The Secret Tapes Of Dr. Eich

The Climax

Woman-Hood Chapter 2

Gotta Good Thing

Party (Sunset)

Feel the beat - Tech House Edit

Way Out proudly presents its Summer Sampler 2025, a vibrant and genre-spanning compilation that brings together ten artists an exciting mix of label residents and fresh new signings. With summer in full swing, the compilation delivers an eclectic blend of high-caliber music that reflects the forward-thinking, inclusive ethos of the label. From hypnotic minimal rhythms to raw acid weapons and deep cuts, Summer Sampler 2025 is a celebration of club culture and electronic innovation. Among the newcomers and resident are Tim James, On Off, Beckie Adams, Inavo, Jason Detox, Simao (BR), 2Seater, Sarahrey, Vibrantgroove and, Withoutwork All recently signed on Way Out records who deliver standout debut tracks that fuse groove-driven intensity with modern textures. Their contributions bring a fresh wave of energy and signal the labels continued dedication to discovering and nurturing emerging talent. Also featured is label co-founder BRADII, who follows up his widely supported Flow Passion last month release with a new dance-floor cut Rave Signal.

PRE ORDER

2Seater - Off Season

Detroit’s KING CHEETAH is here with his debut 12” for Light Body Works.  Growing up in the haze of late 90s Detroit record shopping brought about the inspiration for this record.

“I wanted to capture that moment when you put the needle down on that record that gave you goosebumps, the find you were looking for… you only hear 2 seconds and you know its for you”

King Cheetah finds the appropriate space in between sounds and harmonies, rather than all the focus on the actual sounds, all while exercising a subtle rhythmic action that can be heard down the block.

Welcome to Light Body Works.

KING CHEETAH - WATER MAZE [LBW 001]

Welcome to Avision's contribution to Kwench Records' "Fusion" V/A EP,  which also includes tracks by Ivaylo, Jay Tripwire, Hector Moralez, Paco Wegmann, Pete Moss, Onur Ozman, Sisto and Jack District.

Growing up in New York, he's since remained in the city ushering in a new wave of techno for the NY scene. While his name might not be commonly known in Europe, you'll likely know him as a US headliner who holds a firm place on line-ups with Carl Cox, Carlo Lio, Victor Calderone, Chris Liebing, Kenny Glasgow and Joseph Capriati, among more.

Elsewhere, he's just been announced as featuring on Ben Sims' forthcoming techno compilation 'Tribology.'

Follow Avision
SoundCloud: @avisionofficial
Facebook: www.facebook.com/avisionnyc
Twitter: www.twitter.com/Avisionofficial
Instagram: www.instagram.com/avisionofficial

Follow Kwench Records
SoundCloud: @kwenchrecords
Instagram: www.instagram.com/kwenchrecords/
Facebook: www.facebook.com/kwenchrecords 
Twitter: www.twitter.com/kwenchrecords 


Follow 6AM Group:
Website: www.6amgroup.com
Facebook: www.facebook.com/6amgroup
Twitter: www.twitter.com/6amgroup
Instagram: www.instagram.com/6amgroup
SoundCloud: @6amgroup
YouTube: www.youtube.com/6amgroup

Kewnch Fusion EP

Premiere: Avision "Hot Keys" - Kwench Records

07A1 Remixes

07A1 (Floorplan Remix)

Buy on Bandcamp

Aril Brikha - (A) Groove La' Chord [Fragile 1998 - FRG17]

LOOP (LFO VS. F.U.S.E.)

LOOP (LFO VS. F.U.S.E.) (FUSE MIX)

Music / Tell You No Lie

Music

FLOORPAN "THE MASTER'S PLAN" (CLASSIC MUSIC):
https://cmc.lnk.to/cmcd141d

Before I got into this music I wanted to be an originator ; I wanted to be original".
Founding member of the legendary group Underground Resistance as a 'Minister Of Information' with ‘Mad’ Mike Banks & Jeff Mills, his seminal works on Jeff Mill's Axis and his very own M-Plant imprint paved the way for a wave of stripped-down dancefloor minimalism that directed much of techno's path throughout the late Nineties.
Robert Hood makes minimal Detroit techno with an emphasis on soul and experimentation over flash and popularity. 

"Growing up in Detroit, I grew up with Motown in the house - a lot of Motown and Philadelphia soul, artists like Marvin Gaye of course and Curtis Mayfield. I remember Isaac Hayes, the soundtrack from ‘Shaft’ had come out. My father was a jazz musician; he played piano, trumpet and drums. My mother was in an R’n’B group.
We listened to a lot of Motown - in fact, my grandfather’s first cousin is Berry Gordy.
"I was influenced by my father - I wanted to play trumpet like he did."
Robert's father tragically died when he was just 6. The photo of Robert siting down holding a trumpet is his fathers.
"I had to beg my grandmother to let me borrow the trumpet to take a picture with it"

In the early 90's he began to concentrate on his own production 'Vision EP', the 'Riot EP' and X-102 were big stepping-stones for him as they were the first releases he worked 100% on his own. The X-101 to X-102, were Waveform Transmission projects with Mills for Tresor. He slowly progressed to work more and more on his own, but collaberated on some of the first Axis releases with label owner Jeff Mills as H&M (Hood & Mills) with ‘Tranquilizer EP’ and ‘Drama’.

He soon decided it was time for him to start his own label to focus on what was in his soul musically. M-Plant started in ’94. I had developed this “grey area” sound - what I mean by that is that in Detroit, even when the sun is out, there’s something in the atmosphere. I don’t know if its pollution or whatever, but the sky has that grey haze over it. It’s got to be something from the industrial factories there. I’d never really heard a sound like that before and it came from a Roland Juno - it was a chord sound that really went along with my depiction of what Detroit was at that time. A lot of buildings were abandoned and there was a lot of lifelessness in the city, especially downtown. The M-Plant, in minimalism, kind of reflected that. I remember thinking of Detroit like a museum. You know, like a work of art standing still, suspended in time. There wasn’t a whole lot of activity going on.

Releasing singles such as "Internal Empire,", “The Protein Valve” "Music Data," and "Moveable Parts", "The Pace", more recently "Range", "Alpha" and that isn't even touching his other monikers Floorplan, Monobox, The Vision, etc.
"M-Plant is what I've always wanted to hear: the basic stripped down, raw sound. Just drums, basslines and funky grooves and only what's essential. Only what is essential to make people move. I started to look at it as a science, the art of making people move their butts, speaking to their heart, mind and soul. “It's a heart-felt rhythmic techno sound. M-Plant is just M. minimal. “

Although his desire to remain underground has been replaced by an urge to reach a wider audience, mainly via his housier, disco, gospel moniker Floorplan with his daughter Lyric Hood,   Hood remains fiercely critical of artistic and economic movements destructive to inner-city communities and has combined his musical enterprises with outreach and social activist ends.

Gotta Good Thing

Robert Hood - Floorplan

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