Carl Cox' track IDs

Out now on Rekids: lnk.to/REKIDS185

Stretched across a double LP, ‘Fünfzig’ is a full-throttle display of Brooms’ funk-laden take on a wide range of electronic-inspired music, covering house, techno, disco, dub, electro, and beyond. Speaking of the LP, Broom states that 'Fünfzig' is a continuation of my previous releases for Rekids & displays my various styles of House, Techno & the bits in-between”.

‘Mover’ kicks off proceedings with swinging drums and chopped-up piano licks, moving into the hand-in-the-air, disco-inflected ‘We Gonna Dance’, featuring vocals from his daughter Ella Fleur. ‘Stark’ takes inspiration from soundsystem culture, bringing cavernous reverbs atop a monstrous bass while siren-esque leads ring throughout.

Opening the B-side, ‘Let’s Roll’ sees Broom head into full-blown techno territory, as crunching bass and fierce drums collide with a series of stabs and whistles, a theme continued in the no-nonsense steamroller ‘EFX’. ‘Dub Me Good’ closes the B-side with a heady dose of FX-drenched outboard trickery as mammoth drum hits rocket around a languid bassline.

‘Machine’ opens the second disc with fluttering synthesis and robust, dramatic drums for a pounding affair, followed by the bright and squelchy ‘Memories’ which works its way through emotive pads and crisp drums before ‘Lovers Rock’ lowers the tempo, bringing swirly atmospherics amongst machine-driven patterns. The final side of vinyl sees Broom hit the gas pedal with ‘Living For Ya’, ‘The 114’, and ‘What To Do’, delivering a raucous finalé of sample-driven, barn storming disco pumpers.

With appearances on legendary imprints such as Robert Hood’s M Plant, Warp Records, Pure Plastic, Bpitch Control, and of course Rekids, Broom is one of the UK’s foremost techno luminaries. Alongside contemporaries such as Ben Sims, Luke Slater, Surgeon, and James Ruskin, with collaborations under the Fear Ratio with the latter counted as favourites amongst fans, Broom has flown the flag for UK techno for decades. Delivering one of his most accomplished collections of work to date on ‘Fünfzig’, his return to Radio Slave’s vital Rekids imprint showing an artist whose best work is far from behind him.

Mark Broom

What To Do

Mark Broom - What To Do

Buy/stream: https://kompakt.fm/releases/speicher_118_digital_single

Siberian born and since 2010, a proud resident of Naples where her musical journey began, Anfisa Letyago has brought to the next generation of techno DJ/producers a sincerity and passion few others can. Of which she is successfully channeling to an incredible growing fanbase. From her releases on Drumcode, Rekids and her newly minted imprint N:S:DA, Kompakt are ecstatic to welcome her to our long running SPEICHER series.

“Keep Flight” is bare and punishing. Taking cues from the greats – think early Hood, Broom or Surgeon – Anfisa takes us down a relentless wormhole fortified by a pulsing vocal and EBM synth. In contrast, the flip side “Rhythm Tension” is a more slowed down, acid squelched affair where Anfisa’s vocals keep the vibe fully in check for those feel good moments everyone is currently needing in a DJ set.

Anfisa Letyago - Rhythm Tension

Forwardbase Kodai

Stream / Download

Dubfire & Flug - Rampart

premiere of "Hide Somewhere In The Lab" by BFVR 
taken from the EP "Birds Mansion", released soon on Fever Recordings

EP Details:
https://novafuture.blog/2021/11/04/bfvr-birds-mansion-ep-fever-recordings/

------------------------------------------------------------------------------------------------------------

Artist: BFVR  | @bfvr
Label: Fever Recordings | @feverrecordings

Info & Buy

BFVR - Hide Somewhere In The Lab [FR028 | Premiere]

Patrick Topping - Planet Session Remix EP TRICK041
Remixes by Reinier Zonneveld, Deborah De Luca and Rebuke 

Recruiting some of the most sought after acts in modern dance music, Patrick Topping pulls together a no-holds-barred collection of techno reinterpretations of his space-themed ‘Planet Session EP’ for his consistently impressive Trick imprint.
“Buzzing with these techno remixes! All three are absolutely banging and take the originals to new levels.
Reinier, Deborah & Rebūke are three of my favourite producers, and I’m so happy they agreed to do it and smashed them to bits!” - Patrick Topping. On Reinier Zonneveld’s remix, the Filth On Acid boss warps Topping’s vocals from ‘Planet Session’ into a pounding track complete with ravey stabs and grinding low-end. Sola_mente Records founder Deborah De Luca flips ‘Quick To The Mothership’ into a trippy, late-night techno cut, before Drumcode, Hot Creations, and We Are The Brave affiliate Rebūke rounds out the release with a sharp, jacking take on Topping’s ‘Lift Off’.

Planet Session Remix EP

Lift Off

Patrick Topping - Lift Off (Rebūke Remix)

On July 15, 2022, Anetha will release her second seismic
compilation on her label Mama told ya entitled MTY-TERRE
«Contre tout, toutes et tous, la terre demeure», just one year
after MTY-EAU «L’eau repousse les feux agressifs».

Through earth element, the compilation comes up with the
collaboration of 19 artists - 19 tracks, divided into 4 vinyls: Ane-
tha has brought together a generation of young electronic
music artists from around the world to get their hands dirty
and produce some solid gems.

