Techno playlist 006

First Phase

The Eve (James Ruskin Remix)

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A little more than 2 years ago, label-head honchos Paul & Dave released their “Nobody is Anywhere EP” on their own imprint Dynamic Reflection. It was a statement about the status quo in the techno scene back then, where many artists didn’t know which way to go.

The “Anybody is Nowhere EP” responds to their previous work and reflects the uncomfortable time we are currently living in, driven by uncertainty. Even though these are not the happiest thoughts, the track titles show that there is hope left. 

“Discharge” feels like Abstract Division discharges themselves completely. Close your eyes and dive deep into the rabbit hole. 

Follow Dynamic Reflection
SoundCloud: @dynamic-reflection
Facebook: https://www.facebook.com/DynamicReflection
Instagram:  https://www.instagram.com/dynamicreflection
Bandcamp: https://dynamicreflection.bandcamp.com
RA: https://ra.co/labels/3759
Website: https://dynamic-reflection.com

Follow Abstract Division
SoundCloud: @abstractdivision
Facebook: https://www.facebook.com/abstractdivisionmusic
Instagram:  https://www.instagram.com/abstractdivision
RA: https://ra.co/dj/abstractdivision

Follow 6AM Group
Website: www.6amgroup.com
Facebook: www.facebook.com/6amgroup
Twitter: www.twitter.com/6amgroup
Instagram: www.instagram.com/6amgroup
SoundCloud: @6amgroup
YouTube: www.youtube.com/6amgroup

Anybody is Nowhere EP

Discharge

Premiere: Abstract Division "Discharge" - Dynamic Reflection

Toxin 12 EP

A-472.0

The Drill

HATE exclusive premiere.
Full streaming of the EP soon on our HATE Youtube channel.

Support the label, buy it here:
https://www.deejay.de/Planetary_Assault_Systems_Rip_The_Cut_Remixes_MOTE063_Vinyl__991675

Artist: Planetary Assault Systems
Title: Rip The Cut (Remixes)
Label: Mote-Evolver	
Catalogue: MOTE063
Genre: Electronic
Style: #Techno
Release date: April 15, 2022

Tracklist:
A1:    Rip The Cut - Luke Slater Remix 1
A2:   Rip The Cut - Dubfire Remix
B1:    Rip The Cut - Luke Slater Remix 2
B2:   Rip The Cut - The Lady Machine Remix

Luke Slater, Dubfire, and The Lady Machine remix Planetary Assault Systems’ ‘Rip The Cut’ on Mote-Evolver this April.

Originally released on Planetary Assault Systems’ 2011 album ‘The Messenger’ on Ostgut Ton, ‘Rip The Cut’ now sees a pair of remixes from Dubfire and The Lady Machine and two new versions from Luke Slater himself for his Mote-Evolver label this April.

Leading the release is Luke Slater’s first remix of the original, titled ‘LS Remix 1’, where grooving, swung percussion meets crunching samples and oscillating bleeps alongside dubbed out vocal FX. SCI + TEC founder Dubfire’s interpretation follows on, which brings squelching synths, rocking drums, and trippy atmospheres to the table.

On the flip, Slater’s second revision kicks off the B-side with a relentless barrage of drum machines, considered distortion, and a hard-hitting arrangement. Following her recent ‘Magnify’ EP on Mote-Evolver, Pornceptual Resident and Unterwegs Records boss The Lady Machine rounds out the EP, flipping ‘Rip The Cut’ into a certified stomper, applying brushes of expertly crafted additional effects and percussion to the original.

Follow #LukeSlater here:
https://soundcloud.com/luke-slater
https://www.instagram.com/planetary_lukeslater/
https://www.facebook.com/LukeSlaterPlanetaryAssaultSystems

Follow #MoteEvolver here:
https://soundcloud.com/mote-evolver
https://www.instagram.com/moteevolver/

___
DISCLAIMER: All tracks are uploaded in a low quality for promotional purposes only and with buy links to respect label and artists.

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Rip The Cut (Remixes) (incl. Dubfire, The Lady Machine remixes)

Rip the Cut (LS Remix 1)

Premiere: Planetary Assault Systems - Rip the Cut (LS Remix 1) [MOTE063]

Technatural EP

Outlast

Radial - Asiel

Stojche - Granada EP (Syncrophone 039)

A-side:  Granada (Original mix)
B-side:  Granada (Convextion remix)

Catalogue no.: SYNCRO039
Format : Crystal Amber VINYL 12"
Mastering: Curved Pusher, UK
Manufactured by MPO
Worldwide distribution: Syncrophone
Release date : May 2023

Press release info by George Andrews

There isn’t many who would disagree with the underlying sentiment that electronic music makes us feel something extraordinary. Much in the same way, the possibilities for creative discourse and cosmic interactivity are accessible to anyone with an open mind. It’s in this place where these possibilities materialise, and it’s in this space where SYNCROPHONE 39 operates within.

You see, you won’t find cleverly constructed adjectives or nonsensical descriptors for the music presented here. It doesn’t need them. The music speaks for itself, much in the same way the artists do. Stojche has been carving out timeless techno for two decades now, working tirelessly without fanfare to enrich a scene that sits close to his heart. Whether that be through releases on his own imprint TANGIBLE ASSETS or the ever expanding a.r.t.less, his trademark sound signature is synonymous with the soul of Detroit. You may be hard pressed to find anyone else who’s been as consistent with this sound over the years as he has. On the other hand, Gerard Hanson aka Convextion has been doing exactly that without fault his entire career. So the combination of these two artists on this release makes perfect sense.

