Tresor Records : Best Of (1991-2012) || Techno - Berlin || Techno - Detroit || History of House || Classics 90s 00s

SubBerlin (The Story of Tresor)

Game One

Internal Empire

Minus

Sonic Destroyer

Drugs Work

Cultural Variance - DJ Bone

Robert Hood - And Then We Planned Our Escape

FJAAK "Super Smash"

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Detroit’s KING CHEETAH is here with his debut 12” for Light Body Works.  Growing up in the haze of late 90s Detroit record shopping brought about the inspiration for this record.

“I wanted to capture that moment when you put the needle down on that record that gave you goosebumps, the find you were looking for… you only hear 2 seconds and you know its for you”

King Cheetah finds the appropriate space in between sounds and harmonies, rather than all the focus on the actual sounds, all while exercising a subtle rhythmic action that can be heard down the block.

Welcome to Light Body Works.

KING CHEETAH - WATER MAZE [LBW 001]

DJ Deep - Surge

Domina

Domina (Maurizio Mix)

Killer set of tracks by the Burden Brothers! Classic 430 West compilation from 1995.... ''Detroit Techno City''! Originally spread over 2 samplers it contained some of their best work - all featured here. The original releases also contained tracks from Alien FM (Aux 88) and Unknown Force, however, the rights to these tracks have now gone back to the original artists.

A1 Octave One - Eniac

Swiss producer Deetron returns to Music Man Records with Heartwalking EP due out on the 23rd of November. 

Fresh from releasing his DJ-Kicks mix in March of this year and the Storytellers 2x12“ with DJ Bone, Heartwalking is a two track EP playing with fast moving and melodic techno. The title track is a high energy cut which tumbles over precise drums patterns and thumping bass. Heartwalking AM version adds a euphoric melody, guaranteed to keep people on the dance floor until the early hours. A perfectly composed set which continue his legacy of making thoughtful and skilful dance music.

Deetron - Heartwalking

Aril Brikha - (A) Groove La' Chord [Fragile 1998 - FRG17]

Psytrance Tekno and More.
DJ based in Cologne. 

Handselected Playlists converted from Spotify library. 




FLOORPAN "THE MASTER'S PLAN" (CLASSIC MUSIC):
https://cmc.lnk.to/cmcd141d

Before I got into this music I wanted to be an originator ; I wanted to be original".
Founding member of the legendary group Underground Resistance as a 'Minister Of Information' with ‘Mad’ Mike Banks & Jeff Mills, his seminal works on Jeff Mill's Axis and his very own M-Plant imprint paved the way for a wave of stripped-down dancefloor minimalism that directed much of techno's path throughout the late Nineties.
Robert Hood makes minimal Detroit techno with an emphasis on soul and experimentation over flash and popularity. 

"Growing up in Detroit, I grew up with Motown in the house - a lot of Motown and Philadelphia soul, artists like Marvin Gaye of course and Curtis Mayfield. I remember Isaac Hayes, the soundtrack from ‘Shaft’ had come out. My father was a jazz musician; he played piano, trumpet and drums. My mother was in an R’n’B group.
We listened to a lot of Motown - in fact, my grandfather’s first cousin is Berry Gordy.
"I was influenced by my father - I wanted to play trumpet like he did."
Robert's father tragically died when he was just 6. The photo of Robert siting down holding a trumpet is his fathers.
"I had to beg my grandmother to let me borrow the trumpet to take a picture with it"

In the early 90's he began to concentrate on his own production 'Vision EP', the 'Riot EP' and X-102 were big stepping-stones for him as they were the first releases he worked 100% on his own. The X-101 to X-102, were Waveform Transmission projects with Mills for Tresor. He slowly progressed to work more and more on his own, but collaberated on some of the first Axis releases with label owner Jeff Mills as H&M (Hood & Mills) with ‘Tranquilizer EP’ and ‘Drama’.

He soon decided it was time for him to start his own label to focus on what was in his soul musically. M-Plant started in ’94. I had developed this “grey area” sound - what I mean by that is that in Detroit, even when the sun is out, there’s something in the atmosphere. I don’t know if its pollution or whatever, but the sky has that grey haze over it. It’s got to be something from the industrial factories there. I’d never really heard a sound like that before and it came from a Roland Juno - it was a chord sound that really went along with my depiction of what Detroit was at that time. A lot of buildings were abandoned and there was a lot of lifelessness in the city, especially downtown. The M-Plant, in minimalism, kind of reflected that. I remember thinking of Detroit like a museum. You know, like a work of art standing still, suspended in time. There wasn’t a whole lot of activity going on.

Releasing singles such as "Internal Empire,", “The Protein Valve” "Music Data," and "Moveable Parts", "The Pace", more recently "Range", "Alpha" and that isn't even touching his other monikers Floorplan, Monobox, The Vision, etc.
"M-Plant is what I've always wanted to hear: the basic stripped down, raw sound. Just drums, basslines and funky grooves and only what's essential. Only what is essential to make people move. I started to look at it as a science, the art of making people move their butts, speaking to their heart, mind and soul. “It's a heart-felt rhythmic techno sound. M-Plant is just M. minimal. “

Although his desire to remain underground has been replaced by an urge to reach a wider audience, mainly via his housier, disco, gospel moniker Floorplan with his daughter Lyric Hood,   Hood remains fiercely critical of artistic and economic movements destructive to inner-city communities and has combined his musical enterprises with outreach and social activist ends.

Internal Empire

Robert Hood - Floorplan

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