𝘿𝙚𝙩𝙧𝙤𝙞𝙩 𝙏𝙚𝙘𝙝𝙣𝙤-𝙏𝙚𝙘𝙝 𝙃𝙤𝙪𝙨𝙚-𝘿𝙚𝙚𝙥 𝙏𝙚𝙘𝙝-𝙈𝙚𝙡𝙤𝙙𝙞𝙘

Focus (DJ-Kicks) / Greytype I

Focus (DJ-Kicks)

Adam Beyer and Ida Engberg come together to create a new track after the success of the highly acclaimed 'Lovecraft'. 'Unanswered Question' uses a weighty kick drum and a sensuous vocal before the track breaks into some groovy synth stabs. Julian Jeweil's remix of 'Unanswered Question' is a late night dubbed out version that compromises of a groove that pulsates throughout and falls into the original synth stabs before rising back into the funky, dubbed out groove. The Dense & Pika remix uses unusual percussion to produce a chunky groovy rhythm. When the track breaks it takes the listener on an eerie journey before it kicks back in to the chunky drum beat. The final track 'Virga' is a more melodic techno offering that finishes the single off with a classy finish.

DC117 - Adam Beyer & Ida Engberg - Unanswered Question - Julian Jeweil Remix - Clip

Support: https://outcastrec.bandcamp.com/track/eyes-on-the-walls-orep006 

Duplicity is proud to present "Eyes On The Wall” by GCOD. Forthcoming on Outcast Recordings 15.10!

Support the artist
SC: @gcod
BC: https://gcod.bandcamp.com/
IG: www.instagram.com/gcod__

Support the label
SC: @outcast-recordings-nl
BC: https://outcastrec.bandcamp.com/
IG: www.instagram.com/outcast.recordings

PREMIERE: GCOD - Eyes On The Walls [OREP006]

The Remixed EP features tracks from Rødhåd's EPs “Kinder Der Ringwelt” and “Söhne Der Erde” being reinterpreted by artists we deeply respect:  Ø [Phase], Porter Ricks, Silent Servant and Donato Dozzy. Each of them is a unique take on the dystopian vision Rødhåd had elaborated on the original releases.  
Artwork by Nina Langel.

vinyl: https://bit.ly/2IRgo4A

digital: https://bit.ly/2mNL3CQ

Rødhåd: https://www.instagram.com/rodhad_dystopian/

Donato Dozzy: https://www.instagram.com/donato_dozzy/

Dystopian: https://www.instagram.com/dystopian_official/

Rødhåd Remixed - Dystopian 022

B2 Kinder der Ringwelt / Donato Dozzy Remix

Returning victorious to M-Plant after the Floorplan album and EP takeover, Robert Hood, whose work under his own name has continued to garner equal support with the ‘Paradygm Shift’ series for Dekmantel, brings the heat with this triple-tracker in May.

The original minimal techno master wastes no time with opener ‘Clocks’. There’s a sense of urgency as the track builds, looping into its crescendo with waves of staccato hi-hats. Tick tock, tick tock.

Over on the flipside there’s a familiarity in the opening chords of ‘Low Life’ that will resonate with fans of Hood’s work. Instantly recognisable, it’s stamped with his ability to bring funk and groove to the colder stomp of techno.

Final opus, ‘Go’ brings a spiralling samba tempo to the dancefloor. The punchy drumbeat is interwoven with sweeping cymbals for a highly effective infectiousness, like a call to arms, or better still, the Brazilian call to carnival.

Robert Hood - Go

Wu Me Seh

Detroit’s pioneering techno giant and preacher Robert Hood is next to take the reins of the DJ- Kicks mix series. His timeless 22 track offering includes four of his own new exclusives and is out November 16th on !K7. Today on Peak Time we premiered the track "Bond Solid." 

Tune in every Monday to Friday, 12 to 2 PM EST: https://www.redbullradio.com/shows/peak-time

@roberthood
@k7-records

Robert Hood DJ-Kicks

Robert Hood "Bond Solid" [Peak Time Premiere]

Out now on vinyl and digital - https://lnk.to/STR003

Renowned Frankfurt-based producer Anthony Rother delivers an otherworldly release on Rekids offshoot, Stranger in The Night.

