So true.. "ENOUGH IS ENOUGH" but this is going much deeper.. rooted by "Christian" method to tear down the whole planet, like the bible told, caused Slavery even our latest global warming, up to their beloved (as written) Apocalypse.. IT'S CONNECTED!

Thanks for the inspiring  track.. ( Hood is Hero! ) 

This is definitely piace of art, unfortunately we can say a poetry? From where is this discourse? Maybe is, the good techno, with good words, is terrifying true words I need to hear this

Kevin Saunderson's track IDs

Black Space Jazz

Have It All

Have It All (Omar S Remix) [feat. Age.Sex.Location]

The Tresor Track

Stairway To Heaven

Bounce Back

Classics

The Melody

Made in House projeto do artista e Produtor independente Italo explorando todas as vertentes do house music transformando em musicas unicas !

Sparkling

Mega Hydrate The Nation

The Compass

FJAAK proudly presents SYS01. A charity project in place in order to give back to some of the places that have supported us so much over the years, coming in a time where giving back is most important. 
The release encompasses 4 signature FJAAKy weapons, each one dedicated to the place it's named after. All revenue (not profit) generated through sales of this release is going straight to the pockets of the four clubs. Long live OHM Berlin, Lehmann Club Stuttgart, City Club Augsburg & PAL Club Hamburg. Thank you for letting us do our thing and continuously believing in us.

SYS01CITYCLUB

FJAAK - City Club

Minimal Nation

Museum

The Struggle / Save the Children

The Struggle

Just Ask the Lonely (005)

A Victim

Founded in 2016 by a Caribbean born musicophile and minimalist [Est. MMXVI]. Mixerdafixer presents insightfully curated tracks, uniquely blended to achieve a Sound that's very immersive, eclectic and intimately laidback.

FLOORPAN "THE MASTER'S PLAN" (CLASSIC MUSIC):
https://cmc.lnk.to/cmcd141d

Before I got into this music I wanted to be an originator ; I wanted to be original".
Founding member of the legendary group Underground Resistance as a 'Minister Of Information' with ‘Mad’ Mike Banks & Jeff Mills, his seminal works on Jeff Mill's Axis and his very own M-Plant imprint paved the way for a wave of stripped-down dancefloor minimalism that directed much of techno's path throughout the late Nineties.
Robert Hood makes minimal Detroit techno with an emphasis on soul and experimentation over flash and popularity. 

"Growing up in Detroit, I grew up with Motown in the house - a lot of Motown and Philadelphia soul, artists like Marvin Gaye of course and Curtis Mayfield. I remember Isaac Hayes, the soundtrack from ‘Shaft’ had come out. My father was a jazz musician; he played piano, trumpet and drums. My mother was in an R’n’B group.
We listened to a lot of Motown - in fact, my grandfather’s first cousin is Berry Gordy.
"I was influenced by my father - I wanted to play trumpet like he did."
Robert's father tragically died when he was just 6. The photo of Robert siting down holding a trumpet is his fathers.
"I had to beg my grandmother to let me borrow the trumpet to take a picture with it"

In the early 90's he began to concentrate on his own production 'Vision EP', the 'Riot EP' and X-102 were big stepping-stones for him as they were the first releases he worked 100% on his own. The X-101 to X-102, were Waveform Transmission projects with Mills for Tresor. He slowly progressed to work more and more on his own, but collaberated on some of the first Axis releases with label owner Jeff Mills as H&M (Hood & Mills) with ‘Tranquilizer EP’ and ‘Drama’.

He soon decided it was time for him to start his own label to focus on what was in his soul musically. M-Plant started in ’94. I had developed this “grey area” sound - what I mean by that is that in Detroit, even when the sun is out, there’s something in the atmosphere. I don’t know if its pollution or whatever, but the sky has that grey haze over it. It’s got to be something from the industrial factories there. I’d never really heard a sound like that before and it came from a Roland Juno - it was a chord sound that really went along with my depiction of what Detroit was at that time. A lot of buildings were abandoned and there was a lot of lifelessness in the city, especially downtown. The M-Plant, in minimalism, kind of reflected that. I remember thinking of Detroit like a museum. You know, like a work of art standing still, suspended in time. There wasn’t a whole lot of activity going on.

Releasing singles such as "Internal Empire,", “The Protein Valve” "Music Data," and "Moveable Parts", "The Pace", more recently "Range", "Alpha" and that isn't even touching his other monikers Floorplan, Monobox, The Vision, etc.
"M-Plant is what I've always wanted to hear: the basic stripped down, raw sound. Just drums, basslines and funky grooves and only what's essential. Only what is essential to make people move. I started to look at it as a science, the art of making people move their butts, speaking to their heart, mind and soul. “It's a heart-felt rhythmic techno sound. M-Plant is just M. minimal. “

Although his desire to remain underground has been replaced by an urge to reach a wider audience, mainly via his housier, disco, gospel moniker Floorplan with his daughter Lyric Hood,   Hood remains fiercely critical of artistic and economic movements destructive to inner-city communities and has combined his musical enterprises with outreach and social activist ends.

The Struggle

Robert Hood - Floorplan

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