Loops

Supernatural

Oasis

Artist: Octave One 
Title: Locus Of Control Vol. 3
Cat No: 4W745
Label: 430 West
Released: 27 Aug 2021
Tracklist
Side A Shameless
Side B School of the Seven Bells

OCTAVE ONE
contact: kattylange@430west.com
Email: info@430west.com
http://www.430west.com/Octave One
 Locus of Control –Vol. 3

This fall, Detroit techno icons Octave One serve up the third volume of their Locus of Control EP series. The two-track offering again explores the ‘power or powerlessness people feel over the things that shape their world,’ and never has that been more true than during the last 18 months of the pandemic.
It has almost been two years since the release of the last installment. Of course, the pandemic largely explains that delay, but that doesn’t mean the celebrated Burden Brothers haven’t stayed busy in other ways. Already in 2021, they have served up their Reworks and Whatever She Wants EPs, and have also revived their more introspective 90s alias Neveron Sunday for a new EP later in 2021. More than 25 years after first starting out, they continue to shapethe modern techno landscape with their famous analogue approach, as this new EP proves.
It opens with the superb ‘Shameless,’ a heavily percussive yet elastic track that bangs from thestart. The bassline is dark and menacing but also has a subtle sense of techno funk. Once the pixelated chords arrive, the track is doused in a cosmic energy that will take dance floors to the next level. Then comes ‘School of Seven Bells’, a straight-up seven-minute techno workout laden with rich layers of synth and a baseline full of suspense. It immediately gets you on your toes and the ever-evolving pads and loopy drums ensure maximum impact throughout.
These are two more thought-provoking, body-shaking tracks from techno’s finest.

Locus of Control Vol.3

Locus of Control Volume 3

Shameless

Lemon 8 - Model 8 (remix 1993)

Lil Louis - French Kiss - Mark Broom Edit

Deep In Your Love

Deep In Your Love (Dimitri Vegas & Like Mike, Ben Nicky & Dr Phunk Remix)

Download here: found.ee/fjaak-rmx01

Mr. G unveils a remix of "Unity" with a mellow, dub-infused approach. Slowing down the pace, this remix channels a deeper, more introspective energy, balancing rich, textural layers with smooth rhythms ideal for late-night or sunrise sets. With a stripped-back groove and atmospheric depth, "G’s Dub" offers a reflective counterpoint to the high-energy Time Jack Remix, showcasing Mr. G's versatility as he moves seamlessly between vibrant intensity and cool, dub-laden sophistication.

BUY HERE

FJAAK - Unity (G's Dub)

Resonances From The D

Resonances From The D (Bonus Track)

Like You Are For Me

Here For The Party

Raiva ft. MEUTE

Basic Maneuvers

Eternal Life EP

The Throne

64 (Extended Mix)

Mad Mike - The Final Frontier

Floorplan - Baby, Baby

Indoctrinate

FLOORPAN "THE MASTER'S PLAN" (CLASSIC MUSIC):
https://cmc.lnk.to/cmcd141d

Before I got into this music I wanted to be an originator ; I wanted to be original".
Founding member of the legendary group Underground Resistance as a 'Minister Of Information' with ‘Mad’ Mike Banks & Jeff Mills, his seminal works on Jeff Mill's Axis and his very own M-Plant imprint paved the way for a wave of stripped-down dancefloor minimalism that directed much of techno's path throughout the late Nineties.
Robert Hood makes minimal Detroit techno with an emphasis on soul and experimentation over flash and popularity. 

"Growing up in Detroit, I grew up with Motown in the house - a lot of Motown and Philadelphia soul, artists like Marvin Gaye of course and Curtis Mayfield. I remember Isaac Hayes, the soundtrack from ‘Shaft’ had come out. My father was a jazz musician; he played piano, trumpet and drums. My mother was in an R’n’B group.
We listened to a lot of Motown - in fact, my grandfather’s first cousin is Berry Gordy.
"I was influenced by my father - I wanted to play trumpet like he did."
Robert's father tragically died when he was just 6. The photo of Robert siting down holding a trumpet is his fathers.
"I had to beg my grandmother to let me borrow the trumpet to take a picture with it"

In the early 90's he began to concentrate on his own production 'Vision EP', the 'Riot EP' and X-102 were big stepping-stones for him as they were the first releases he worked 100% on his own. The X-101 to X-102, were Waveform Transmission projects with Mills for Tresor. He slowly progressed to work more and more on his own, but collaberated on some of the first Axis releases with label owner Jeff Mills as H&M (Hood & Mills) with ‘Tranquilizer EP’ and ‘Drama’.

He soon decided it was time for him to start his own label to focus on what was in his soul musically. M-Plant started in ’94. I had developed this “grey area” sound - what I mean by that is that in Detroit, even when the sun is out, there’s something in the atmosphere. I don’t know if its pollution or whatever, but the sky has that grey haze over it. It’s got to be something from the industrial factories there. I’d never really heard a sound like that before and it came from a Roland Juno - it was a chord sound that really went along with my depiction of what Detroit was at that time. A lot of buildings were abandoned and there was a lot of lifelessness in the city, especially downtown. The M-Plant, in minimalism, kind of reflected that. I remember thinking of Detroit like a museum. You know, like a work of art standing still, suspended in time. There wasn’t a whole lot of activity going on.

Releasing singles such as "Internal Empire,", “The Protein Valve” "Music Data," and "Moveable Parts", "The Pace", more recently "Range", "Alpha" and that isn't even touching his other monikers Floorplan, Monobox, The Vision, etc.
"M-Plant is what I've always wanted to hear: the basic stripped down, raw sound. Just drums, basslines and funky grooves and only what's essential. Only what is essential to make people move. I started to look at it as a science, the art of making people move their butts, speaking to their heart, mind and soul. “It's a heart-felt rhythmic techno sound. M-Plant is just M. minimal. “

Although his desire to remain underground has been replaced by an urge to reach a wider audience, mainly via his housier, disco, gospel moniker Floorplan with his daughter Lyric Hood,   Hood remains fiercely critical of artistic and economic movements destructive to inner-city communities and has combined his musical enterprises with outreach and social activist ends.

Here For The Party

Robert Hood - Floorplan

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