Techno

DJ Funk -  Run  (UK Extended Mix) 1999

G - Man - Sparticus

Spirals EP

Spirals

Art Class / Art School

Art School

Loss

Loss (Mr. G's Raw Dub)

Eternal Life EP

The Throne

Sense of Identity

Inner Wisdom

HATE exclusive premiere.
Full streaming of the EP soon on our HATE YouTube channel.

Support the label, buy it here:
https://life-in-patterns.bandcamp.com/album/blocks-of-darkness

Under-the-radar artist CV1 debuts on Life In Patterns Lab with Blocks of Darkness, a six-track EP that delivers a captivating blend of raw, expressive techno inspired by 90s and 2000s sounds with a modern edge.

Artist: CV1 
Title: Blocks of Darkness
Label: Life In Patterns
Catalogue: LIPL003
Format: 12" Vinyl
Genre: Electronic
Style: #Techno
Release date: July 18, 2025

Mastered at Manufaktur Studio
https://www.instagram.com/manufaktur__studio
https://www.facebook.com/manufaktur.mastering

Follow #CV1 here:
https://soundcloud.com/cv1_music
https://www.instagram.com/cv1_music
https://www.facebook.com/cv1.music/
https://www.youtube.com/@cv1_music

Follow #LifeInPatterns here:
https://soundcloud.com/life-in-patterns
https://www.instagram.com/life_in_patterns_/
https://life-in-patterns.bandcamp.com
https://life-in-patterns.net

This release showcases CV1’s talent for crafting immersive techno journeys, balancing peak-time energy with deeper, hypnotic, and introspective moods. Blocks of Darkness is set to release on 18 July 2025 on hand-stamped vinyl and digital formats.

Tracklist:
1 / DB1 Sounds of Paradise 
2 / (A1) Blocks of Darkness 
3 / (A2) Lost Signal 
4 / (B1) Warehouse Tool 
5 / (B2) Shifted Reality 
6 / DB2 Deeper Motion 

Written and produced by Salvatore Castelli

Artwork and design by Tobias Kalleder
https://www.instagram.com/tkalleder/
https://www.facebook.com/tobias.kalleder/
http://indivisualists.com


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DISCLAIMER: All tracks are uploaded in a low quality for promotional purposes only and with buy links to respect label and artists.

CONTACT EMAIL: hatemusic1@gmail.com

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Blocks of Darkness

Warehouse Tool

Premiere: CV1 — Warehouse Tool [LIPL003]

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Orion - Kernel Ghost - H-Productions [HPX161]

Hybrid Productions Sound Architecture proudly presents: [HPX161] Kernel Ghost, written and produced by Orion. The captain of the Finish label Absence of Facts is back on Hybrid with a phantom 3 track release.

1. Stroke Mechanism
2. Guru Meditation
3. See It

Out in all portals 4th of August, 2025.

with peace from / Cari Lekebusch & Orion

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GTG Premiere | Orion - Stroke Mechanism [HPX161]

Premiere of Schwefelgelb - Ay [NPLX007]

BUY: https://schwefelgelb.bandcamp.com/album/marginale

Artist: Schwefelgelb
Title: Marginale
Label: n-PLEX
Catalogue: NPLX007
Release Date: September 5th, 2025

ARTIST LINKS
SC: https://soundcloud.com/schwefelgelb
IG: https://www.instagram.com/schwefelgelb_official/?hl=en
BC: https://schwefelgelb.bandcamp.com

LABEL LINKS
SC: https://soundcloud.com/n-plex
IG: https://www.instagram.com/nplexrecords/?hl=en
BC: https://nplexrecords.bandcamp.com

If you would like to promote your music via our channels, please submit your track for consideration here: forms.gle/E7nU616j5Qh4iMxf6

Schwefelgelb - Ay [SOMA SELECTS Premiere]

Bleu de Hue

Release date: 05/08/2025

"The Feeling That Brought Me Here" is Ackermann's second album. Effortlessly drifting between techno and house, the album eschews his usual EP minimalism in favor of a bold, hookline focused album. Gritty chord stabs, chunky pianos and jacked up grooves dominate the palate, whilst Ackermann's signature sample manipulation fuses deconstructed vocal chops that are used more like instruments or percussion elements instead of being the centrepiece of a song with razor-sharp drum edits and intricate sound design.

While his debut album "Stadium Techno" saw Ackermann's teenage incarnation smugly manning the controls of his 2020s studio (where he is currently known for immaculate mastering and A-List mixdowns) this sophomore collection offers a polished weaponry spanning 3 years of focussed collaboration integrating this adolescent dynamist with the guiding hand of an elder reaching their production zenith.
"The Feeling That Brought Me Here" channels the intrinsic urge of embodied music creation - fiercely somatic, unrestrained, physical, immediate and kinetic. Rogue sketches and intuitive vibe snapshots resist genre constraints to favor a dancefloor defined by polished 'f##k-you' tectonics and sleekly engineered attitude.

