Name: Robert Hood Hip Hop DJ set by Robert Hood - Floorplan in [Crate Digger] Vol. 2
Duration: 1 h 51 min 5 s
Description: Hip Hop DJ set I prepared especially for the Weather Festival in Paris, France - Saturday 4 June 2016 - live recording

👍👍👍👍🤝🤝🤝💪👊👊👊

again and again, listening to this is the only way to connect to my older brother. Those nasty 90's were very decisive on how I perceive hip hop to be like, I'm so glad to have known this era.

Thisssss is ridicoulis gooddd robert straight fireeeee all the wayyy, big up gr from an techno and hip hop head, gr from holland  bohhhhhh

Dancing at my kitchen) Crazy mix)👍🔥🔥🔥

amazing selection shitty quality...still groovy

fierce 🐄, sorry we did not get to perform together in NYC even though we were scheduled to Robert Hood with Begona and Mike, checkout the new productions on my page , everyone have a safe time at Wmc 2024 ,

The Archive, wich is still online on Soundcloud. Enjoy!

[Crate Digger] Vol. 2

Live recording of Terror Danjah from GetDarkerTV LIVE in London.

Broadcast 10 July 2013.

Watch full video here:
getdarker.com/getdarkertv-live-174/

Terror Danjah - GetDarkerTV LIVE 174

It is what it is!
If you ever had the chance to go to club yellow in Tokyo here’s a taste of yellow itself.
Live uncut! A lost relic from the archive of club Yellow.
Tokyo November 16 2003 .

Club Yellow Nov 16 2003  Tokyo Part 7

Liner Notes:
"This Was A Mix I Did While Cutting Class Back In 1995 And Will Be The First Release From My Studio’s Archive Series. This Mix Was Originally Released On Cassette As “Rare Equations” Through A Mix Tape Company Called Hip Hop Vibes Along With “Sick Experiment,” “Theories Not Yet Proven” And “The Diabolical” Which Came Before It. However This Mix Was My Favourite Because It Showcased Mixing All Kinds Of Music, Not Just The Latest Rap Singles Coming Out At The Time. So Sit Back And Check Out How Mix Tapes Were Done The Hard Way... On My Half Inch 8 Track Recorder (R.I.P.) And Listen To Some Cool Drops, Some Phone Taps, And Good Blends.
“It’s The Livin’ Roughness.”
Special Thanks to The Beat Market For The Title. "

Cuttin' Class / Rare Equations - Side 2

Cuttin' Class / Rare Equations - Side One

Hip Hop DJ set I prepared especially for the Weather Festival in Paris, France - Saturday 4 June 2016 - live recording

Robert Hood Hip Hop DJ set -  Weather Festival_June 2016

Robert Hood Hip Hop DJ set

Richie Hawtin: Decks, Efx & 909 CD Version (Full Mix) (1999) MINUS4CD

Richie Hawtin: DE9 | Closer To The Edit (2001) MINUS8CD

Solid Steel (9th February) In Hour 1 we welcome Robert Hood, founding member of the legendary group Underground Resistance (with ‘Mad’ Mike Banks and Jeff Mills) following the release of his third and final installment in a trilogy of EP releases for Dekmantel Records, that initially began back in February 2016. 'Paradygm Shift Volume 3' embraces the trademark, minimal, funk techno sounds that defined his earlier career and is an extension on the concept as outlayed by Hood during the project’s conceptual stage: ‘‘The idea behind Paradygm Shift is similar to a shift in our focus. We can become so complacent; we are so comfortable with our surroundings, I think this is the time for electronic music to find a new mindset.’’ He’s currently finalising a new EP due for release in April on his own M-Plant label.

The Solid Steel website http://solidsteel.net/ for track lists and archive shows.
You can follow Solid Steel on
fb.me/solidsteelradio
instagram.com/solidsteelradio
twitter.com/SolidSteelRadio
Email solidsteel@ninjatune.net

Go to Hour 2 here https://soundcloud.com/ninja-tune/solid-steel-radio-show-922018-hour-2-cfcf

Hour 1 - Robert Hood

Tracklist unavailable

Solid Steel Radio Show

Solid Steel Radio Show 9/2/2018 Hour 1 - Robert Hood

Derrick May @ Haoman 17, Jerusalem 12-25-03- part 1

02 Kenny Larkin Classics 2 Mix

MARK FLASH UR078 - DETROIT TECHNO MIX : http://www.electronique.it/podcastA811C10_Podcast_Mark-Flash_E-P-038
              
