BOY CRISIS - HC PART

BEK043 - Gary Beck - Cheeky Lemon

*Available now on all download stores *

Cheeky Lemon (Grindvik Edit)  -  BEK043

प्रदाय [ free download ]

single from debut album „UNTUNE“
BUY: http://zamilskaofficial.bandcamp.com/
VIDEO: http://www.youtube.com/watch?v=TbfbzrdrsdA

QUARREL

[PREMIERE] | Müzmin - Dfmeg [PRRUKBLK075D]

◘ S​-​101 EP by Müzmin

Artist: Müzmin
Track: Dfmeg
Label: Planet Rhythm
Genre: Electronic
Style: Techno
Cat No: PRRUKBLK075D
Date release: 23.09.2022
Format: Digital

◘ TRACKLIST:
		
1. Remora
2. Dfmeg
3. S-101
4. Trak
5. Makrogram
6. Fuxitiv

◘ PRE-ORDER / BUY LINK:

https://planetrhythm.bandcamp.com/album/s-101-ep

◘ MORE:

Mekanika Recordings:

https://soundcloud.com/planetrhythmrec
https://planetrhythm.bandcamp.com/
https://www.facebook.com/planetrhythmrec/
https://twitter.com/planetrhythmrec
https://www.youtube.com/user/planetrhythmrec

Müzmin:

https://www.facebook.com/muzminn
https://muzmin.bandcamp.com/
https://www.instagram.com/muzmin__/

S​-​101 EP

Dfmeg

[PREMIERE] | Müzmin - Dfmeg [PRRUKBLK075D]

We are very excited to present Rethe's track “Death Cap" upcoming on CALOSC release due out August 4th!

In his first solo release on Całość, Rethe finds himself among soothing soundscapes, swift grooves and abstract noises. "Nocturnal" features 6 cuts, ranging from dancefloor weapons to dreamy closing tracks, with powerful contributions from his label peers - Lucyd & Mislaw.

Support the artist:
https://soundcloud.com/r_ethe

Instagram:
https://www.instagram.com/rethe_music/

Support the label:
https://soundcloud.com/calosc

Instagram:
https://www.instagram.com/calosc.music/

Bandcamp:
https://calosc.bandcamp.com/

Nocturnal [CALOSC006]

Death Cap

Support

PREMIERE: Rethe - Death Cap [CALOSC005]

Nicolas Bougaïeff announces a stellar new techno series on NovaMute with 'EP1'. 

Featured: https://klubikon.com/2024/01/11/premiere-nicolas-bougaieff-primal-express 

'EP1' will be available after the 11th of January https://nicolasbougaieff.bandcamp.com/album/ep1 

KLUBIKON 
https://klubikon.com 
https://www.facebook.com/klubikon 
https://www.instagram.com/klubikon 
https://www.tiktok.com/@klubikon 
https://www.youtube.com/klubikon 
https://soundcloud.com/klubikon

Featured

PREMIERE: Nicolas Bougaïeff - Primal Express

http://mord.bandcamp.com/album/fiend-ep

Early support by: Daffy Duck, Obama, Tina Turner, random paddy rice farmer, Blade and many more...

BUY NAOOO ON BANDCAMP

Lag - Kontrola/Trema previews (MORD 014)

"History Of Gods (Sterac Remix)" by @30drop and @steverachmad will be released January 28th on 30dp. Read our interview with 30drop here: bit.ly/DropSter

Interview

30drop - History of Gods (Sterac Remix)

The Downward Spiral

Mr. Self Destruct

site para downloads :  www.radiopiramide.cf

Woo York - Void (Truncate Remix)

Chime Hours

Ritual

PRRUKRECAP2018

Transistor

Street Parade 2019 Official Compilation (Mixed by Himself)

Violet

SLAM / @paragraph - ARCHIVE EDITS LP (SomaDA124)

1. Nitzer Ebb - Join In the Chant (Slam Rework)
2. Slam - Scorpion (Live Edit) 
3. Slam - Memoriam (Original)
4. Silent Breed - Sync In (Slam Re-Edit)
5. Slam - 1001 (Original)
6. DK8 - Murder Was The Bass (Slam Re-Edit)
7. Terence Fixmer - Body Pressure (Slam Re-Edit)
8. Damon Wild - Rotary (Slam Live Edit)
9. Hertz - Recreate (Slam Rework)

Slam rework Nitzer Ebb Nitzer Ebb, Silent Breed, DK8, Terrance Fixmer and more for the final instalment of their Archive Edit series

Soma label heads Slam curate a specially designed package of tracks to finalise their Archive Edit project that sees them delve deep into Techno’s past to bring some of the genre’s best tracks into the modern age. The Archive Edit project started as a way for Slam to showcase and share the many different edits that had made their way into their DJ sets over the last few years. The pairing of Stuart McMillan & Orde Meikle have both raided their extensive collections, picking out tracks that have defined countless sets over their career. Tracks from luminaries such as Nitzer Ebb, Thomas P Heckmann (as Silent Breed), Damon Wild & Terrence Fixmer have been re-edited alongside some of Slam’s own unreleased material, showcasing the duo’s current sound; one that constantly naturally evolves, matures and demonstrates why the duo have been at the forefront of the global scene since its inception.