From the unapologetic feel-good opener "Good Times" via tougher chord slappers like "Click" or "Alter", a casual techno banger exclusively made with jungle sounds ("Now you know" with Vinicius Honorio), the deep techno bliss of "Noha", the cathartic "Let Go" or the disco infused outro "Gratitude" its all unmistakenly trademark Ackermann productions and all the various styles are firmly held together by his emotion over function approach to music production.

BCCO Premiere: Ackermann - Jack That Way [SAFESP035]

Download here: found.ee/fjaak-rmx02

FJAAK return with a powerful remix package, delivering fresh takes on a selection of tracks from their unforgettable 2024 album 'FJAAK THE SYSTEM'. Welcoming three standout remixes from some of techno's most respected names, 'REMIX02' sees offerings from Robert Hood, Shed and West Code, as well as some surprise Bandcamp digital only remixes selected from the participants of FJAAK's latest remix competition.

Kicking off the main remix package release, Detroit legend Robert Hood brings his unmistakable raw, relentless and pioneering sound to the table as he reimagines FJAAK's 'Breathe Underwater'. The genre-defining godfather serves up an undeniably signature cut flooded with euphoric energy, thumping grooves, rippling musicality and spaced-out vocal injections, carving out an authentic Floorplan-esque peak-time jam.

BUY HERE

FJAAK - Micro Expressions (Shed Remix)

drop acid

Amoukot (Sunrise)

Day 738

FLOORPAN "THE MASTER'S PLAN" (CLASSIC MUSIC):
https://cmc.lnk.to/cmcd141d

Before I got into this music I wanted to be an originator ; I wanted to be original".
Founding member of the legendary group Underground Resistance as a 'Minister Of Information' with ‘Mad’ Mike Banks & Jeff Mills, his seminal works on Jeff Mill's Axis and his very own M-Plant imprint paved the way for a wave of stripped-down dancefloor minimalism that directed much of techno's path throughout the late Nineties.
Robert Hood makes minimal Detroit techno with an emphasis on soul and experimentation over flash and popularity. 

"Growing up in Detroit, I grew up with Motown in the house - a lot of Motown and Philadelphia soul, artists like Marvin Gaye of course and Curtis Mayfield. I remember Isaac Hayes, the soundtrack from ‘Shaft’ had come out. My father was a jazz musician; he played piano, trumpet and drums. My mother was in an R’n’B group.
We listened to a lot of Motown - in fact, my grandfather’s first cousin is Berry Gordy.
"I was influenced by my father - I wanted to play trumpet like he did."
Robert's father tragically died when he was just 6. The photo of Robert siting down holding a trumpet is his fathers.
"I had to beg my grandmother to let me borrow the trumpet to take a picture with it"

In the early 90's he began to concentrate on his own production 'Vision EP', the 'Riot EP' and X-102 were big stepping-stones for him as they were the first releases he worked 100% on his own. The X-101 to X-102, were Waveform Transmission projects with Mills for Tresor. He slowly progressed to work more and more on his own, but collaberated on some of the first Axis releases with label owner Jeff Mills as H&M (Hood & Mills) with ‘Tranquilizer EP’ and ‘Drama’.

He soon decided it was time for him to start his own label to focus on what was in his soul musically. M-Plant started in ’94. I had developed this “grey area” sound - what I mean by that is that in Detroit, even when the sun is out, there’s something in the atmosphere. I don’t know if its pollution or whatever, but the sky has that grey haze over it. It’s got to be something from the industrial factories there. I’d never really heard a sound like that before and it came from a Roland Juno - it was a chord sound that really went along with my depiction of what Detroit was at that time. A lot of buildings were abandoned and there was a lot of lifelessness in the city, especially downtown. The M-Plant, in minimalism, kind of reflected that. I remember thinking of Detroit like a museum. You know, like a work of art standing still, suspended in time. There wasn’t a whole lot of activity going on.

Releasing singles such as "Internal Empire,", “The Protein Valve” "Music Data," and "Moveable Parts", "The Pace", more recently "Range", "Alpha" and that isn't even touching his other monikers Floorplan, Monobox, The Vision, etc.
"M-Plant is what I've always wanted to hear: the basic stripped down, raw sound. Just drums, basslines and funky grooves and only what's essential. Only what is essential to make people move. I started to look at it as a science, the art of making people move their butts, speaking to their heart, mind and soul. “It's a heart-felt rhythmic techno sound. M-Plant is just M. minimal. “

Although his desire to remain underground has been replaced by an urge to reach a wider audience, mainly via his housier, disco, gospel moniker Floorplan with his daughter Lyric Hood,   Hood remains fiercely critical of artistic and economic movements destructive to inner-city communities and has combined his musical enterprises with outreach and social activist ends.

The Throne

Robert Hood - Floorplan

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