Stu Traktor

|| OUT NOW ||

Buy/Stream >> lnk.to/HXT068<<

UK DJ/producer SOSA lands on Jamie Jones’ Hottrax this May with a bumping house two-tracker ‘The Wave’. 

Following releases on Cuttin’ Headz, Solid Grooves Raw & Sola, not to mention his own imprint COCO, Liverpool-based SOSA arrives on Jamie Jones’ revered Hottrax imprint with ‘The Wave’, bringing a dose of fast-paced, bass-heavy house music for his debut. 

Title cut ‘The Wave’ sees swung, intricate percussion dance around heavy low-end pressure, introducing hyped vocals and sizzling risers throughout the track for pure dancefloor pandemonium. Flicking between bouncing, syncopated basslines, ‘Warp Speed’ wraps itself around chunky percussion and vocal samples for a thrilling conclusion to a high energy EP. 

With supporters like Alan Fitzpatrick, Skream and the Martinez Brothers as well as love from Danny Howard, Pete Tong and Annie Mac, SOSA is at the vanguard of a new wave of house producers set to dominate in 2021 and beyond. 

SOSA ‘The Wave’ lands on Hottrax 7th May. 

Tracklist: 
01 The Wave 
02 Warp Speed

The Wave

Sosa - The Wave

Woman-Hood Chapter 1 EP

Let Me Tell You

La La Song

B? = EQ 2 (The Drum Major Instinct Mix)

G&T / Viper

Path

Last Magpie debuts three finely tuned deep grooves on Warehouse Music. A three track EP that is emotive and versatile in delivery. ‘Spirit’ takes flight with a downtempo dub, perfectly blending sun-soaked pads, delayed synths and a continuous broken beat rhythm. ‘Dance Mix’ takes a heavier hitting, club ready approach. Last up on the EP is ’Move Your Body’, a collaboration with Warehouse Music head honcho; Mella Dee - a low end chugger for the heads down, no nonsense crew.

Last Magpie & Mella Dee- Move Your Body

Deniro - The Penal Colony 2

Takaisin_Toijalaan

Club Furies Premiere #1538

Title: VA MULTITOOL VOL.2
Label: PURE TOOL
Artist: Various Artists 

Release Date: October 1st. 2025
Release Date: https://puretool.bandcamp.com/album/va-multitool-vol-2

Tracklist
1. Alex Schultz - Each Other
2. art.ic - Texture
3. Andrey Sirotkin - This Hell Is My Home
4. 333 - Altceva
5. fucyman - CYG25
6. Eazyopoluse - Aura
7. SEPTIM - Sur
8. Rybolov - Where Is My Screw

Andrey Sirotkin
https://soundcloud.com/andreysirotkin
https://www.instagram.com/andreysirotkin_
https://andreysirotkin.bandcamp.com
https://linktr.ee/andreysirotkin_

PURE TOOL
https://soundcloud.com/pure-tool
https://www.instagram.com/pure_tool
https://puretool.bandcamp.com

Club Furies
@clubfuriess
https://clubfuries.com.mx
www.instagram.com/clubfuriess
www.facebook.com/clubfuries
https://bandcamp.com/erick_cf
https://www.threads.net/@clubfuriess
https://clubfuries.substack.com
linktr.ee/clubfuries

VA MULTITOOL VOL.2

Andrey Sirotkin – This Hell Is My Home

FULL REVIEW

CF Premiere: Andrey Sirotkin – This Hell Is My Home [PURE TOOL]

Shibuya

Music With A Feel

Music With A Feel (Jark Prongo Extended Remix)

Club MCM - Club Mcm (Mark Broom Re - Edit)

Robert hood - school

Out now digitally: http://lnk.to/jameswelshPH99

Phantasy approaches it’s landmark hundredth-single release with another impactful single from one of the label’s key artists, James Welsh. Regularly played by producers from Midland to Charlotte De Witte, Welsh’s masterfully dense take on techno and electronica reaches new complexities on ‘Pan’, without ever-sacrificing his singular industrial groove.

