this track has sick filtered reverb that's that drive em crazy shit.

This track is sick, really. Worked great as the next track after "Riot" remix by Carl Cox. You can Jude it here https://soundcloud.com/radek-tar-haskha/34th?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Regenerate

Rise

Subfriction EP

Iscnue

Our long played edit of Mylo's Drop The Pressure is finally out and available for download!

DROP THE PRESSURE (FREE DL)

𝐃𝐎𝐖𝐍𝐋𝐎𝐀𝐃 𝐌𝐘 𝐒𝐓𝐎𝐏 𝐁𝐑𝐄𝐀𝐓𝐇𝐈𝐍𝐆 𝐄𝐃𝐈𝐓 𝐅𝐎𝐑 𝐅𝐑𝐄𝐄 𝐇𝐄𝐑𝐄:
https://hypeddit.com/schxzo/stop-breathing

𝐃𝐎𝐖𝐍𝐋𝐎𝐀𝐃 𝐓𝐇𝐄 𝐄𝐍𝐓𝐈𝐑𝐄 𝐏𝐑𝐈𝐕𝐀𝐓𝐄 𝐄𝐃𝐈𝐓𝐒 𝐕𝐎𝐋. 𝟑 𝐄𝐃𝐈𝐓 𝐏𝐀𝐂𝐊 𝐅𝐎𝐑 𝐅𝐑𝐄𝐄 𝐇𝐄𝐑𝐄:
https://hypeddit.com/schxzo/private-edits-vol-3

Been wanting to make an edit off of Whole Lotta Red since it dropped and I finally came up with something that is an absolute heater. I love trying to mash up rap with EDM, whether it be house music, trap, riddim, jersey club.. been doin it since my earliest edits. And this one might be one of my best ones.

𝐅𝐎𝐋𝐋𝐎𝐖 𝐌𝐄 𝐈𝐅 𝐘𝐎𝐔 𝐅𝐔𝐂𝐊 𝐖𝐈𝐓𝐇 𝐓𝐇𝐈𝐒 𝐄𝐃𝐈𝐓:
soundcloud @Schxzo
twitter.com/Schxzo_OFC
instagram.com/Schxzo_OFC

[❤ 𝘓𝘐𝘒𝘌] and [↻ 𝘙𝘌𝘗𝘖𝘚𝘛] to hear more edits!

𝐅𝐎𝐋𝐋𝐎𝐖 𝐌𝐘 "𝐓𝐇𝐄 𝐌𝐀𝐃𝐇𝐎𝐔𝐒𝐄" 𝐏𝐋𝐀𝐘𝐋𝐈𝐒𝐓 𝐁𝐄𝐋𝐎𝐖:
𝘚𝘗𝘖𝘛𝘐𝘍𝘠 - open.spotify.com/playlist/4Vxu7Lhh0R823ljN815HXy
𝘈𝘗𝘗𝘓𝘌 𝘔𝘜𝘚𝘐𝘊 - music.apple.com/us/playlist/madhouse-house-tech-house-bass-selects-curated-by-schxzo/pl.u-DdANrqPFx226Z

𝐂𝐨𝐩𝐲𝐫𝐢𝐠𝐡𝐭 𝐒𝐭𝐚𝐭𝐞𝐦𝐞𝐧𝐭:
𝘛𝘩𝘪𝘴 𝘦𝘥𝘪𝘵 𝘪𝘴 𝘯𝘰𝘵 𝘪𝘯𝘵𝘦𝘯𝘥𝘦𝘥 𝘵𝘰 𝘪𝘯𝘧𝘳𝘪𝘯𝘨𝘦 𝘢𝘯𝘺 𝘤𝘰𝘱𝘺𝘳𝘪𝘨𝘩𝘵 𝘭𝘢𝘸𝘴 𝘪𝘯 𝘢𝘯𝘺 𝘸𝘢𝘺. 𝘛𝘩𝘪𝘴 𝘪𝘴 𝘧𝘰𝘳 𝘵𝘩𝘦 𝘴𝘰𝘭𝘦 𝘱𝘶𝘳𝘱𝘰𝘴𝘦 𝘰𝘧 𝘦𝘯𝘵𝘦𝘳𝘵𝘢𝘪𝘯𝘮𝘦𝘯𝘵; 𝘯𝘰 𝘱𝘳𝘰𝘧𝘪𝘵 𝘪𝘴 𝘨𝘢𝘪𝘯𝘦𝘥 𝘧𝘳𝘰𝘮 𝘵𝘩𝘪𝘴. 𝘐𝘵 𝘪𝘴 𝘵𝘩𝘦 𝘤𝘰𝘱𝘺𝘳𝘪𝘨𝘩𝘵𝘦𝘥 𝘱𝘳𝘰𝘱𝘦𝘳𝘵𝘺 𝘰𝘧 𝘪𝘵𝘴 𝘳𝘦𝘴𝘱𝘦𝘤𝘵𝘪𝘷𝘦 𝘰𝘸𝘯𝘦𝘳(𝘴). 𝘍𝘰𝘳 𝘱𝘳𝘰𝘮𝘰𝘵𝘪𝘰𝘯𝘢𝘭 𝘶𝘴𝘦 𝘰𝘯𝘭𝘺.