TRACK LIST:
1.  Mark Flash - Intro
2.  Gerald Hanson - Convextion [Matrix Records]
3.  Kenny Larkin - Chasers [Distance]
4.  Evelyn Jean - Chateau Noir [Dig It International]
5.  Zed Bias feat. Randolf - Mighty Dub [ITH Records]
6.  G. Flame - Lower [Bush]
7.  Julius Papp - Primtive future(Kemal's Main Mix) [Soulfuric Deep]
8.  Mark Flash - Guarana (A Day In Brazil) [unreleased]
9.  Polar Pair feat. Atlantis - This Is What Happens(Mark Flash Remix) [Botanika]
10. Mark Flash - Cachasa [Underground Resistance]
11. Shawn Rudiman - Metronie [Matrix Records]
12. DJ Cadet - Voodoo Lakey[ROCit Records]
13. Peter Horrevorts - Oorsprong [Kanzerlaramt]
14. Prince - Sexy [White Label/AMG001]
15. Mark Flash - Hot Timbales [Upstart Records]
16. A Night With Dick - The Eye Tattoo [Max Trax]
17. Mystery Track #1
18. Mark Flash - Orpheus[unreleased]
19. Mystery Track #2

UR078 Underground Resistance (DETROIT TECHNO MIX)

Boiler Room Broadcasts: Dollop's Detroit Series w/ Juan Atkins, Simian Mobile Disco, Dave Congreave, Charles Drakeford, Lixo & Dollop DJs

[Broadcast on 29th June 2012]

Tracklist & video at http://boilerroom.tv

Juan Atkins 130 min Boiler Room Broadcasts DJ Set at Dollop Detroit Series

<B>Joris Voorn: "Here's the tape that made me wanna be a DJ.<B/>

Derrick May is one of our main headliners at Rejected's Amsterdam Dance Event 2012 night at Studio 80, 18th of october.
Since my early dj days, I consider Derrick May as a huge inspiration, and in particular this dj set. Broadcasted live in 1996 from the legendary Chemistry night at Escape, Amsterdam. It was recorded from midnight radio by my partner in crime Edwin Oosterwal who borrowed me the cassette tape which I never gave back to him, which reminds me I should do that sometime soon.

In this mix, Derrick May shows us that in 1996 dance wasn't pigeonholed to one style or sound. He mixes Moodymann's groovy deephouse with Jeff Mills and Surgeon's raw techno. He goes from Donna Summer's disco to Tyree Cooper's jacking electronic funk, from Masters of Work's new york house to Ian Pooley's epic chord techno. All of this is mixed in a fast and skillful pace, a style that so clearly carries Derrick's signature.

There's some truly magical moments in this mix, how he get's out of Surgeon's 'Syllable' into Global Communication's 'Sensorama' at 1:09 leaves me speechless..

Even though by now I know most of the record he plays here, there's still a few I've been looking since the very first time I heard this mix. Would be great to get the tracklist completed, any help is greatly appreciated!

Derrick May live at Chemistry On 3 (Amsterdam 1996)

Here’s a recording taken from last year's ‘F**k Disco Demolition’ party at the excellent Paloma club in Berlin, it was such a wicked night and great to play alongside Dan Curtin and the LiveJam crew. Sadly we weren’t able to return for our party this July due to Covid 19 but hopefully this set will keep you going til the next one!

it’s only the second time I’ve donned my Ron Bacardi hat (literally) in Berlin (the first being at Panorama Bar a few years ago). For those unfamiliar with the vibe, it’s Raw House, Mutant Disco and original Warehouse grooves, taking inspiration from Chicago masters like Ron Hardy, DJ Rush and Derrick Carter and mixed up in my usual energetic style. 

These occasional sets are a lot of fun to do, hope you dig this recording. 

Pls also take the time to donate to one or more of the charities in this link (https://biglink.to/Charities) plus support Paloma in their fight to stay open (https://palomarec.bandcamp.com/). 

Thank you Ron Bacardi aka Ben Sims x

https://soundcloud.com/ben-sims

Paloma Quarantine Podcast 032 - Ron Bacardi

DJFLEG@gmail.com for Booking!!! 
Before my next mix of newer material I wanted to make the first in a series of Classics mixes. These are the breaks that I remember being played all the time in the early 2000's. Some of them are straight up bboy anthems. Leacy, Dadeo, Geometrix and local radio DJ's had a big impact on what I play in this mix. To me, these sounds were everywhere and I wanted to bring that vibe back for the newer generation who might not know these breaks as well. Thank you to everyone who's supported me and believed in me. I can't wait to spin this stuff for all of you, live! One love.     Lastly, if you want me to keep making mixes for free donate :) Paypal me: sfleg1@yahoo.com 

DJ FLEG - Classic Breaks Mix Vol 1

How To Cut & Paste - The Asian Edition

Die Welt vom Space Vortex Archiv geht weit über das bloße Hören hinaus – sie lädt euch ein, in eine vielschichtige und immersive Erfahrung einzutauchen.

