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Featuring the latest releases in Minimal, Detroit Berlin Dub Deep Acid & Experimental. No remixes. All tracks featured here are in the 2025 in Techno archive on the profile pageFor the beautiful Palestinian people of the Gaza Strip. Stop Zionist Genocide.

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SubBerlin (The Story of Tresor)

Triple Darkness

Many Reasons - Joris Voorn

Bone rounds off part 1 of his Detroit EP with aplomb. Where the previous two tracks have drawn on the emotional and symbolic significance of Detroit as a place and as an ideal, Detroit Is ... Hard, cuts straight to the chase. Utilizing the same vocal sample as Detroit Is ... Soul, Bone feeds things through the grinder and comes out with a late night dancefloor destroyer that blends Millsian fury and Red Planet mystique with the archetypal Subject Detroit aesthetic. Chaotic arpeggiated melody, indignant claps and breakneck drums and percussion are the chosen company for Bone's words on this flipside to Detroit Is ... Soul. Detroit is ... Hard, undoubtedly to become a mainstay for sweaty after-hours affairs the world over.

DJ Bone - Detroit Is ... Hard

Deniro - The Penal Colony 2

Arnaud Le Texier drops a raw and hypnotic techno release as part of the Rillis series from the Unrilis record label.

"Crunchy" is the title track, and it opens the release with the warping motion of a churning synth line wrapped in fast-paced percussion. 

Living in London (UK), Arnaud Le Texier is a master of finding the sweet spot between depth and energy, as his dance floor-focused style has immersive atmosphere and swelling tension. Layering crunching percussion with analogue synths, Arnaud Le Texier has worked with prestigious record labels ranging from and Coyu's Suara to Slam's Soma, and his own imprint, Children of Tomorrow. He has also travelled the globe as a headline DJ, playing sets at some of the world's best underground clubs and festivals.

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#crunchy #arnaudletexier #techno #rilis #unrilis #electronicmusic #underground #technorawdeep

Crunchy EP

Crunchy

Buy / Stream

Crunchy [RILIS029]

Mzrrecva03

Dont Play 110

https://sabla.bandcamp.com/album/morpho

It starts like a seed under skin—bare, pulsing.

Sound gathers like an electron orbiting the nucleus.
Shapes thicken, not to dominate, but to exist.
A spine forms, then limbs, then breath.
Nothing ascends—everything spreads.

In Morpho, form doesn’t arrive all at once; it builds piece by piece, from materials drawn across distances. Each step is neither better nor worse than the last—each is singular, part of the whole. Growth is not guided—it listens, folding itself into space, grain by grain.
credits
releases June 20, 2025

Music by Donato Dozzy and Sabla
Mastered by Nick Foglia 
Artwork: Solar Storm, courtesy of Jacopo Mazzetti

Donato Dozzy & Sabla - Forma I

Scissor Stair

Eternal Life EP

God Flow

The Throne

Taken from the 2013 album "Heliosphere" on 50 Weapons

Benjamin Damage - 010x

Dance Dance Electrodance

Sol Solide - Take 2 (Trance Cover)

'Trance Euphoria Volume 2' by *The Semblance features 12 uplifting & euphoric trance instrumentals

The album will be available to buy & downlooad at digital music stores worldwide from 5th February 2026

Check out more fantastic music by The Semblance via the links below:-

Apple: https://music.apple.com/us/artist/the-semblance/1715418466

Spotify: https://open.spotify.com/artist/5kumM6kzXoJ4NK9Oo5OXkG?si=1Pnf72bjQp2Moj5PBMidtA

YouTube: https://music.youtube.com/channel/UCdwG3k-KQUuDTb06WOo_EcQ?si=k0jZMupCJelnhcS4

Thanks, Clive, Cris & Joey - The Semblance
Spyda Music Productions

*The Semblance is a Spyda Music Productions artist & should bot be confused with any other artist/band with a similar nbame

Trance Euphoria Volume 2

Wait For Me

Trance Euphoria Vol 2

The Semblance - Wait For Me

Under Black Helmet - Mute

Jeff Mills - Automatic

FLOORPAN "THE MASTER'S PLAN" (CLASSIC MUSIC):
https://cmc.lnk.to/cmcd141d

Before I got into this music I wanted to be an originator ; I wanted to be original".
Founding member of the legendary group Underground Resistance as a 'Minister Of Information' with ‘Mad’ Mike Banks & Jeff Mills, his seminal works on Jeff Mill's Axis and his very own M-Plant imprint paved the way for a wave of stripped-down dancefloor minimalism that directed much of techno's path throughout the late Nineties.
Robert Hood makes minimal Detroit techno with an emphasis on soul and experimentation over flash and popularity. 

"Growing up in Detroit, I grew up with Motown in the house - a lot of Motown and Philadelphia soul, artists like Marvin Gaye of course and Curtis Mayfield. I remember Isaac Hayes, the soundtrack from ‘Shaft’ had come out. My father was a jazz musician; he played piano, trumpet and drums. My mother was in an R’n’B group.
We listened to a lot of Motown - in fact, my grandfather’s first cousin is Berry Gordy.
"I was influenced by my father - I wanted to play trumpet like he did."
Robert's father tragically died when he was just 6. The photo of Robert siting down holding a trumpet is his fathers.
"I had to beg my grandmother to let me borrow the trumpet to take a picture with it"

In the early 90's he began to concentrate on his own production 'Vision EP', the 'Riot EP' and X-102 were big stepping-stones for him as they were the first releases he worked 100% on his own. The X-101 to X-102, were Waveform Transmission projects with Mills for Tresor. He slowly progressed to work more and more on his own, but collaberated on some of the first Axis releases with label owner Jeff Mills as H&M (Hood & Mills) with ‘Tranquilizer EP’ and ‘Drama’.

He soon decided it was time for him to start his own label to focus on what was in his soul musically. M-Plant started in ’94. I had developed this “grey area” sound - what I mean by that is that in Detroit, even when the sun is out, there’s something in the atmosphere. I don’t know if its pollution or whatever, but the sky has that grey haze over it. It’s got to be something from the industrial factories there. I’d never really heard a sound like that before and it came from a Roland Juno - it was a chord sound that really went along with my depiction of what Detroit was at that time. A lot of buildings were abandoned and there was a lot of lifelessness in the city, especially downtown. The M-Plant, in minimalism, kind of reflected that. I remember thinking of Detroit like a museum. You know, like a work of art standing still, suspended in time. There wasn’t a whole lot of activity going on.

Releasing singles such as "Internal Empire,", “The Protein Valve” "Music Data," and "Moveable Parts", "The Pace", more recently "Range", "Alpha" and that isn't even touching his other monikers Floorplan, Monobox, The Vision, etc.
"M-Plant is what I've always wanted to hear: the basic stripped down, raw sound. Just drums, basslines and funky grooves and only what's essential. Only what is essential to make people move. I started to look at it as a science, the art of making people move their butts, speaking to their heart, mind and soul. “It's a heart-felt rhythmic techno sound. M-Plant is just M. minimal. “

Although his desire to remain underground has been replaced by an urge to reach a wider audience, mainly via his housier, disco, gospel moniker Floorplan with his daughter Lyric Hood,   Hood remains fiercely critical of artistic and economic movements destructive to inner-city communities and has combined his musical enterprises with outreach and social activist ends.

God Flow

Robert Hood - Floorplan

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