𝘜𝘯𝘥𝘦𝘳 𝘚𝘦𝘤𝘵𝘪𝘰𝘯 107 𝘰𝘧 𝘵𝘩𝘦 𝘊𝘰𝘱𝘺𝘳𝘪𝘨𝘩𝘵 𝘈𝘤𝘵 1976, 𝘢𝘭𝘭𝘰𝘸𝘢𝘯𝘤𝘦 𝘪𝘴 𝘮𝘢𝘥𝘦 𝘧𝘰𝘳 "𝘧𝘢𝘪𝘳 𝘶𝘴𝘦" 𝘧𝘰𝘳 𝘱𝘶𝘳𝘱𝘰𝘴𝘦𝘴 𝘴𝘶𝘤𝘩 𝘢𝘴 𝘤𝘳𝘪𝘵𝘪𝘤𝘪𝘴𝘮, 𝘤𝘰𝘮𝘮𝘦𝘯𝘵, 𝘯𝘦𝘸𝘴 𝘳𝘦𝘱𝘰𝘳𝘵𝘪𝘯𝘨, 𝘵𝘦𝘢𝘤𝘩𝘪𝘯𝘨, 𝘴𝘤𝘩𝘰𝘭𝘢𝘳𝘴𝘩𝘪𝘱, 𝘢𝘯𝘥 𝘳𝘦𝘴𝘦𝘢𝘳𝘤𝘩. 𝘍𝘢𝘪𝘳 𝘶𝘴𝘦 𝘪𝘴 𝘢 𝘶𝘴𝘦 𝘱𝘦𝘳𝘮𝘪𝘵𝘵𝘦𝘥 𝘣𝘺 𝘤𝘰𝘱𝘺𝘳𝘪𝘨𝘩𝘵 𝘴𝘵𝘢𝘵𝘶𝘵𝘦 𝘵𝘩𝘢𝘵 𝘮𝘪𝘨𝘩𝘵 𝘰𝘵𝘩𝘦𝘳𝘸𝘪𝘴𝘦 𝘣𝘦 𝘪𝘯𝘧𝘳𝘪𝘯𝘨𝘪𝘯𝘨. 𝘕𝘰𝘯-𝘱𝘳𝘰𝘧𝘪𝘵, 𝘦𝘥𝘶𝘤𝘢𝘵𝘪𝘰𝘯𝘢𝘭 𝘰𝘳 𝘱𝘦𝘳𝘴𝘰𝘯𝘢𝘭 𝘶𝘴𝘦 𝘵𝘪𝘱𝘴 𝘵𝘩𝘦 𝘣𝘢𝘭𝘢𝘯𝘤𝘦 𝘪𝘯 𝘧𝘢𝘷𝘰𝘳 𝘰𝘧 𝘧𝘢𝘪𝘳 𝘶𝘴𝘦.

Playboi Carti vs. Havoc & Lawn x Dot N Life - Stop Breathing (Schxzo "Witch" F&F Edit)

Here is my second release on ARTS ltd enjoy 
out january 19th 2015

Electric Rescue - Ofspeicher - Original Mix - ARTS 26

7 R83

Power Trip

Straight outta the fiord lands of southern Norway comes the new EP from Hydrous. We’ve come to a point where we no longer need to introduce the sound universe of Per Christian Berg to our ever-growing Navigare tribe, as he’s become a foundation for what we are and what we want to express. “Deep Techno”, “Psychedelia”, “Neo Trance” – call it whatever you like, what matters is that our brand of electronic dance music can assist your spirit to fly.

Simple, yet rich in detail; uniform, yet explorative; uplifting, yet with an unmistakable Nordic melancholia – Hydrous music continues to hypnotize and fascinate us at the Navigare HQ, and we’re happy to continuously receive the praise he deserves from around the globe from his past collaborations with us.

For this release you’ll notice a subtle gain in intensity in all three tracks. Although being far from peak time monsters, the aim here is undoubtedly to entrance a focused dancefloor, preferably while the sun is rising. Whether it’s the Eden-like atmosphere of “Cascade”, the introverted broken beats of “Infinite” or the meaty trance of “Pathos” that will guide the crowd through the morning session is only a matter of circumstances and taste.