“We resurrect nine cuts from our archive collective collections for your listening and spinning pleasure. Some are original material, some are live re-edits, some are well-known, others are not! They all have one thing in common, they all attempt to unashamedly destroy dancefloors, and thus featured heavily, (usually toward the end of our DJ sets) in the last year or so well known”. Now we share them with you!"

Slam open the album with an absolute monster track in the form of their rework of the legendary Nitzer Ebb’s ‘Join In The Chant’. The anthemic EBM/post-punk infused original is given a thrashing overhaul from the duo marking one of the standout tracks of this collection.  A special live rework of fan favourite ‘Scorpion’ drops before the previously unreleased ‘Memoriam’ delivers on a more emotive tip. Firing back into the edits is Thomas P Heckmann’s seminal ‘Sync In’, under his Silent Breed Moniker which is a fast-paced, Neo-Trance affair Slam then drop the manic ‘1001’ which takes the BPM stratospheric. DK8’s, Murder Was The Bass is up next and given a 2019 update as the duo's edit snatches up all the most perfect elements of the track leading nicely into a rework of French EBM legend Terence Fixmer’s ‘Body Pressure’ - driving through with its twisted beats and vocals. Another special live edit of the first Archive Edit release, Damon Wild’s Rotary makes an appearance as the album closes out with the rave infected, rework of the Hertz classic ‘Recreate’

All Tracks Mastered by Conor Dalton @ Glowcast Mastering

Archive Edits

Slam Scorpion (Live Edit)

Slam - Scorpion (Live Edit) - SomaDA124

Reflector / Rotate

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FLOORPAN "THE MASTER'S PLAN" (CLASSIC MUSIC):
https://cmc.lnk.to/cmcd141d

Before I got into this music I wanted to be an originator ; I wanted to be original".
Founding member of the legendary group Underground Resistance as a 'Minister Of Information' with ‘Mad’ Mike Banks & Jeff Mills, his seminal works on Jeff Mill's Axis and his very own M-Plant imprint paved the way for a wave of stripped-down dancefloor minimalism that directed much of techno's path throughout the late Nineties.
Robert Hood makes minimal Detroit techno with an emphasis on soul and experimentation over flash and popularity. 

"Growing up in Detroit, I grew up with Motown in the house - a lot of Motown and Philadelphia soul, artists like Marvin Gaye of course and Curtis Mayfield. I remember Isaac Hayes, the soundtrack from ‘Shaft’ had come out. My father was a jazz musician; he played piano, trumpet and drums. My mother was in an R’n’B group.
We listened to a lot of Motown - in fact, my grandfather’s first cousin is Berry Gordy.
"I was influenced by my father - I wanted to play trumpet like he did."
Robert's father tragically died when he was just 6. The photo of Robert siting down holding a trumpet is his fathers.
"I had to beg my grandmother to let me borrow the trumpet to take a picture with it"

In the early 90's he began to concentrate on his own production 'Vision EP', the 'Riot EP' and X-102 were big stepping-stones for him as they were the first releases he worked 100% on his own. The X-101 to X-102, were Waveform Transmission projects with Mills for Tresor. He slowly progressed to work more and more on his own, but collaberated on some of the first Axis releases with label owner Jeff Mills as H&M (Hood & Mills) with ‘Tranquilizer EP’ and ‘Drama’.

He soon decided it was time for him to start his own label to focus on what was in his soul musically. M-Plant started in ’94. I had developed this “grey area” sound - what I mean by that is that in Detroit, even when the sun is out, there’s something in the atmosphere. I don’t know if its pollution or whatever, but the sky has that grey haze over it. It’s got to be something from the industrial factories there. I’d never really heard a sound like that before and it came from a Roland Juno - it was a chord sound that really went along with my depiction of what Detroit was at that time. A lot of buildings were abandoned and there was a lot of lifelessness in the city, especially downtown. The M-Plant, in minimalism, kind of reflected that. I remember thinking of Detroit like a museum. You know, like a work of art standing still, suspended in time. There wasn’t a whole lot of activity going on.

Releasing singles such as "Internal Empire,", “The Protein Valve” "Music Data," and "Moveable Parts", "The Pace", more recently "Range", "Alpha" and that isn't even touching his other monikers Floorplan, Monobox, The Vision, etc.
"M-Plant is what I've always wanted to hear: the basic stripped down, raw sound. Just drums, basslines and funky grooves and only what's essential. Only what is essential to make people move. I started to look at it as a science, the art of making people move their butts, speaking to their heart, mind and soul. “It's a heart-felt rhythmic techno sound. M-Plant is just M. minimal. “

Although his desire to remain underground has been replaced by an urge to reach a wider audience, mainly via his housier, disco, gospel moniker Floorplan with his daughter Lyric Hood,   Hood remains fiercely critical of artistic and economic movements destructive to inner-city communities and has combined his musical enterprises with outreach and social activist ends.

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Robert Hood - Floorplan

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Berlin Sensation

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