Very few electronic music artists stand the test of time but German electro pioneer and visionary, Anthony Rother, is one of them. Whether running labels like Psi49Net, Stahl Industries and Datapunk or working alongside the likes of Sven Väth, DJ Hell and Kraftwerk’s Karl Bartos, Rother’s legacy stands tall. Having made recent appearances on DVS1’s Mistress or Danny Daze’s OMNIDISC, Rother now connects with Stranger In The Night, joining a tight roster of luminaries including King Britt, Fred P and label boss Radio Slave.

‘We Are The Future’ opens the package with sci-fi synths, a decaying vocal and arpeggiated highs, before ‘Super Future Metropolis’ continues the theme with ultramodern vocoding and industrial drum patterns. Following on, ‘The Message’ sweeps in with laser-like stabs and a leading lyrical sample until two new perspectives conclude the package: the multilayered ‘We Are The Future (D-Cut)’ with its intricate keys and a ‘Space Mix’ of ‘The Message’ which widens the audio journey with lightly flowing pads.

Anthony Rother - Super Future Metropolis

Stream/Download/Buy 12" vinyl here: TurboRec.lnk.to/NoMercyforBeginners

A member of popular techno trio Agents of Time, Italian artist Fedele goes solo AF on his Turbo debut, No Mercy for Beginners. Against the backdrop of a nightmare international tour experience, Fedele channeled his negative feelings away from people and into creating darkly euromotional dancefloor catharsis. Try it sometime.

Sharp-eared lovers of listening may notice that lead track “Riot Revolte” purloins the loin jewels (the street-tough vocals) from Tiga’s 2004 classic, “Pleasure from the Bass.” DJ Hell noticed the shit out of this, introducing a mutant variation on the PFTB baseline into his lurid after-hours remix. Moreover, the entire EP recalls the legendary run of killer electro records that kicked off what many, many people refer to as Turbo’s Silver Age in the early-mid 2000s. This may be utterly meaningless, or it may herald the coming era of compressed cyclical time that will dictate dance music taste in the 2020s with the sort of mathematical precision rarely found outside pie chart software. Either way, you heard it here first.

The full EP "No Mercy For Beginners" is out digitally and on 12" vinyl on February 14th.

Turbo 205: No Mercy For Beginners

Fedele - Back To The Rootz

DAVE CLARKE - WISDOM TO THE WISE (BOYS NOIZE WILD PITCH MIX) (PREVIEW)

From the upcoming "She Is Music Pt. 2" release coming soon on Guilty Pleasures!

Psycatron featuring Blake Baxter She Is Music - Original Version (Soundcloud Edit)

Victorious

Mmm Hmm Hmm

Clocks / Low Life / Go

Nineteen

🤘😛🤘I Was a DJ For Many Years...I Had a Few Gigs In The Downtown Core of TORONTO, ONTARIO, Where I Was Part of The Underground/Warehouse Nightlife Club Industry Scene For Nearly 30 Years! & I Also Had Gigs at Many After Parties & Events In My Stompin Grounds of Sudbury, Ontario aka Da Big Nickel!!....I Always Loved Droppin The Underground Vibes of The Finest In TECHNO & HOUSE MUZIK 2 Offer For My People aka My Crowd, Back In The Day!......My Genre - THE TECHNO SIDE: Bangin, Funky, Italian, Tribal & German.....THE HOUSE SIDE: Progressive, Electro, Jackin, Tech, Chicago, Funky, Disco & Acid!🤩💯🫵