Remix work is by none other than Buenos Aires based Forest On Stasys. Owner of the celebrated label Danza Nativa and a highly accomplished producer, stretching from tribal Ambient to dirty, mind-melting peak-time Techno, we knew we’d be in for a treat for this collaboration. Staying true to a Hydrous sound universe, while adding gentle tribal percussion and some über-psychedelic alien bleeps á la Eat Static, this track will blow minds on a starlit night out in the wild. 

Credits

Written and produced by Per Christian Berg
Remix by Guido Camino
Mastered by Mattias Fridell
Design by Fredrik Navigare

B2 - Hydrous - Cascade (Forest On Stasys Remix)

Production

Miss You (Thin White Duke Remix)

Disco Science (Mirwais Electrobreak Remix)

Warehouse Memoires EP

Warehouse Memoires (Bergweg mix)

The Nine

The Nine (Andre Galluzzi Remix)

Hypnotic Nirvana Trance Disco - With A Twist..

Mirwais    Disco Science    HD

Phil Kieran - Wasps Under A Toy Boat

Pseudo Science

Eleven / Alarm

Eleven

Music was my first love...

Depuis toujours la musique, le son ne cessent de me transporter... de transcrire mes émotions, mes états d'âme... tantôt dans la joie, tantôt dans la mélancolie, la tristesse. 

Je ne peux me passer de musiques... B.O.F de ma life ! ;-)

FLOORPAN "THE MASTER'S PLAN" (CLASSIC MUSIC):
https://cmc.lnk.to/cmcd141d

Before I got into this music I wanted to be an originator ; I wanted to be original".
Founding member of the legendary group Underground Resistance as a 'Minister Of Information' with ‘Mad’ Mike Banks & Jeff Mills, his seminal works on Jeff Mill's Axis and his very own M-Plant imprint paved the way for a wave of stripped-down dancefloor minimalism that directed much of techno's path throughout the late Nineties.
Robert Hood makes minimal Detroit techno with an emphasis on soul and experimentation over flash and popularity. 

"Growing up in Detroit, I grew up with Motown in the house - a lot of Motown and Philadelphia soul, artists like Marvin Gaye of course and Curtis Mayfield. I remember Isaac Hayes, the soundtrack from ‘Shaft’ had come out. My father was a jazz musician; he played piano, trumpet and drums. My mother was in an R’n’B group.
We listened to a lot of Motown - in fact, my grandfather’s first cousin is Berry Gordy.
"I was influenced by my father - I wanted to play trumpet like he did."
Robert's father tragically died when he was just 6. The photo of Robert siting down holding a trumpet is his fathers.
"I had to beg my grandmother to let me borrow the trumpet to take a picture with it"

In the early 90's he began to concentrate on his own production 'Vision EP', the 'Riot EP' and X-102 were big stepping-stones for him as they were the first releases he worked 100% on his own. The X-101 to X-102, were Waveform Transmission projects with Mills for Tresor. He slowly progressed to work more and more on his own, but collaberated on some of the first Axis releases with label owner Jeff Mills as H&M (Hood & Mills) with ‘Tranquilizer EP’ and ‘Drama’.

He soon decided it was time for him to start his own label to focus on what was in his soul musically. M-Plant started in ’94. I had developed this “grey area” sound - what I mean by that is that in Detroit, even when the sun is out, there’s something in the atmosphere. I don’t know if its pollution or whatever, but the sky has that grey haze over it. It’s got to be something from the industrial factories there. I’d never really heard a sound like that before and it came from a Roland Juno - it was a chord sound that really went along with my depiction of what Detroit was at that time. A lot of buildings were abandoned and there was a lot of lifelessness in the city, especially downtown. The M-Plant, in minimalism, kind of reflected that. I remember thinking of Detroit like a museum. You know, like a work of art standing still, suspended in time. There wasn’t a whole lot of activity going on.

Releasing singles such as "Internal Empire,", “The Protein Valve” "Music Data," and "Moveable Parts", "The Pace", more recently "Range", "Alpha" and that isn't even touching his other monikers Floorplan, Monobox, The Vision, etc.
"M-Plant is what I've always wanted to hear: the basic stripped down, raw sound. Just drums, basslines and funky grooves and only what's essential. Only what is essential to make people move. I started to look at it as a science, the art of making people move their butts, speaking to their heart, mind and soul. “It's a heart-felt rhythmic techno sound. M-Plant is just M. minimal. “

Although his desire to remain underground has been replaced by an urge to reach a wider audience, mainly via his housier, disco, gospel moniker Floorplan with his daughter Lyric Hood,   Hood remains fiercely critical of artistic and economic movements destructive to inner-city communities and has combined his musical enterprises with outreach and social activist ends.

Rise

Robert Hood - Floorplan

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