The title track is a tunneling electroid roller layered informed by complex conversations seemingly taking place between man, machine, ghostly human speech and a veritable wind tunnel of noise. Perhaps Welsh’s finest connection yet between the blissful and the ruthless, ‘Pan’ demands submission.

On ‘Sink’, Welsh builds yet another perfectly-executed club weapon around an imaginative spoken-word sample, loosening up the tension of it’s more severe partner with a lucid and rhythmic trail of wide-eyed electro.

Pan/Sink

Sink

Reset EP

Gate

FLOORPAN "THE MASTER'S PLAN" (CLASSIC MUSIC):
https://cmc.lnk.to/cmcd141d

Before I got into this music I wanted to be an originator ; I wanted to be original".
Founding member of the legendary group Underground Resistance as a 'Minister Of Information' with ‘Mad’ Mike Banks & Jeff Mills, his seminal works on Jeff Mill's Axis and his very own M-Plant imprint paved the way for a wave of stripped-down dancefloor minimalism that directed much of techno's path throughout the late Nineties.
Robert Hood makes minimal Detroit techno with an emphasis on soul and experimentation over flash and popularity. 

"Growing up in Detroit, I grew up with Motown in the house - a lot of Motown and Philadelphia soul, artists like Marvin Gaye of course and Curtis Mayfield. I remember Isaac Hayes, the soundtrack from ‘Shaft’ had come out. My father was a jazz musician; he played piano, trumpet and drums. My mother was in an R’n’B group.
We listened to a lot of Motown - in fact, my grandfather’s first cousin is Berry Gordy.
"I was influenced by my father - I wanted to play trumpet like he did."
Robert's father tragically died when he was just 6. The photo of Robert siting down holding a trumpet is his fathers.
"I had to beg my grandmother to let me borrow the trumpet to take a picture with it"

In the early 90's he began to concentrate on his own production 'Vision EP', the 'Riot EP' and X-102 were big stepping-stones for him as they were the first releases he worked 100% on his own. The X-101 to X-102, were Waveform Transmission projects with Mills for Tresor. He slowly progressed to work more and more on his own, but collaberated on some of the first Axis releases with label owner Jeff Mills as H&M (Hood & Mills) with ‘Tranquilizer EP’ and ‘Drama’.

He soon decided it was time for him to start his own label to focus on what was in his soul musically. M-Plant started in ’94. I had developed this “grey area” sound - what I mean by that is that in Detroit, even when the sun is out, there’s something in the atmosphere. I don’t know if its pollution or whatever, but the sky has that grey haze over it. It’s got to be something from the industrial factories there. I’d never really heard a sound like that before and it came from a Roland Juno - it was a chord sound that really went along with my depiction of what Detroit was at that time. A lot of buildings were abandoned and there was a lot of lifelessness in the city, especially downtown. The M-Plant, in minimalism, kind of reflected that. I remember thinking of Detroit like a museum. You know, like a work of art standing still, suspended in time. There wasn’t a whole lot of activity going on.

Releasing singles such as "Internal Empire,", “The Protein Valve” "Music Data," and "Moveable Parts", "The Pace", more recently "Range", "Alpha" and that isn't even touching his other monikers Floorplan, Monobox, The Vision, etc.
"M-Plant is what I've always wanted to hear: the basic stripped down, raw sound. Just drums, basslines and funky grooves and only what's essential. Only what is essential to make people move. I started to look at it as a science, the art of making people move their butts, speaking to their heart, mind and soul. “It's a heart-felt rhythmic techno sound. M-Plant is just M. minimal. “

Although his desire to remain underground has been replaced by an urge to reach a wider audience, mainly via his housier, disco, gospel moniker Floorplan with his daughter Lyric Hood,   Hood remains fiercely critical of artistic and economic movements destructive to inner-city communities and has combined his musical enterprises with outreach and social activist ends.

Let Me Tell You

Robert Hood - Floorplan

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