Syncro39 is a celebration of core values in music. Of devotion to a singular obsession crafted over the course of decades devoid of trends or cheap influences, social or otherwise. It’s that unwillingness to compromise and to put everything on the line in the pursuit of the dreaming process that makes this a special release.

One thing is for certain. Those who are inspired by Stojche’s signature original and the timeless journey of Convextion’s remix, will carry themselves through the smoke and haze into the sunlight as it takes some time for the rush to subside. That’s probably an apt abstract for this release thus far. For the most part though, the narrative for Stojche has only just begun.

Stojche - Granada w/ Convextion remix (Syncrophone 039)

A1 from Pet 2000 EP

1995

Downwards ‎– LINO 10

Uploaded from vinyl

Surgeon - Badger Bite

IM NOT THE ARTIST 
All probs to Rue East!

Rue East - Remove (Repost)

Beatport

Karmasutra - Sex Pills (Radio Edit)

Phantom Sheriffs - Where Are You (Et On XTC Mix) -2000

Techno Dark Techno Raw Deep Drive Hard tiefer Bass Säure Linien bpm14O Overdrive

Brett 2.

Another Place / Under Water (WIFE002)

A1 Another Place
B1 Under Water 

https://thirdwife.bandcamp.com/album/another-place-under-water

third wife - Under Water

Released on Slater’s iconic ‘Freek Funk’ album on NovaMute - one of the most seminal techno albums of the 90s - ‘Love’ finally gets the remix treatment it deserves more than two decades after its initial release.

Marcel Dettmann provides two takes on Love, his ‘City’ remix features a cacophony of metallic rhythm, ebbing pads and plenty of swing whilst mantra-like vocals operate throughout, followed by the thudding ‘Black Glove’ remix with its murky tones and rattling effects.

Luke Slater - Love - Marcel Dettmann Black Gloves Remix

FLOORPAN "THE MASTER'S PLAN" (CLASSIC MUSIC):
https://cmc.lnk.to/cmcd141d

Before I got into this music I wanted to be an originator ; I wanted to be original".
Founding member of the legendary group Underground Resistance as a 'Minister Of Information' with ‘Mad’ Mike Banks & Jeff Mills, his seminal works on Jeff Mill's Axis and his very own M-Plant imprint paved the way for a wave of stripped-down dancefloor minimalism that directed much of techno's path throughout the late Nineties.
Robert Hood makes minimal Detroit techno with an emphasis on soul and experimentation over flash and popularity. 

"Growing up in Detroit, I grew up with Motown in the house - a lot of Motown and Philadelphia soul, artists like Marvin Gaye of course and Curtis Mayfield. I remember Isaac Hayes, the soundtrack from ‘Shaft’ had come out. My father was a jazz musician; he played piano, trumpet and drums. My mother was in an R’n’B group.
We listened to a lot of Motown - in fact, my grandfather’s first cousin is Berry Gordy.
"I was influenced by my father - I wanted to play trumpet like he did."
Robert's father tragically died when he was just 6. The photo of Robert siting down holding a trumpet is his fathers.
"I had to beg my grandmother to let me borrow the trumpet to take a picture with it"

In the early 90's he began to concentrate on his own production 'Vision EP', the 'Riot EP' and X-102 were big stepping-stones for him as they were the first releases he worked 100% on his own. The X-101 to X-102, were Waveform Transmission projects with Mills for Tresor. He slowly progressed to work more and more on his own, but collaberated on some of the first Axis releases with label owner Jeff Mills as H&M (Hood & Mills) with ‘Tranquilizer EP’ and ‘Drama’.

He soon decided it was time for him to start his own label to focus on what was in his soul musically. M-Plant started in ’94. I had developed this “grey area” sound - what I mean by that is that in Detroit, even when the sun is out, there’s something in the atmosphere. I don’t know if its pollution or whatever, but the sky has that grey haze over it. It’s got to be something from the industrial factories there. I’d never really heard a sound like that before and it came from a Roland Juno - it was a chord sound that really went along with my depiction of what Detroit was at that time. A lot of buildings were abandoned and there was a lot of lifelessness in the city, especially downtown. The M-Plant, in minimalism, kind of reflected that. I remember thinking of Detroit like a museum. You know, like a work of art standing still, suspended in time. There wasn’t a whole lot of activity going on.

Releasing singles such as "Internal Empire,", “The Protein Valve” "Music Data," and "Moveable Parts", "The Pace", more recently "Range", "Alpha" and that isn't even touching his other monikers Floorplan, Monobox, The Vision, etc.
"M-Plant is what I've always wanted to hear: the basic stripped down, raw sound. Just drums, basslines and funky grooves and only what's essential. Only what is essential to make people move. I started to look at it as a science, the art of making people move their butts, speaking to their heart, mind and soul. “It's a heart-felt rhythmic techno sound. M-Plant is just M. minimal. “

Although his desire to remain underground has been replaced by an urge to reach a wider audience, mainly via his housier, disco, gospel moniker Floorplan with his daughter Lyric Hood,   Hood remains fiercely critical of artistic and economic movements destructive to inner-city communities and has combined his musical enterprises with outreach and social activist ends.

A-472.0

Robert Hood - Floorplan

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