💋💯💓𝗝𝗘𝗦𝗦𝗜𝗞𝗔 𝗠𝗔𝗥𝗜𝗘 𝗟𝗨𝗠: 𝗠𝗬 𝗪𝗜𝗙𝗘, 𝗠𝗬 𝗥𝗜𝗗𝗘 𝗢𝗥 𝗗𝗜𝗘, 𝗠𝗬 𝗣𝗔𝗥𝗧𝗡𝗘𝗥 𝗜𝗡 𝗖𝗥𝗜𝗠𝗘, 𝗠𝗬 𝗕𝗙𝗙 𝗙𝗢𝗥 𝗟𝗜𝗙𝗘!😍😀🙏

💯😍ℙ𝕣𝕠𝕦𝕕 𝕊𝕥𝕖𝕡𝔽𝕒𝕥𝕙𝕖𝕣 𝕋𝕠 𝔼𝕄𝕀𝕃𝕐, 𝕂𝕀ℝ𝕂 & ℂℍ𝕃𝕆𝔼 𝕒𝕜𝕒 𝕄𝕪 ℂ𝕙𝕝𝕠𝕖𝔹𝕖𝕒𝕟 & ℙ𝕣𝕠𝕦𝕕 𝔾𝕣𝕒𝕟𝕕𝕡𝕒 𝕋𝕠 𝕄𝕪 𝕃𝕚𝕝 𝕁𝕒𝕓𝕣𝕠𝕟𝕚 𝕃𝔼𝕆ℕ & 𝕄𝕪 ℂ𝕙𝕒𝕣𝕝𝕠𝕥𝕥𝕖'𝕤 𝕎𝕖𝕓❤️😃

💯𝙏𝒉𝒆 𝙇𝒊𝒇𝒆 & 𝙎𝒐𝒖𝒏𝒅 𝒐𝒇 𝙀𝒍𝒆𝒄𝒕𝒓𝒐𝒏𝒊𝒄 𝙐𝒏𝒅𝒆𝒓𝒈𝒓𝒐𝒖𝒏𝒅 𝙈𝒖𝒛𝒊𝒌 𝙄𝒔 𝙈𝒚 𝙇𝒊𝒇𝒆🙌

🫶💯😜......A Special Thanks Over The Years of Being a DJ and being Involved With The Underground Sound of ELECTRONIC MUZIK and Being Apart of The Club/Warehouse Industry Scene In Toronto!, What a Journey It Was To Say The Least! And Too These DJ'z & Producers Who Made That Happen & Were a Huge Inspiration Towards Me & To The Few Who I Was Very Close With and To Some I Had The Pleasure of Opening Up For at Several Venues, Plus The Late Late Nights.....Kenny Glasgow, Paul Van Toss - (THE PIT RECORDS), Eugene Tam (OWNER of PLAY DE RECORD), Rawle Dawes - R.I.P. - (TRAXX RECORDS & THE PIT RECORDS), Nasty Nav - (PLAY DE RECORD), Miz Megz, Lady Bass, Mz Demeaner, Sydney Blu, Mike Conradi, Paranoid Jack, Josh The Funky 1, Mio Rodic, DJ K-West - (METROPOLIS/METROGROOVE RECORDS), Joee Cons, Jason Palma (PLAY DE RECORD), Brock Edwards, Greg Gow, Goldfinger, Jeff Hurst, Rob Gregorini, Giovanni James, Livingstone Diamond, Christisn Poulsen a.k.a. Unabomber - (2 DA BEAT RECORDS), Chad Sparrow a.k.a. Kamikaze, Pat Boogie, Jeff Dufresne a.k.a. Navigator, Chris Sheppard, Jerome Robins - (RELEASE RECORDS), Joe Giuseppe, MC Flipside - (TRAXX RECORDS), Michael Babb a.k.a. Deko-ze - (EASTERN BLOC RECORDS), Josh Obront a.k.a. Jelo, Chris Vench, Bruce Churchill a.k.a. Ela Mental, Che Dubois, Kim of Diamonds, George a.k.a. Hatiras - (SPACEDISCO RECORDS), Mark Oliver, Christian Lawrence a.k.a. Lairdriver, DJ Impact, Rekka, DJ Elycit, Jayforce, Mark Grimace, Evan Gee, David John Castonguay, Patrick Wilcox a.k.a. Patrixx, Sean Crandall a.k.a. Stattixx & Matt Shaw a.k.a. LIMIX🫵💯......and Last But Not Least, most importantly, there is one final person i would like to send a huge shout out to, and that freaky funkin unique crazy mutha fuckin dj/old skool friend of mine for many many years, would be nothing more than the legendary!, DJ MYKAL MAYHEM aka MYKAL POIRIER a.k.a. Psyko Myko!!, who hails from the same stompín grounds as myself and that is the big nickel aka Sudbury & Chelmsford, Ontario, if there is any indication on who was a huge inspiration to me and gave me the introduction when it came to the real underground sound of electronic muzik, clubs, warehouse venues and every record shop in the heart of downtown TORONTO and most of all tought me the ropes on how to spín vinyl on the tech 1200'z!, it was Mykal. I watched this dancefloor destroyer throw down some intense raw, jackin, groovin boogie monster bangin sets at many parties/venues in our hometown of SUDBURY! back in the late 90'z and early 2000'z, and he is mostly known for throwing down the true sounds of Bangin Ass Rapin, Driving Chuggy Techno & Jackin House with some Funk, Disco & Dutch to go along with the mix. Today he is groovin & movin around in the city of k-dub aka Kitchener, Ontario where he is still droppin dope sets & keepin dem beatz slammin like nobodies bíznass in the nightlife scene downtown Waterloo!

