Techno 2025

Life

BANDCAMP

DJ Plant Texture - Cycles

1 Earwax - Upstairs Downstairs

Art Class / Art School

Art School

https://soundcloud.com/valentina-prieto-832855643
https://soundcloud.com/noidcol
🛒 https://noidrecords.bandcamp.com/album/baile-lum-nico
🔊 https://youtu.be/R8TbKHNre7o

Nostalgic melodics and pounding breaks take over at No.Identity Records. Brilliantly crafted electro by the talented female producer from Bogotá, plus two ingenious remixes from Didacta and label owner EL MAMU.

PREMIERE: ÆTERIS - Baile Lumínico [No.Identity Records]

A1. Markus Suckut - Patience
A2. Markus Suckut - Resurrection
B1. Markus Suckut - Myth
B2. Markus Suckut - Moments

A highly respected figure for dancers and artists alike, Markus Suckut offers his signature built-to-last sound to Fuse with ‘Moments’. In this style, confidence is key and Suckut provides soul to club music in a way few have been able to. Simple yet ever so refined, the German artist furthers his sound with the Belgian label with rolling tracks that reach beyond the dancefloor yet again. ‘Moments’ is just that, a collection of instances spent inside the mind or outwards into the world in order to move and connect. 

The A1 remains usually the first impression of every record, so it makes sense that ‘Patience’ would mark the beginning of this eight release for the Brussels’ club. A bubbly yet impactful track, ‘Patience’ rolls through six minutes in no time with eccentric percussion and a viscous low-end. Unafraid to break the codes in order to push his sound forward while respecting the essence of what makes the genre great, Suckut puts years of mastery at work in order to find balance and air between his elements. This impressive low-end rhythm is continued into ‘Resurrection’ - which is more of an exploration of dissonance and texture than its predecessor. With hi-hats whipping around the stereo field through metallic bends and a harmonic kick/bass, the record knows for what context ‘Resurrection’ is reserved for. ‘Myth’ then comes along to lighten the load with a positive groove and an extraverted arrangement, maintaining balance to the overall EP. Complete with a subtly modulating live-played percussion that echoes the character of a vocal and layered over an almost vintage drum sequence, the persistence of ‘Myth’ finds a sweet spot between techno and house, making it a versatile tool in almost any record bag. The soul of the EP, however, belongs to its title track ‘Moments’. Appropriately named, this fourth piece concludes Markus Suckut’s latest statement for the dancefloor. A suspension of time in structure as much as in melody, the producer takes the time to unveil each element of the record while maintaining a burning intriguing throughout. A truly timeless piece reserved for only the most special moments and most deserving crowds, Suckut proves once again that his understanding of emotion through his medium will echo his music across the world for years to come. 

Written and producer by Markus Suckut
Mastered by Ahmet Altinbas
Artwork by Ahmet Altinbas
Layout by Studio Phazed
Words by Noah Hocker

Moments

FUSE08 • Markus Suckut - Moments

Shlømo & Junkie Kid join forces to release a massive track on Taapion.
https://bfan.link/ligh

Junkie Kid
- https://www.facebook.com/JunkieKidMusic
- https://www.instagram.com/junkiekid/
- https://x.com/Junkiekidmusic

Shlømo
- https://www.facebook.com/shlomotaapion
- https://www.instagram.com/shlomo_taapion/


https://bfan.link/ligh

Lights Up - Shlømo x Junkie Kid

Push brings his distinctive take on hard techno to Filth on Acid with new Starlit It's Time To Play EP.

GET IT HERE..

Push - Starlit It's Time To Play

Eternal Life EP

The Throne

The Game

Alan Fitzpatrick & Trent Hadid - The Game

Label: Cooked
Format: Digital + Vinyl

Tracklist:
A1. Equinox
A2. Syzygy
B1. Monsoon
B2. Headspin

Release Dates:
Vinyl: 13.06.2025
Digital: 30.06.2025

COOKED11 | Yan Cook - Equinox EP

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Follow us on Soundcloud: @nudetechno

⚫️  Buy/Stream/Download:https://www.beatport.com/track/colossal/20524162

🎥  Subscribe to our Youtube Channel - http://bit.ly/nudetechnoyoutube
⚫️ Instagram: http://instagram.com/nudetechno
⚫️ Soundcloud: https://soundcloud.com/nudetechno
⚫️ Mixcloud: http://mixcloud.com/nudetechno
⚫️ Techno Spotify Playlist: http://goo.gl/Dw8wpM
⚫️ Facebook: https://www.facebook.com/nudetechno

NUDE is a sub-brand of Data Transmission focusing on Techno.

Buy from Beatport

ØURSPACE - Colossal [Kneaded Pains]

Curbi is next up with some seriously driving techno on his Metrofunk EP for Filth on Acid. 

Under his new guise Tobias Paul he is a hard and groove techno specialist, and using all of his 10 years experience in the game. He drops the heavy and driving Metrofunk with dark drums and slamming percussion that is weightless.

Tobias Paul - Metrofunk

W133 presents its first solo EP by label Papa Pino Peña!

It’s the first full release by him on the label, for which he has crafted 3 new original tunes in his signature percussive sound, along with one re-released track!

First up is rumba-driven tech house wobbler “Little Closer”. The UK-influenced stabs and the cheesy vocals do indeed make you want to move a little closer together on the dancefloor and shake it out. On A2, “Iramam” comes rumbling in—a highly swung percussive stomper with melancholic pads and mystical choirs setting the mood as it flows away.

