I am on they ass: DAWLESS TECHNO (500+) Hardware ORIGINALS.  Remember there are many of us who refuse to pay, but we still lay it down: https://soundcloud.app.goo.gl/VaCSw9wGTjz4NvKr5

Intersting beats🔈🔇🔈🔈🔇🔈🔈🔈🔈🔇🔇🔇🔈🔈🔈🔈🔈🔇🔇🔇🔇🔈🔈🔈🔈🔈🔇🔇🔇

Out now on Rekids: lnk.to/REKIDS192

Although based in Berlin for several years, Dustin Zahn has continued to exert influence over the fertile but steadfastly underground Minneapolis techno scene as part of the Intellephunk collective whilst cultivating a worldwide rep via releases for Blueprint, Token and his own Enemy Records. The ‘Gain of Function’ LP sees Zahn channelling the groove-fuelled techno of the late ’90s and early ’00s and shaping eight powerful but funky contemporary techno tracks that display the decades of experience under his belt. 

Forged from a series of live jams with two drum machines and two synths, the album is a refined collection of raw, purist techno brilliance. Across the A-side ‘Tell Me About Paradise’ brings shimmering staccato chops under bright and airy percussion before ‘Tangie Groove’ picks up the pace with floating pads, vocal slices, and a rumbling bassline. On ‘Lucid Dreams’, scattered percussion plays with hypnotic synth licks, while ‘Smoking in Silence’ sees off-kilter leads dancing between emotive vocals and evolving drum loops.

Opening the second disc is the deep and shuffling ‘Crimson Cheeks’, with trance-inducing samples nestled between sharp drum hits and rolling synthesis, and ‘Days Like These’ takes a darker turn as twinkling arps and droning pads carry the track. ‘Shark Rodeo’ featuring Jeremy Black mangles samples into a dense rolling affair, before closing number ‘Next Level Looseness’ drops the 4/4 pattern for a raucous club track, combining oddball sound sources and unruly production techniques for a trippy finish to the album. 

Since the late ’90s, Zahn’s hypnotic and driving techno has consistently caught the ears of top DJs and labels worldwide, with anyone catching his marathon sets at the likes of Berghain exposed to expansive sets. In addition to his techno-heavy catalogue and DJing prowess, Zahn has lent production and engineering skills to bands and singers, recently working with Poliça and on Carm’s Pitchfork approved eponymous album. Beyond this, his vital work with Intellephunk includes the nearly two decades long running Communion after-hours events, cementing his invaluable contributions to the scene.

Dustin Zahn

Tangie Groove

Dustin Zahn - Tangie Groove

'Following outings on Rinse FM and HOR, German producer Rove Ranger takes aim on the next release of Lobster Theremin’s full-blooded techno assault; 4 very different cuts of pulsating, bass-driven techno that have one eye in the rear view mirror and the other firmly fixated ahead.

‘CS80’ is an aquatic, rhythmic experience; bubbling with blues, greens and pinks in a techno climate so often associated with grey. A beautiful blend of the new and old school. Tough, but with a touch of soul. ‘Millennial Millenium’ is a blissful trip through neighbouring underworlds and spirit hollows, unrelenting kicks and ghostly atmospherics crafting a cut of psychedelic graveyard techno.

‘La Manana’ is more of a heads-down affair. Punchy bass accompanies the kicks on a track that instantly captivates; less concerned with emotion and more with increasing heart rates; it's a tripped-out, bouncy experience that screams fun. The EP is rounded off with ‘Horse On Acid’. Have you ever seen a horse on acid? We have, and this is exactly what it sounded like.'

Follow: @itsroveranger // @lobster-theremin

Premiere: Rove Ranger - CS80 [Lobster Theremin]

Technasia - Acid Storm

(EMS009) Rush Plus - Sh,Boom

Kill Ref and Hyperikòn's, live at work, jazzy remix of Jeff Mill's Alarms for personal use only. Not for sale. Mastered by Stefano Moretti. Beats Studio, Berlin, DE.

Unreleased

Jeff Mills - Alarms(Kill Ref & Hyperikon Jazz Remix)

Take A Shot... / Break The Rulez was released in 1997. This is the digitized and 2020 remastered edition. Buy here: https://djhellofficial.bandcamp.com/album/take-a-shot-break-the-rulez

#djhell #RichardBartz #takeashot #braketherulz #hellmutgeier #helmutjosefgeier #helmutjosefgeiertechno

DJ Hell Vs. Richard Bartz - Take A Shot ...