FLOORPAN "THE MASTER'S PLAN" (CLASSIC MUSIC):
https://cmc.lnk.to/cmcd141d

Before I got into this music I wanted to be an originator ; I wanted to be original".
Founding member of the legendary group Underground Resistance as a 'Minister Of Information' with ‘Mad’ Mike Banks & Jeff Mills, his seminal works on Jeff Mill's Axis and his very own M-Plant imprint paved the way for a wave of stripped-down dancefloor minimalism that directed much of techno's path throughout the late Nineties.
Robert Hood makes minimal Detroit techno with an emphasis on soul and experimentation over flash and popularity. 

"Growing up in Detroit, I grew up with Motown in the house - a lot of Motown and Philadelphia soul, artists like Marvin Gaye of course and Curtis Mayfield. I remember Isaac Hayes, the soundtrack from ‘Shaft’ had come out. My father was a jazz musician; he played piano, trumpet and drums. My mother was in an R’n’B group.
We listened to a lot of Motown - in fact, my grandfather’s first cousin is Berry Gordy.
"I was influenced by my father - I wanted to play trumpet like he did."
Robert's father tragically died when he was just 6. The photo of Robert siting down holding a trumpet is his fathers.
"I had to beg my grandmother to let me borrow the trumpet to take a picture with it"

In the early 90's he began to concentrate on his own production 'Vision EP', the 'Riot EP' and X-102 were big stepping-stones for him as they were the first releases he worked 100% on his own. The X-101 to X-102, were Waveform Transmission projects with Mills for Tresor. He slowly progressed to work more and more on his own, but collaberated on some of the first Axis releases with label owner Jeff Mills as H&M (Hood & Mills) with ‘Tranquilizer EP’ and ‘Drama’.

He soon decided it was time for him to start his own label to focus on what was in his soul musically. M-Plant started in ’94. I had developed this “grey area” sound - what I mean by that is that in Detroit, even when the sun is out, there’s something in the atmosphere. I don’t know if its pollution or whatever, but the sky has that grey haze over it. It’s got to be something from the industrial factories there. I’d never really heard a sound like that before and it came from a Roland Juno - it was a chord sound that really went along with my depiction of what Detroit was at that time. A lot of buildings were abandoned and there was a lot of lifelessness in the city, especially downtown. The M-Plant, in minimalism, kind of reflected that. I remember thinking of Detroit like a museum. You know, like a work of art standing still, suspended in time. There wasn’t a whole lot of activity going on.

Releasing singles such as "Internal Empire,", “The Protein Valve” "Music Data," and "Moveable Parts", "The Pace", more recently "Range", "Alpha" and that isn't even touching his other monikers Floorplan, Monobox, The Vision, etc.
"M-Plant is what I've always wanted to hear: the basic stripped down, raw sound. Just drums, basslines and funky grooves and only what's essential. Only what is essential to make people move. I started to look at it as a science, the art of making people move their butts, speaking to their heart, mind and soul. “It's a heart-felt rhythmic techno sound. M-Plant is just M. minimal. “

Although his desire to remain underground has been replaced by an urge to reach a wider audience, mainly via his housier, disco, gospel moniker Floorplan with his daughter Lyric Hood,   Hood remains fiercely critical of artistic and economic movements destructive to inner-city communities and has combined his musical enterprises with outreach and social activist ends.

Go

Robert Hood - Floorplan

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