Tracce Techno

Marcel Fengler - Frantic

2000 and One - Tropical Melons (Original Mix)

Floorplan - Ritual (EPM10V)

Free Download

NIINE, Sohail Godwin - Never Leave [GR062]

Buy track here: https://www.beatport.com/release/amsterdam-dance-event-2025-nastygrooves-ade-essentials-vol1/5398889

Release Date: 2025-10-10
Label: NastyGrooves Records
Catalog: NG031
Mastering: Forest People

https://linktr.ee/nastygrooves

Buy tracks here

Second Story (SRB) - Shaggy Groove (Original Mix)

Album Name: Mystic Frequencies I
Artist(s): Various Artists
Artists (Track): ECLIPTICA
Label: Ørnament Lab
Catalogue No.: ORNLB001
Format: Digital
Genre: Techno
Style: Hardgroove
Release Date: 10.10.2025
Mastering: Araceli Coronel
Artwork: REM 

Support the Artist:
IG https://www.instagram.com/ecliptica.__/
SC https://soundcloud.com/melisapastor

Support the Label:
Soundcloud https://soundcloud.com/ornament-techno
Instagram https://www.instagram.com/ornament.techno/
RA https://es.ra.co/promoters/136395
Bandcamp https://ornamentlab.bandcamp.com/

Buy link https://ornamentlab.bandcamp.com/album/mystic-frequencies-i

Support

OSM PREMIERE: Ecliptica - Electric Disorder [ORNLB001]

Sunbeam - Outside World

Perisphinctes Tiziani Remixes

Roberto - Tiziani (Sterac AKA Steve Rachmad Remix)

Mouth to Mouth

Virton Upgraded (Ben Klock Remixes)

Virton Upgraded

Out now on vinyl & digital release - lnk.to/REKIDS132

UK techno legend Mark Broom returns to Rekids in February to release four uplifting cuts in the form of his ‘Break 97’ EP.

Mark Broom’s musical career is certainly something to behold – with over 150 releases over the past 25 years, on top of regular gigs across the world’s most renowned institutions, there’s no doubting his work ethic and his influence upon the scene. A prolific artist and true pioneer in the techno world, having worked with revered labels such as Warp, R&S, Ifach and Soma, and in more recent times Blueprint, EPM Music, Red Sonja Records and his own Beard Man Records, his ‘Break 97’ EP kick-starts 2019 for Radio Slave’s Rekids as the imprint adds yet another outstanding name to its roster following the likes of DJ Deep, Sebo K, DJ Spider and more.

‘Break 97’ sets the tone of the EP with a fusion of techno and disco, delicately blending funk-infused chords and resonating kicks amongst groove-filled vocals, before ‘Heart’ delivers inspiriting disco samples, punchy low end and elevating strings to reveal an effervescent aesthetic throughout. ‘EFB’ takes things up a notch, offering a dancefloor focused cut balancing rattling highs, vibrant synth flutters and a muffled vocal line, until ‘G Theme’ rounds out proceedings armed with robust percussion, electrifying vocals and undulating, euphoric keys.

Break 97

Mark Broom - EFB

Abstract Space EP

Slow Motion (Original Mix)

This is the first EP of Puncher on Hardwandler Records with Remixes by Audioappear&Fuli and Seimen Dexter.

Puncher - Tear On The Brains

Follow Mark Michael:
Web: http://markmichaelmusic.com
Instagram: https://www.instagram.com/markmichaelmusic
Facebook: https://www.facebook.com/markmichaelmusic
Twitter: https://twitter.com/markmichaeldj
Soundcloud: https://soundcloud.com/markmichaelofficial
Spotify: http://bit.ly/MarkMichaelSpotify
Beatport: http://bit.ly/MarkMichaelBeatport
YouTube: https://www.youtube.com/markmichaelmusic

Solar Storm

Solar Storm (Original Mix)

Stream / Buy here

Track from NE74 Various Artists — Scandinavian Swords IIII: Atlas of Visions Pt. I
Out on 3xLP and digital June 12th.

The fourth instalment of the Scandinavian Swords series breaks with its predecessors’ forms. Deviating from the austere brevity that marks Northern Electronics out, Scandinavian Swords IIII: Atlas of Visions completes a survey of the label’s confidants and components in the same breath as it introduces a swarm of new artists and genre-collisions.