Rotator

Voiski - Rotator

Steve Stoll - Hyperrealism "Pt. 1" (Acid 1995)

Get this track now: https://dominodoge.bandcamp.com/album/domino-doge-ep

https://soundcloud.com/sola_contagio

https://soundcloud.com/archiv_one

https://soundcloud.com/domino-doge

Sola Contagio & ArchivOne - Domino Doge Tool [Domino Doge]

Full album → https://goo.su/jl7iuP
Artist: SARGE (PT)
Title: Scope Vol.1
Format: Digital
Catalogue: DRSS812
Tracklist:
1. Did you tried enough
2. Green Light
3. Herança
4. Hirto
5. Hereditário
6. Incidente
7. Indução
8. Mau trabalho

www.diffusereality.net
linktr.ee/diffusereality

Sarge (PT) - Scope Vol.1

buy: https://www.beatport.com/release/the-spice/5323003

JP Lantieri - The Spice [Flemcy Music]

Carl Cox & Eric Powell - Moroccan Chant (Drumcomplex & Roel Salemink Remix)

Stores and Downloads - https://ffm.to/74568ej

Ecliptic Flow

Voltumna

Voltumna (Truncate Remix)

Boyd Schidt 003

Boyd Schidt - 003

WSNWG’s landscape continues to expand as Rødhåd joins forces with American producer and live act Lady Starlight to deliver an EP with four heady collaborative jams. Lady Starlight’s powerful modular live setup was wired into Rødhåd’s East Berlin studio for a series of recording sessions this summer, which found the duo combining knowledge and ideas to create tracks filled with urgency, rhythm, strength, and mystery.

https://rodhad.bandcamp.com/album/lady-starlight-r-dh-d-wsnwg006

BANDCAMP

Lady Starlight & Rødhåd - WSNWG006 (Snippets)

DnB… partial to techno


Liverpool UK- living in Sydney AU

FLOORPAN "THE MASTER'S PLAN" (CLASSIC MUSIC):
https://cmc.lnk.to/cmcd141d

Before I got into this music I wanted to be an originator ; I wanted to be original".
Founding member of the legendary group Underground Resistance as a 'Minister Of Information' with ‘Mad’ Mike Banks & Jeff Mills, his seminal works on Jeff Mill's Axis and his very own M-Plant imprint paved the way for a wave of stripped-down dancefloor minimalism that directed much of techno's path throughout the late Nineties.
Robert Hood makes minimal Detroit techno with an emphasis on soul and experimentation over flash and popularity. 

"Growing up in Detroit, I grew up with Motown in the house - a lot of Motown and Philadelphia soul, artists like Marvin Gaye of course and Curtis Mayfield. I remember Isaac Hayes, the soundtrack from ‘Shaft’ had come out. My father was a jazz musician; he played piano, trumpet and drums. My mother was in an R’n’B group.
We listened to a lot of Motown - in fact, my grandfather’s first cousin is Berry Gordy.
"I was influenced by my father - I wanted to play trumpet like he did."
Robert's father tragically died when he was just 6. The photo of Robert siting down holding a trumpet is his fathers.
"I had to beg my grandmother to let me borrow the trumpet to take a picture with it"

In the early 90's he began to concentrate on his own production 'Vision EP', the 'Riot EP' and X-102 were big stepping-stones for him as they were the first releases he worked 100% on his own. The X-101 to X-102, were Waveform Transmission projects with Mills for Tresor. He slowly progressed to work more and more on his own, but collaberated on some of the first Axis releases with label owner Jeff Mills as H&M (Hood & Mills) with ‘Tranquilizer EP’ and ‘Drama’.

He soon decided it was time for him to start his own label to focus on what was in his soul musically. M-Plant started in ’94. I had developed this “grey area” sound - what I mean by that is that in Detroit, even when the sun is out, there’s something in the atmosphere. I don’t know if its pollution or whatever, but the sky has that grey haze over it. It’s got to be something from the industrial factories there. I’d never really heard a sound like that before and it came from a Roland Juno - it was a chord sound that really went along with my depiction of what Detroit was at that time. A lot of buildings were abandoned and there was a lot of lifelessness in the city, especially downtown. The M-Plant, in minimalism, kind of reflected that. I remember thinking of Detroit like a museum. You know, like a work of art standing still, suspended in time. There wasn’t a whole lot of activity going on.

Releasing singles such as "Internal Empire,", “The Protein Valve” "Music Data," and "Moveable Parts", "The Pace", more recently "Range", "Alpha" and that isn't even touching his other monikers Floorplan, Monobox, The Vision, etc.
"M-Plant is what I've always wanted to hear: the basic stripped down, raw sound. Just drums, basslines and funky grooves and only what's essential. Only what is essential to make people move. I started to look at it as a science, the art of making people move their butts, speaking to their heart, mind and soul. “It's a heart-felt rhythmic techno sound. M-Plant is just M. minimal. “

Although his desire to remain underground has been replaced by an urge to reach a wider audience, mainly via his housier, disco, gospel moniker Floorplan with his daughter Lyric Hood,   Hood remains fiercely critical of artistic and economic movements destructive to inner-city communities and has combined his musical enterprises with outreach and social activist ends.

Forwardbase Kodai

Robert Hood - Floorplan

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