Intriguing movements and instrumentation.

lovely piece, nice movement and atmosphere!

I hope that if I have known how to fill this track with sun, it will give you the sensation of burning your feet with the hot sand of the brazilian beaches.
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Composed & produced by Chivicke
HomeStudio Productions ©2024
Photo: cottonbro-studio

Bossa para Uma Menina Triste

Bossa Para Uma Menina Triste

Submission for Naviar Haiku Challenge #535.

we can almost touch

We Can Almost Touch  - Naviar Haiku 535

nocricketschirp

In the light of the lamp
I can see the wind -
snowy night
(haiku by Ōshima Ryōta, tr. by Grzegorz Sionkowski)
https://naviarlab.tumblr.com/post/758802826436739072/naviarhaiku554-in-the-light-of-the-lamp
Komposition1023 PaukeTubaStreichquartett

winter wind (naviarhaiku554)

Samples: see https://inches-per-second.blogspot.com/

Crombieyx Aversol

Created on my iPad while travelling.

Inspired by Naviar Haiku 556:
https://www.naviarrecords.com/naviarhaiku556-heaven-and-earth/

Thanks to Marco Alessi from Naviar Records for the weekly challenge!

heaven and earth - Naviarhaiku556

Generally bouncy (4/4 and 7/8). Mellow episodes,with tenor saxophone playing softly (3/4-sort of).
The photograph was taken,between periods of rain, in my suburban garden in late September. This beautiful hoverfly is Sericomyia silentis (the Yellow-barred peat hoverfly) feeding from Japanese Anemone.. First time for the garden. Infact two female Bog flies were seen several times over two days.

Sunshine And Frequent Showers

Princess Plays Piano (2022) Anthology CD3 Track 13

2024-11-19

Time Just For Yourself

Recorded, mixed & mastered  by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa. 

Process notes -
I started by thinking that verses are quiet and choruses are loud and that my (instrumental) piece would have a clear simple melody in the chorus section and longer notes for the verse. Then I would just make the chorus quiet and the verses louder or in some way more brash.

On Friday, I started working on my monthly Patreon pack - this time using Ableton Live’s Wavetable. I started from an “analog” preset, messed it up a bit and then came up with 10 variations. I put that aside for the pack and then opened a new Live set to branch off from there for this submission. 

On Saturday, I arranged the bones of what I had, added a little Roar distortion to the bass/drone and added a few unpredictable elements to finish the track. 

Tools used - Ableton Live, Wavetable, Roar & other native Live devices, Sonic Bloom Bodhrán & Kalimba, iZotope Ozone 9. 

Artwork/Photography - Jim Lemanowicz, 28 Apr 2010, Manhattan, NYC, USA

©2024 Jim Lemanowicz

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This original version of “No. 63, Hold Back For Oncoming Traffic” was submitted as part of Disquiet Junto Project 0673: Switch Back. The Assignment: Make the quiet part loud, and vice-versa.

More on the Disquiet Junto at: disquiet.com/junto/

More on the 673rd weekly Disquiet Junto project, Switch Back — The Assignment: Make the quiet part loud, and vice-versa — at https://disquiet.com/0673/

#disquietjunto #disquiet0673 #experimentalmusic #soundart #electronicmusic #ambientmusic #sounddesign #ableton #wavetable

No. 63, Hold Back For Oncoming Traffic (disquiet0673)

My rescore of the Doctor Who episode, Partners in Crime, which was originally released on January 2, 2022. This score has been remastered and improved for 2024 using the original tracks.

Partners in Crime

Curly Compositions from a German Composer.

winter wind (naviarhaiku554)

Robert Knote

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