form of his ‘Break 97’ EP.

Mark Broom’s musical career is certainly something to behold – with over 150 releases over the past 25 years, on top of regular gigs across the world’s most renowned institutions, there’s no doubting his work ethic and his influence upon the scene. A prolific artist and true pioneer in the techno world, having worked with revered labels such as Warp, R&S, Ifach and Soma, and in more recent times Blueprint, EPM Music, Red Sonja Records and his own Beard Man Records, his ‘Break 97’ EP kick-starts 2019 for Radio Slave’s Rekids as the imprint adds yet another outstanding name to its roster following the likes of DJ Deep, Sebo K, DJ Spider and more.

‘Break 97’ sets the tone of the EP with a fusion of techno and disco, delicately blending funk-infused chords and resonating kicks amongst groove-filled vocals, before ‘Heart’ delivers inspiriting disco samples, punchy low end and elevating strings to reveal an effervescent aesthetic throughout. ‘EFB’ takes things up a notch, offering a dancefloor focused cut balancing rattling highs, vibrant synth flutters and a muffled vocal line, until ‘G Theme’ rounds out proceedings armed with robust percussion, electrifying vocals and undulating, euphoric keys.

Break 97

Mark Broom - Break 97

The Struggle / Save the Children

Save the Children (Detroit Mix)

Music / Tell You No Lie

Music

So Glad / I Feel Him Moving

So Glad

FLOORPAN "THE MASTER'S PLAN" (CLASSIC MUSIC):
https://cmc.lnk.to/cmcd141d

Before I got into this music I wanted to be an originator ; I wanted to be original".
Founding member of the legendary group Underground Resistance as a 'Minister Of Information' with ‘Mad’ Mike Banks & Jeff Mills, his seminal works on Jeff Mill's Axis and his very own M-Plant imprint paved the way for a wave of stripped-down dancefloor minimalism that directed much of techno's path throughout the late Nineties.
Robert Hood makes minimal Detroit techno with an emphasis on soul and experimentation over flash and popularity. 

"Growing up in Detroit, I grew up with Motown in the house - a lot of Motown and Philadelphia soul, artists like Marvin Gaye of course and Curtis Mayfield. I remember Isaac Hayes, the soundtrack from ‘Shaft’ had come out. My father was a jazz musician; he played piano, trumpet and drums. My mother was in an R’n’B group.
We listened to a lot of Motown - in fact, my grandfather’s first cousin is Berry Gordy.
"I was influenced by my father - I wanted to play trumpet like he did."
Robert's father tragically died when he was just 6. The photo of Robert siting down holding a trumpet is his fathers.
"I had to beg my grandmother to let me borrow the trumpet to take a picture with it"

In the early 90's he began to concentrate on his own production 'Vision EP', the 'Riot EP' and X-102 were big stepping-stones for him as they were the first releases he worked 100% on his own. The X-101 to X-102, were Waveform Transmission projects with Mills for Tresor. He slowly progressed to work more and more on his own, but collaberated on some of the first Axis releases with label owner Jeff Mills as H&M (Hood & Mills) with ‘Tranquilizer EP’ and ‘Drama’.

He soon decided it was time for him to start his own label to focus on what was in his soul musically. M-Plant started in ’94. I had developed this “grey area” sound - what I mean by that is that in Detroit, even when the sun is out, there’s something in the atmosphere. I don’t know if its pollution or whatever, but the sky has that grey haze over it. It’s got to be something from the industrial factories there. I’d never really heard a sound like that before and it came from a Roland Juno - it was a chord sound that really went along with my depiction of what Detroit was at that time. A lot of buildings were abandoned and there was a lot of lifelessness in the city, especially downtown. The M-Plant, in minimalism, kind of reflected that. I remember thinking of Detroit like a museum. You know, like a work of art standing still, suspended in time. There wasn’t a whole lot of activity going on.

Releasing singles such as "Internal Empire,", “The Protein Valve” "Music Data," and "Moveable Parts", "The Pace", more recently "Range", "Alpha" and that isn't even touching his other monikers Floorplan, Monobox, The Vision, etc.
"M-Plant is what I've always wanted to hear: the basic stripped down, raw sound. Just drums, basslines and funky grooves and only what's essential. Only what is essential to make people move. I started to look at it as a science, the art of making people move their butts, speaking to their heart, mind and soul. “It's a heart-felt rhythmic techno sound. M-Plant is just M. minimal. “

Although his desire to remain underground has been replaced by an urge to reach a wider audience, mainly via his housier, disco, gospel moniker Floorplan with his daughter Lyric Hood,   Hood remains fiercely critical of artistic and economic movements destructive to inner-city communities and has combined his musical enterprises with outreach and social activist ends.

His Eye Is on the Sparrow (feat. Carol Otis)

Robert Hood - Floorplan

Related tracks