@saturatorberlin's track 'Dubchord Invasion' will be released on 'Aleph' through @stuetzpunkt on April 20th. More Info: bit.ly/SatuDubInv

Aleph (SP001)

Saturator – Dubchord Invasion

premiere of "Primrose Gold" by @Phara-6
taken from the compilation "Transistor", released soon on @voltageimprint

Compilation Details:
https://novafuture.blog/2020/04/28/various-transitor-voltage/

Phara - Primrose Gold [VOLT001DIGI | Premiere]

Planet Rhythm:
www.planetrhythm.audio
www.facebook.com/planetrhythmrec
www.discogs.com/label/347-Planet-Rhythm-Records

Follow us on Spotify to: goo.gl/wxITRf

All Planet Rhythm releases appear first as exclusive on Bandcamp:
planetrhythm.bandcamp.com
Beatport:
https://www.beatport.com/label/planet-rhythm/3022

Yan Cook - Cosmonaut - Digital Exclusive (PRRUKBLK056)

AS FEATURED ON THE 90 MINUTES FULL-LENGTH "INDRUKKEN II" TAPE - OUT NOW ON @revenge-techniques

https://selfreflektion.bandcamp.com/album/indrukken-ii-by-tafkamp-revenge0b

INDRUKKEN II

Binnenweg 2

BINNENWEG 2

Underestimated EP

Robert Hood - Sleep is the Cousin of Death

Before I got into this music I wanted to be an originator ; I wanted to be original".
Founding member of the legendary group Underground Resistance as a 'Minister Of Information' with ‘Mad’ Mike Banks & Jeff Mills, his seminal works on Jeff Mill's Axis and his very own M-Plant imprint paved the way for a wave of stripped-down dancefloor minimalism that directed much of techno's path throughout the late Nineties.
Robert Hood makes minimal Detroit techno with an emphasis on soul and experimentation over flash and popularity. 

"Growing up in Detroit, I grew up with Motown in the house - a lot of Motown and Philadelphia soul, artists like Marvin Gaye of course and Curtis Mayfield. I remember Isaac Hayes, the soundtrack from ‘Shaft’ had come out. My father was a jazz musician; he played piano, trumpet and drums. My mother was in an R’n’B group.
We listened to a lot of Motown - in fact, my grandfather’s first cousin is Berry Gordy.
"I was influenced by my father - I wanted to play trumpet like he did."
Robert's father tragically died when he was just 6. The photo of Robert siting down holding a trumpet is his fathers.
"I had to beg my grandmother to let me borrow the trumpet to take a picture with it"

In the early 90's he began to concentrate on his own production 'Vision EP', the 'Riot EP' and X-102 were big stepping-stones for him as they were the first releases he worked 100% on his own. The X-101 to X-102, were Waveform Transmission projects with Mills for Tresor. He slowly progressed to work more and more on his own, but collaberated on some of the first Axis releases with label owner Jeff Mills as H&M (Hood & Mills) with ‘Tranquilizer EP’ and ‘Drama’.

He soon decided it was time for him to start his own label to focus on what was in his soul musically. M-Plant started in ’94. I had developed this “grey area” sound - what I mean by that is that in Detroit, even when the sun is out, there’s something in the atmosphere. I don’t know if its pollution or whatever, but the sky has that grey haze over it. It’s got to be something from the industrial factories there. I’d never really heard a sound like that before and it came from a Roland Juno - it was a chord sound that really went along with my depiction of what Detroit was at that time. A lot of buildings were abandoned and there was a lot of lifelessness in the city, especially downtown. The M-Plant, in minimalism, kind of reflected that. I remember thinking of Detroit like a museum. You know, like a work of art standing still, suspended in time. There wasn’t a whole lot of activity going on.

Releasing singles such as "Internal Empire,", “The Protein Valve” "Music Data," and "Moveable Parts", "The Pace", more recently "Range", "Alpha" and that isn't even touching his other monikers Floorplan, Monobox, The Vision, etc.
"M-Plant is what I've always wanted to hear: the basic stripped down, raw sound. Just drums, basslines and funky grooves and only what's essential. Only what is essential to make people move. I started to look at it as a science, the art of making people move their butts, speaking to their heart, mind and soul. “It's a heart-felt rhythmic techno sound. M-Plant is just M. minimal. “

Although his desire to remain underground has been replaced by an urge to reach a wider audience, mainly via his housier, disco, gospel moniker Floorplan with his daughter Lyric Hood,   Hood remains fiercely critical of artistic and economic movements destructive to inner-city communities and has combined his musical enterprises with outreach and social activist ends. 



Robert Hood - Sleep is the Cousin of Death

Robert Hood - Floorplan

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