Contemporary Classical/Classical -

In honor of Susan Davisson

Alicunde Intus - No. 2 in C Minor (Piano)

Contemporary Classical/Classical 

In honor of Irene Francis Gaw: friend, grandmother, and mentor. 

Zwawy Dusza No. 27 in D

Alternative Soft Rock

In honor of Erin Fahrer 

Los Ojos Mas Azules Que El Mar in D

Progressive Blues/Jazz/Ragtime Fusion - Folk/Bluegrass Geek Soft Rock Swing Jazz Medley-Ensemble (Educational Tune):

In honor of Dr. Thomas Salack(MD) & Dr. Josefina Salack(MD)

Rendition of "The Elements" by Dr. Tom Lehrer

In honor of Faviola Lopez: Royalty & Supreme Beauty of Heart by Birthright

Rendition Of Paganini's "5th Caprice In A"(Cello-Ensemble Synth.)

"Rendition Of 'Moonlight Sonata (Movements I & III)' By Beethoven"in C#Minor

Instrumental Rendition of 'Call Me The Breeze'(Voice Melody on Lead Guitar & Synth Sax/Brass)

In honor of Mrs. Christine Gawesome O'Grady & Mr. Master of Disaster Mike O'Grady-

Home is Wherever I'm With You-Grand Piano Instrumental Rendition of ''Home'' by Edward Sharpe

“Flights & fights of democide’s socio-bio-econo-chemical physics-used & neuropsychoecono-chemically/socio-bio-econo-chemical-physics-abused, gawbonics-gawn scientia-oriented, gawdamn eradicated, gawfully gawkward, gawtistically gawbage/gawesome sci-data dumpster diving, gawd-partycle gawdening, gawdamn cooking/gawner-bumblebee(s)”-
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In honor of Nikolai Andreyevich Rimsky-Korsakov (composer), Nuno Bettencourt (Virtuoso Guitarist), Doug Franke (guitarist, bassist, keyboardist), Irene Gaw(singer), George Gaw (guitarist, keyboardist, singer), Dr. Thomas Salack (MD), Dr. Josefina Salack (MD), Taylor Gaw (guitarist), Ray Vanda (guitarist & audio engineer), Eddie Van Halen (Van Halen Guitarist Virtuoso), Robert Brice Michael Gaw (keyboardist, guitarist, singer), Thomas James Gaw (keyboardist, singer, guitarist), Christine Francis Gaw (keyboardist), Sally Ann Gaw (keyboardist), Michael J. Romeo (Symphony X's Virtuoso Metal/Hard Rock/Classical Guitarist), Andrew In-Creagh-dible (Music Theorist, bassist, keyboardist, guitarist, tuba player, singer, drummer, symphony orchestra/jazz/classical/marching band instructor, composer, etc.), & Michael William Gawesome (keyboardist, guitarist, bassist, drummer, harmonica player, etc.)-
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In E Flat/D# Major on Cello-Ensemble Synthesizer Tonality (i.e. Rendition of both 'Flight of The Wounded Bumblebee' by Nuno Bettencourt & 'Flight of The Bumblebee' by Nikolai Andreyevich Rimsky-Korsakov in styles/techniques of Michael J. Romeo, Eddie Van Halen, & J.S. Bach)

FlightOfTheDemocideWoundedBumbleBee InE-Flat/D#OnCelloEnsembleSynth(PrestoAgitato)

Hard Rock/Metal/Progressive Metal-

In honor of Douglas Ryan Franke: Friend & Mentor

GeiltNo.33(Me/Myself/I harmonizedLead guitar/rhythm guitar/bass)DMinor(One-HandedSoloExcerpt)

CENTURIES COALESCE - MOVEMENT I - 
Socio-bio-econo-chemical-physics/Neuropsychoeconomic-Sociopolitical Econometrics of Audio Diffusion Movement I - Larghissimo through Prestissimo-
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Medley Rendition Instrumental of Mixed Sub-Genre Diversities in Blues, Jazz, Ragtime, Classic Rock, Blues Rock, Metal/Hard Rock, Folk/Bluegrass, Alternative Rock, Grunge/Grunge Rock/Neo-Progressive Rock/Progressive, Swing/Swing Rock, Classical, Contemporary Classical, Jam Band Fusion, Techno/Electronica, Country Rock/Country, Symphony Metal/Speed Metal/Heavy Metal, etc.

Centuries Coalesce: Sociopolitical Economics of Audial Diffusion Movement 1

Centuries Coalesce - Movement I

CENTURIES COALESCE - MOVEMENT II - 
Socio-bio-econo-chemical-physics/Neuropsychoeconomic-Sociopolitical Econometrics of Audio Diffusion Movement II - Larghissimo through Prestissimo-
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Medley Rendition Instrumental of Mixed Sub-Genre Diversities in Blues, Jazz, Ragtime, Classic Rock, Blues Rock, Metal/Hard Rock, Folk/Bluegrass, Alternative Rock, Grunge/Grunge Rock/Neo-Progressive Rock/Progressive, Swing/Swing Rock, Classical, Contemporary Classical, Jam Band Fusion, Techno/Electronica, Country/Country Rock, Symphony Metal/Speed Metal/Heavy Metal, etc.

Rob Gaw's Album

Centuries Coalesce - Movement II

CENTURIES COALESCE - MOVEMENT III - 
Socio-bio-econo-chemical-physics/Neuropsychoeconomic-Sociopolitical Econometrics of Audio Diffusion Movement III - Larghissimo through Prestissimo-
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Medley Rendition Instrumental of Mixed Sub-Genre Diversities in Blues, Jazz, Ragtime, Classic Rock, Blues Rock, Metal/Hard Rock, Folk/Bluegrass, Alternative Rock, Grunge/Grunge Rock/Neo-Progressive Rock/Progressive, Swing/Swing Rock, Classical, Contemporary Classical, Jam Band Fusion, Techno/Electronica, Country Rock/Country, Symphony Metal/Speed Metal/Heavy Metal, etc.

Centuries Coalesce: Sociopolitical Economics of Audial Diffusion Movement 3

Centuries Coalesce - Movement III

CENTURIES COALESCE - MOVEMENT IV - 
Socio-bio-econo-chemical-physics/Neuropsychoeconomic-Sociopolitical Econometrics of Audio Diffusion Movement IV - Larghissimo through Prestissimo-
___________
Medley Rendition Instrumental of Mixed Sub-Genre Diversities in Blues, Jazz, Ragtime, Classic Rock, Blues Rock, Metal/Hard Rock, Folk/Bluegrass, Alternative Rock, Grunge/Grunge Rock/Neo-Progressive Rock/Progressive, Swing/Swing Rock, Classical, Contemporary Classical, Jam Band Fusion, Techno/Electronica, Country Rock/Country, Symphony Metal/Speed Metal/Heavy Metal, etc.

Via acoustic/electric guitars, synthesizers/acoustic pianos, bass guitars, etc.

Centuries Coalesce: Sociopolitical Economics of Audial Diffusion Movement 4

Centuries Coalesce - Movement IV

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Www.myspace.com/robgaw 

Rob Gawtistic Sci-Talk

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