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Blue Oyster

Hayley Zalassi & Big Miz - Strange Faces

Robert and Lyric Hood return as Floorplan to Classic Music Company with another double release of divine house goodness. 'We Give Thee Honor' is a high energy rave number with an instantly recognisable hook as a syncopated organ stab is juxtaposed with a wild vocal loop and unpredictable gospel interjections, creating the unique energy of worship in full flow. The second cut, 'Makes Me Wanna', has a more minimal approach to production, playing to Floorplan's club expertise. Both tracks are packed full of powerful, feminine vocals that celebrate the duo's spiritual influences.

‘We Give Thee Honor’

Floorplan ‘We Give Thee Honor’

Thrill Me

Thrill Me (Original Version by Junior Jack)

Disco's Revenge

Disco's Revenge (Mole Hole Dirty Mix)

capolavoro di quei intramontabili anni 90!

Pete Hellers Big Love  Big Love

Gravagerz- Help Me Lose My Mind
Disclosure, London Grammar 

ig: gravagerz

Help Me Lose My Mind

Gravagerz - Help Me Lose My Mind

Fancy That

Illegal

Seven Cities

Seven Cities (Armin van Buuren Remix)

Rachel EP

Existence

iTunes: http://po.st/mfcit | Beatport: http://po.st/mfcbp | Traxsource: http://po.st/mfcts | Spotify: http://po.st/mfcs | Apple Music: http://po.st/mfcam | Deezer: http://po.st/mfcdz 

In February 2016 Midland made his contribution to the hugely influential BBC Essential Mix series. The end of the mix came in the shape of an unreleased track that would go on to soundtrack dance floors and festivals the world over. That track was 'Final Credits.' Since its creation in the depths of winter to its vinyl release in June, with weekly airings everywhere from Panorama Bar to DC10 to Dekmantel Festival, the record has united dance floors and become one of the most unlikely tracks of the year. As the summer disappeared, calls for a full release of 'Final Credits' have swelled, and now, thanks to The Classic Music Company we're delighted to say this is becoming a reality. 

Midland 'Final Credits' 1. Final Credits 2. Final Credits (Radio Edit) Written by Harry Agius, James Dexter Weatherly, L. Alfred, J. Lester & R. Murphy Produced by Harry Agius Published by Just Isn’t Music & Universal Polygram International Publishing, Inc. (ASCAP) ‘Final Credits’ contains a sample of Gladys Knight and the Pips ‘Neither One Of Us’, Written by James Dexter Weatherly, Published by Universal Polygram International Publishing, Inc. (ASCAP). Used by permission. ‘Final Credits’ contains a sample of Lee Alfred ‘Rockin - Poppin Full Tilting’ sample licensed courtesy of Numero Group LLC, Written by L. Alfred, J. Lester & R. Murphy, Published by Numero Group LLC d/b/a Songs Of Numero Group. P&C 2016 Classic Music Company

Download

Midland 'Final Credits' (Classic Music Company)

Music For You

Music For You (MF)

Loods - Image Nation

Red 5 -  I Love You Stop ( Paul Muzik 2013 Edit )

Music / Tell You No Lie

Tell You No Lie

this is a DUD like I mean we can all clearly hear its a bit rough around the edges, I wish I could've made it longer but I had the worst writer's block hence the repetitive la la la thing going on 
I hope you like the verses though!!
Sample taken from a karaoke version of flowers - sweet female attitude

Pain

FLOORPAN "THE MASTER'S PLAN" (CLASSIC MUSIC):
https://cmc.lnk.to/cmcd141d

Before I got into this music I wanted to be an originator ; I wanted to be original".
Founding member of the legendary group Underground Resistance as a 'Minister Of Information' with ‘Mad’ Mike Banks & Jeff Mills, his seminal works on Jeff Mill's Axis and his very own M-Plant imprint paved the way for a wave of stripped-down dancefloor minimalism that directed much of techno's path throughout the late Nineties.
Robert Hood makes minimal Detroit techno with an emphasis on soul and experimentation over flash and popularity. 

"Growing up in Detroit, I grew up with Motown in the house - a lot of Motown and Philadelphia soul, artists like Marvin Gaye of course and Curtis Mayfield. I remember Isaac Hayes, the soundtrack from ‘Shaft’ had come out. My father was a jazz musician; he played piano, trumpet and drums. My mother was in an R’n’B group.
We listened to a lot of Motown - in fact, my grandfather’s first cousin is Berry Gordy.
"I was influenced by my father - I wanted to play trumpet like he did."
Robert's father tragically died when he was just 6. The photo of Robert siting down holding a trumpet is his fathers.
"I had to beg my grandmother to let me borrow the trumpet to take a picture with it"

In the early 90's he began to concentrate on his own production 'Vision EP', the 'Riot EP' and X-102 were big stepping-stones for him as they were the first releases he worked 100% on his own. The X-101 to X-102, were Waveform Transmission projects with Mills for Tresor. He slowly progressed to work more and more on his own, but collaberated on some of the first Axis releases with label owner Jeff Mills as H&M (Hood & Mills) with ‘Tranquilizer EP’ and ‘Drama’.

He soon decided it was time for him to start his own label to focus on what was in his soul musically. M-Plant started in ’94. I had developed this “grey area” sound - what I mean by that is that in Detroit, even when the sun is out, there’s something in the atmosphere. I don’t know if its pollution or whatever, but the sky has that grey haze over it. It’s got to be something from the industrial factories there. I’d never really heard a sound like that before and it came from a Roland Juno - it was a chord sound that really went along with my depiction of what Detroit was at that time. A lot of buildings were abandoned and there was a lot of lifelessness in the city, especially downtown. The M-Plant, in minimalism, kind of reflected that. I remember thinking of Detroit like a museum. You know, like a work of art standing still, suspended in time. There wasn’t a whole lot of activity going on.

Releasing singles such as "Internal Empire,", “The Protein Valve” "Music Data," and "Moveable Parts", "The Pace", more recently "Range", "Alpha" and that isn't even touching his other monikers Floorplan, Monobox, The Vision, etc.
"M-Plant is what I've always wanted to hear: the basic stripped down, raw sound. Just drums, basslines and funky grooves and only what's essential. Only what is essential to make people move. I started to look at it as a science, the art of making people move their butts, speaking to their heart, mind and soul. “It's a heart-felt rhythmic techno sound. M-Plant is just M. minimal. “

Although his desire to remain underground has been replaced by an urge to reach a wider audience, mainly via his housier, disco, gospel moniker Floorplan with his daughter Lyric Hood,   Hood remains fiercely critical of artistic and economic movements destructive to inner-city communities and has combined his musical enterprises with outreach and social activist ends.

Tell You No Lie

Robert Hood - Floorplan

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