With the swell of the last 12 months behind them, Anthony Linell and Jonas Rönnberg have forged the compilation with a paradoxical formula: Atlas of Visions stakes itself as a milestone release that retains the sure-footed programming of its proprietors yet cuts a new silhouette for what the platform of a Northern Electronics release consists of.

Presented across two volumes, Atlas of Visions courses through the hyper-pigmented and infectious fallout zone between club-focused works and the abstract territories of experimental modes. The release compiles egression and intensification into a pandemoniac whole, a refracting design for fractured times.

Mastered by Neel at EnissLab, Rome.
Graphic design by Jonas Bard.

Scandinavian Swords IIII: Atlas of Visions

The Empire Line - Træt av lagen, træt av Systembolaget

Clocks / Low Life / Go

Low Life

FLOORPAN "THE MASTER'S PLAN" (CLASSIC MUSIC):
https://cmc.lnk.to/cmcd141d

Before I got into this music I wanted to be an originator ; I wanted to be original".
Founding member of the legendary group Underground Resistance as a 'Minister Of Information' with ‘Mad’ Mike Banks & Jeff Mills, his seminal works on Jeff Mill's Axis and his very own M-Plant imprint paved the way for a wave of stripped-down dancefloor minimalism that directed much of techno's path throughout the late Nineties.
Robert Hood makes minimal Detroit techno with an emphasis on soul and experimentation over flash and popularity. 

"Growing up in Detroit, I grew up with Motown in the house - a lot of Motown and Philadelphia soul, artists like Marvin Gaye of course and Curtis Mayfield. I remember Isaac Hayes, the soundtrack from ‘Shaft’ had come out. My father was a jazz musician; he played piano, trumpet and drums. My mother was in an R’n’B group.
We listened to a lot of Motown - in fact, my grandfather’s first cousin is Berry Gordy.
"I was influenced by my father - I wanted to play trumpet like he did."
Robert's father tragically died when he was just 6. The photo of Robert siting down holding a trumpet is his fathers.
"I had to beg my grandmother to let me borrow the trumpet to take a picture with it"

In the early 90's he began to concentrate on his own production 'Vision EP', the 'Riot EP' and X-102 were big stepping-stones for him as they were the first releases he worked 100% on his own. The X-101 to X-102, were Waveform Transmission projects with Mills for Tresor. He slowly progressed to work more and more on his own, but collaberated on some of the first Axis releases with label owner Jeff Mills as H&M (Hood & Mills) with ‘Tranquilizer EP’ and ‘Drama’.

He soon decided it was time for him to start his own label to focus on what was in his soul musically. M-Plant started in ’94. I had developed this “grey area” sound - what I mean by that is that in Detroit, even when the sun is out, there’s something in the atmosphere. I don’t know if its pollution or whatever, but the sky has that grey haze over it. It’s got to be something from the industrial factories there. I’d never really heard a sound like that before and it came from a Roland Juno - it was a chord sound that really went along with my depiction of what Detroit was at that time. A lot of buildings were abandoned and there was a lot of lifelessness in the city, especially downtown. The M-Plant, in minimalism, kind of reflected that. I remember thinking of Detroit like a museum. You know, like a work of art standing still, suspended in time. There wasn’t a whole lot of activity going on.

Releasing singles such as "Internal Empire,", “The Protein Valve” "Music Data," and "Moveable Parts", "The Pace", more recently "Range", "Alpha" and that isn't even touching his other monikers Floorplan, Monobox, The Vision, etc.
"M-Plant is what I've always wanted to hear: the basic stripped down, raw sound. Just drums, basslines and funky grooves and only what's essential. Only what is essential to make people move. I started to look at it as a science, the art of making people move their butts, speaking to their heart, mind and soul. “It's a heart-felt rhythmic techno sound. M-Plant is just M. minimal. “

Although his desire to remain underground has been replaced by an urge to reach a wider audience, mainly via his housier, disco, gospel moniker Floorplan with his daughter Lyric Hood,   Hood remains fiercely critical of artistic and economic movements destructive to inner-city communities and has combined his musical enterprises with outreach and social activist ends.

Low Life

Robert Hood - Floorplan

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