On the flipside, the vibrating pads of “Run” come creeping in. The energetic yet emotional techno tune develops like a long run through the city in an early 2000s video game. It was initially released on a VA in 2021 and has since then gained many festival and club plays. Now it will be released for the first time on wax.
The last tune on the record is “Cama Loca”—a bouncy, shaky house tune with tons of percussion and freaked-out creepy melodies, which will make you feel like everything is spinning once you close your eyes!

As always, the release is accompanied by a carton cover sleeve with an analogue photo from Philipp Roth. 100 vinyl copies and everywhere digitally available from 04.07. on.

Links: 

Soundcloud: https://soundcloud.com/pinopena
IG PP: https://www.instagram.com/pinolinoo/ 
IG W133: https://www.instagram.com/w133.records/ 


GTG Premiere | Pino Peña - Iramam [W133]

Amidst the silence, a resurgence stirs. The embers of deeper, darker rhythms, once again are rekindled.

Cold Project, the South African psytech maestro returns to Nuclear Rites with 'The Divide Pt. 2', An expedition deep into the cryptic depths of sonic mysteries, navigating the shadowy mazes of its most profound abyss. Here, darkness and melody are fused in a dance of shadow and light; a promise to resonate with the untold stories that lie dormant in the soul.

At Nuclear Rites, our pride is immense as we herald another gem from our cherished friend. Await its arrival on December 28th, a date signaling not just a launch, but the birth of a new sonic era.

The Divide pt 2

🌀🎵 #IntoTheUnknown Album - Out Now! 🎵🌀

🌑✨ Dark, hypnotic, and otherworldly ✨🌑

Dive deep into the shadows with #IntoTheUnknown—a psychedelic trance journey through eerie soundscapes, twisted synths, and mind-bending rhythms. Proceed with caution—this music creeps under your skin. 👁️‍🗨️💀

#PsyTrance #DarkTrance #CreepyVibes #MindBendingBeats #PsychedelicHorror #HauntingMelodies #TranceFromTheAbyss #EerieElectronica #NightmareFuel #DoYouDare

Beatport

Gravity's Embrace

Elaysia - La Galaxie  2000

CAN'T STOP THE GROOVE TRAIN




FLOXCAST SETS PLAYED AND RECORDED ON XDJ-XZ

FLOORPAN "THE MASTER'S PLAN" (CLASSIC MUSIC):
https://cmc.lnk.to/cmcd141d

Before I got into this music I wanted to be an originator ; I wanted to be original".
Founding member of the legendary group Underground Resistance as a 'Minister Of Information' with ‘Mad’ Mike Banks & Jeff Mills, his seminal works on Jeff Mill's Axis and his very own M-Plant imprint paved the way for a wave of stripped-down dancefloor minimalism that directed much of techno's path throughout the late Nineties.
Robert Hood makes minimal Detroit techno with an emphasis on soul and experimentation over flash and popularity. 

"Growing up in Detroit, I grew up with Motown in the house - a lot of Motown and Philadelphia soul, artists like Marvin Gaye of course and Curtis Mayfield. I remember Isaac Hayes, the soundtrack from ‘Shaft’ had come out. My father was a jazz musician; he played piano, trumpet and drums. My mother was in an R’n’B group.
We listened to a lot of Motown - in fact, my grandfather’s first cousin is Berry Gordy.
"I was influenced by my father - I wanted to play trumpet like he did."
Robert's father tragically died when he was just 6. The photo of Robert siting down holding a trumpet is his fathers.
"I had to beg my grandmother to let me borrow the trumpet to take a picture with it"

In the early 90's he began to concentrate on his own production 'Vision EP', the 'Riot EP' and X-102 were big stepping-stones for him as they were the first releases he worked 100% on his own. The X-101 to X-102, were Waveform Transmission projects with Mills for Tresor. He slowly progressed to work more and more on his own, but collaberated on some of the first Axis releases with label owner Jeff Mills as H&M (Hood & Mills) with ‘Tranquilizer EP’ and ‘Drama’.

He soon decided it was time for him to start his own label to focus on what was in his soul musically. M-Plant started in ’94. I had developed this “grey area” sound - what I mean by that is that in Detroit, even when the sun is out, there’s something in the atmosphere. I don’t know if its pollution or whatever, but the sky has that grey haze over it. It’s got to be something from the industrial factories there. I’d never really heard a sound like that before and it came from a Roland Juno - it was a chord sound that really went along with my depiction of what Detroit was at that time. A lot of buildings were abandoned and there was a lot of lifelessness in the city, especially downtown. The M-Plant, in minimalism, kind of reflected that. I remember thinking of Detroit like a museum. You know, like a work of art standing still, suspended in time. There wasn’t a whole lot of activity going on.

Releasing singles such as "Internal Empire,", “The Protein Valve” "Music Data," and "Moveable Parts", "The Pace", more recently "Range", "Alpha" and that isn't even touching his other monikers Floorplan, Monobox, The Vision, etc.
"M-Plant is what I've always wanted to hear: the basic stripped down, raw sound. Just drums, basslines and funky grooves and only what's essential. Only what is essential to make people move. I started to look at it as a science, the art of making people move their butts, speaking to their heart, mind and soul. “It's a heart-felt rhythmic techno sound. M-Plant is just M. minimal. “

Although his desire to remain underground has been replaced by an urge to reach a wider audience, mainly via his housier, disco, gospel moniker Floorplan with his daughter Lyric Hood,   Hood remains fiercely critical of artistic and economic movements destructive to inner-city communities and has combined his musical enterprises with outreach and social activist ends.

The Throne

Robert Hood - Floorplan

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