Sie zielt nicht nur auf eine auditive Wahrnehmung von Klängen ab, sondern möchte diese auf einer tieferen, mehrdimensionalen Erfahrungsebene zugänglich machen. Das Archiv kreiert eine Atmosphäre, in der die Grenzen zwischen Klang und Realität verschwimmen, um die Stimmung und Energie diverser Musikrichtungen in einzigartiger Weise einzufangen.

Lass dich in eine Welt entführen, in der jeder einzelne Beat, jedes einzelne Rauschen und jede einzelne Melodie ein neues Kapitel einer fesselnden Geschichte erzählt.

FLOORPAN "THE MASTER'S PLAN" (CLASSIC MUSIC):
https://cmc.lnk.to/cmcd141d

Before I got into this music I wanted to be an originator ; I wanted to be original".
Founding member of the legendary group Underground Resistance as a 'Minister Of Information' with ‘Mad’ Mike Banks & Jeff Mills, his seminal works on Jeff Mill's Axis and his very own M-Plant imprint paved the way for a wave of stripped-down dancefloor minimalism that directed much of techno's path throughout the late Nineties.
Robert Hood makes minimal Detroit techno with an emphasis on soul and experimentation over flash and popularity. 

"Growing up in Detroit, I grew up with Motown in the house - a lot of Motown and Philadelphia soul, artists like Marvin Gaye of course and Curtis Mayfield. I remember Isaac Hayes, the soundtrack from ‘Shaft’ had come out. My father was a jazz musician; he played piano, trumpet and drums. My mother was in an R’n’B group.
We listened to a lot of Motown - in fact, my grandfather’s first cousin is Berry Gordy.
"I was influenced by my father - I wanted to play trumpet like he did."
Robert's father tragically died when he was just 6. The photo of Robert siting down holding a trumpet is his fathers.
"I had to beg my grandmother to let me borrow the trumpet to take a picture with it"

In the early 90's he began to concentrate on his own production 'Vision EP', the 'Riot EP' and X-102 were big stepping-stones for him as they were the first releases he worked 100% on his own. The X-101 to X-102, were Waveform Transmission projects with Mills for Tresor. He slowly progressed to work more and more on his own, but collaberated on some of the first Axis releases with label owner Jeff Mills as H&M (Hood & Mills) with ‘Tranquilizer EP’ and ‘Drama’.

He soon decided it was time for him to start his own label to focus on what was in his soul musically. M-Plant started in ’94. I had developed this “grey area” sound - what I mean by that is that in Detroit, even when the sun is out, there’s something in the atmosphere. I don’t know if its pollution or whatever, but the sky has that grey haze over it. It’s got to be something from the industrial factories there. I’d never really heard a sound like that before and it came from a Roland Juno - it was a chord sound that really went along with my depiction of what Detroit was at that time. A lot of buildings were abandoned and there was a lot of lifelessness in the city, especially downtown. The M-Plant, in minimalism, kind of reflected that. I remember thinking of Detroit like a museum. You know, like a work of art standing still, suspended in time. There wasn’t a whole lot of activity going on.

Releasing singles such as "Internal Empire,", “The Protein Valve” "Music Data," and "Moveable Parts", "The Pace", more recently "Range", "Alpha" and that isn't even touching his other monikers Floorplan, Monobox, The Vision, etc.
"M-Plant is what I've always wanted to hear: the basic stripped down, raw sound. Just drums, basslines and funky grooves and only what's essential. Only what is essential to make people move. I started to look at it as a science, the art of making people move their butts, speaking to their heart, mind and soul. “It's a heart-felt rhythmic techno sound. M-Plant is just M. minimal. “

Although his desire to remain underground has been replaced by an urge to reach a wider audience, mainly via his housier, disco, gospel moniker Floorplan with his daughter Lyric Hood,   Hood remains fiercely critical of artistic and economic movements destructive to inner-city communities and has combined his musical enterprises with outreach and social activist ends.

Robert Hood Hip Hop DJ set

Robert Hood - Floorplan

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