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Streaming 7: An unfortunate preoccupation

Hayley Zalassi & Big Miz - Strange Faces

• L'Art Du Savoir - VDYCD •

Disco's Revenge

Disco's Revenge (Mole Hole Dirty Mix)

Hikari

Tengoku

Tengoku - Shnka X avion

Papi Julio

It's been MONTHS since I dropped a new Can't Hold Me Down remix 😭😭

Can’t Hold Me Down x Messages From The Stars V2 (Jersey Club)

The First track of Pool Attendant's forthcoming debut EP "JETTYMASTER".

JETTYMASTER EP
(1) MISS M
(2) DISCO POWER
(3) ITALO-WONDERLAND

Email: 
poolattendant@gmail.com
Soundcloud: 
https://soundcloud.com/poolattendant
Facebook: 
https://www.facebook.com/poolattendantmusic/

PREMIERE: POOL ATTENDANT - MISS M (JETTYMASTER EP)

Free Download

Kano - Can't Hold Back (Dean Kader Edit)

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VA - Groove Invasion (Too Many Rules)

Vozmediano - Disco Killed The Techno Star [Too Many Rules]

Just Another Groove

Just Another Groove (2008 Remaster)

Mella Dee - Techno Disco Tool (Original Mix) [WAREHOUSE MUSIC]

We know you could have done it as well - but you didn’t. Two chopped and pumpin’ edits that without a doubt ﬁt the club and your record bag! Heat it up with Back 2 Rhythm + the 2020 Flex of 2010 and let the Bonus Flex take care of the rest.

artwork & design by KVIS, mastered by Herb LF at NFM Mastering, pressed & 
distributed by Prime Direct Distribution.

SUPPORT
https://harddrivelibrary.bandcamp.com/album/hdl-n-02
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BUY WAX
https://www.juno.co.uk/products/hard-drive-library-hdln-02/793953-01/
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+ many more

support:
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HDL N°02

PREMIERE: Hard Drive Library - Back 2 Rhythm

Music / Tell You No Lie

Tell You No Lie

The Struggle / Save the Children

Save the Children

Sanctified EP

We Magnify His Name

FLOORPAN "THE MASTER'S PLAN" (CLASSIC MUSIC):
https://cmc.lnk.to/cmcd141d

Before I got into this music I wanted to be an originator ; I wanted to be original".
Founding member of the legendary group Underground Resistance as a 'Minister Of Information' with ‘Mad’ Mike Banks & Jeff Mills, his seminal works on Jeff Mill's Axis and his very own M-Plant imprint paved the way for a wave of stripped-down dancefloor minimalism that directed much of techno's path throughout the late Nineties.
Robert Hood makes minimal Detroit techno with an emphasis on soul and experimentation over flash and popularity. 

"Growing up in Detroit, I grew up with Motown in the house - a lot of Motown and Philadelphia soul, artists like Marvin Gaye of course and Curtis Mayfield. I remember Isaac Hayes, the soundtrack from ‘Shaft’ had come out. My father was a jazz musician; he played piano, trumpet and drums. My mother was in an R’n’B group.
We listened to a lot of Motown - in fact, my grandfather’s first cousin is Berry Gordy.
"I was influenced by my father - I wanted to play trumpet like he did."
Robert's father tragically died when he was just 6. The photo of Robert siting down holding a trumpet is his fathers.
"I had to beg my grandmother to let me borrow the trumpet to take a picture with it"

In the early 90's he began to concentrate on his own production 'Vision EP', the 'Riot EP' and X-102 were big stepping-stones for him as they were the first releases he worked 100% on his own. The X-101 to X-102, were Waveform Transmission projects with Mills for Tresor. He slowly progressed to work more and more on his own, but collaberated on some of the first Axis releases with label owner Jeff Mills as H&M (Hood & Mills) with ‘Tranquilizer EP’ and ‘Drama’.

He soon decided it was time for him to start his own label to focus on what was in his soul musically. M-Plant started in ’94. I had developed this “grey area” sound - what I mean by that is that in Detroit, even when the sun is out, there’s something in the atmosphere. I don’t know if its pollution or whatever, but the sky has that grey haze over it. It’s got to be something from the industrial factories there. I’d never really heard a sound like that before and it came from a Roland Juno - it was a chord sound that really went along with my depiction of what Detroit was at that time. A lot of buildings were abandoned and there was a lot of lifelessness in the city, especially downtown. The M-Plant, in minimalism, kind of reflected that. I remember thinking of Detroit like a museum. You know, like a work of art standing still, suspended in time. There wasn’t a whole lot of activity going on.

Releasing singles such as "Internal Empire,", “The Protein Valve” "Music Data," and "Moveable Parts", "The Pace", more recently "Range", "Alpha" and that isn't even touching his other monikers Floorplan, Monobox, The Vision, etc.
"M-Plant is what I've always wanted to hear: the basic stripped down, raw sound. Just drums, basslines and funky grooves and only what's essential. Only what is essential to make people move. I started to look at it as a science, the art of making people move their butts, speaking to their heart, mind and soul. “It's a heart-felt rhythmic techno sound. M-Plant is just M. minimal. “

Although his desire to remain underground has been replaced by an urge to reach a wider audience, mainly via his housier, disco, gospel moniker Floorplan with his daughter Lyric Hood,   Hood remains fiercely critical of artistic and economic movements destructive to inner-city communities and has combined his musical enterprises with outreach and social activist ends.

Tell You No Lie

Robert Hood - Floorplan

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