Beautifully done man! I love your take on this classic, Robyn! 😊

I enjoyed hearing your remake on this.  This piece is also in my mental landscape and I often doodle around on it.

A BEautiful cover of a song by one of my/our longest musical influences. Great job!!!

very respectful cover, but that contributes great things in terms of sound.

Come on iedereen.  Let's get it together and unify!

Compositions by Robin Benjamins
Produced by Robin Benjamins

Unify

Greetings my Soundcloud friends. I'm very excited to share this remix of my latest solo effort, 'I Disbelieve'. Neons Gone Mad (https://soundcloud.com/prof-oddfellow, https://www.youtube.com/channel/UCda8pJTvzwH3-Towb1AHhEw) does a wonderful job of adding quirky clockworky elements to the mix. And they create charming videos to support their efforts. Both are very worthy of your time. I hope you'll give em a spin. (Here is a link to the video: https://www.youtube.com/watch?v=plYeA0pEfx0) :)

I Disbelieve (Neons Gone Mad 'Clockwork' Remix)

This is soundtrack from video.  Cover of Ray Bonneville song

Funny 'Bout Love

The Tabula Smaragdina (stressed tábula smarágdina, Latin for "emerald tablet") is a text traditionally attributed to Hermes Trismegistos, which forms the philosophical basis of Hermeticism and is considered the foundational text of alchemy.

The Tabula is one of the most famous texts of alchemical and hermetic literature. The twelve or so dark, allegorical sentences reflect the idea of a interrelation between the microcosm and the macrocosm. That which is below is like that which is above, and that which is above is like that which is below, an eternal miracle of the One.

The oldest extant version of the text is found in the appendix to a 6th century Arabic manuscript. Translated into Latin in the 12th century, the Tabula was commented on and received by many alchemists in the Middle Ages and increasingly in the Renaissance period. Even after the emergence of modern natural sciences, its fascination, at least for occultists and esotericists, remained unbroken until the present day.

Die Tabula Smaragdina (betont tábula smarágdina, lateinisch für „smaragdene Tafel“) ist ein traditionell dem Hermes Trismegistos zugeschriebener Text, der die philosophische Basis der Hermetik bildet und als Grundlagentext der Alchemie gilt.

Die Tabula ist einer der berühmtesten Texte alchemistischer und hermetischer Literatur. In den rund zwölf dunklen, allegorischen Sätzen spiegelt sich die Vorstellung eines Zusammenhangs von Mikrokosmos und Makrokosmos. Das was unten ist, ist wie das, was oben ist, und das was oben ist, ist wie das was unten ist, ein ewig dauerndes Wunder des Einen.

Die älteste erhaltene Textversion findet sich im Anhang zu einem arabischen Manuskript des 6. Jahrhunderts. Im 12. Jahrhundert ins Lateinische übersetzt, wurde die Tabula im Mittelalter und verstärkt im Zeitalter der Renaissance von vielen Alchemisten kommentiert und rezipiert. Auch nach Entstehung der modernen Naturwissenschaften blieb ihre Faszination zumindest auf Okkultisten und Esoteriker bis in die Gegenwart ungebrochen.

Tabula Smaragdina

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Domitian Shelver

A homage to one of my favorite bands, The Carpenters.

- Composed by: Bonnie Bramlett, Leon Russell, and Delaney Bramlett
- Original recording and performance by the Carpenters:    https://www.youtube.com/watch?v=jQ5KKoDmtPo 

Provided to YouTube by Universal Music Group
Superstar · The Carpenters
Carpenters
℗ 1971 A&M Records
Released on: 2005-09-27

Producer: Jack Daugherty
Associated  Performer, Recording  Arranger, Background  Vocalist, Piano, Wurlitzer electric piano, Rhodes: Richard Carpenter
Studio  Personnel, Recording  Engineer: Ray Gerhardt
Associated  Performer, Vocals, Background  Vocalist: Karen Carpenter
Associated  Performer, Bass  Guitar: Joe Osborn
Associated  Performer, Drums: Hal Blaine
Associated  Performer, Oboe: Earle Dumler
Composer  Lyricist: Bonnie Bramlett


- Remix stem source: YouTube, “Carpenters - Superstar - Acapella (near)”, Pedro Andrade, https://www.youtube.com/watch?v=K9wqJJi87yA 

- Remix by: Robin Benjamins, @blunt-force-serenity, BluntForceSerenity.com
- Remix arranged and produced by: Robin Benjamins
- Photograph: NASA Hubble Photo of Eta Carinae - a super star!
- Note: Given that this is an unauthorized remix, Robin Benjamins makes no claim or rights to this production and is a gift to the current copyright owner to do with as they please.

Key: F minor
Time signature: 4/4 and 7/8
BPM: 84.1174

Instruments:
- Arturia KeyLab 88

DAW:
- Mac Pro 12 Core, macOS 10.1.7 (Catalina)
- Apple Logic Pro X 10.6.3
- Plug-ins: Logic stock, Spitfire Audio – BBC Symphony Orchestra, Ez Drummer, AIR theRiser
- Focusrite Saffire Pro 40
- Mackie Control Universal

Superstar (BFS Remix)

My Island

Lyrics;
Summertime and the living is...
Hey! I Know that guy! ...

I saw him
Yes, I saw him
Santa Claus
chiilin'
in his big driveway
Had to be a reindeer's dream
Santa in the summer
With a four wheel sleigh

Hot August sun
All dressed in black
Santa having summer fun

A big white beard
A big ole tummy
Winter cheer
His summer disposition is sunny

He's the jolly old man
With a shiny Caddy
Right here
in Fishers Indiana
Not the place
I thought I'd see

He's even cool
In the heat of day
Resting up                                        
Before the great big giveaway

A big white beard
A big ole tummy
Winter cheer
His summer disposition is sunny

Yes it's Summer
And Santa's living life
Just like anyone
up and down this street

Summertime's
Not the time

But there he was we all saw him
Me, my kids, my wife
Kicking back in Fishers
The surprise of our life

So strange to see the man
Dressed all in black
Not the red and white
And bag of toys upon his back
In Fishers Indiana
With a big Cadillac
But yeah, I saw him!

A big white beard
A big ole tummy
Winter cheer
His summer disposition is sunny

Summer Santa

Out of the Box January 2023
[no information available at this time]

Rub-A-Dub

The featured "pop song"  from the album Focal- moodexhibit.bandcamp.com/album/focal

Mood Exhibit - Terra Song [from the album Focal]

THE PIGS HAVE GOT NOTHING ON ME
BUT THEY’RE KNOCKING AT MY DOOR

KNOCK-KNOCK WHO’S THERE?

ARROGANCE SURROUNDS
AND MY AFFLUENCE ABOUNDS

THE PIGS HAVE GOT NOTHING ON ME
THEY’VE GOT NOTHING ON ME
BUT…THEY’RE KNOCKING AT THE DOOR
THEY’RE KNOCKING AT MY DOOR

THE PIGS HAVE GOT NOTHING ON ME
THEY’VE GOT NOTHING ON
BUT…THEY’RE KNOCKING AT MORE
THEY’RE KNOCKING AT MY DOOR

SOME OF EM DON’T KNOW THE SCORE
SOME OF EM WILL PUSH FOR MORE
NOTHING WORSE THAN BUREAUCRATS
AND PILLARS OF THE LAW
WITH
WELL OILED FINGERS ON THE TAKE
AND BURIED IN THE PIE

SLIPPIN’ SKINS WHILE SLIPPIN’ SKIN
I’VE GIVEN TILL IT HURTS
FOR MOOLA MAKES A SWEETER DEAL
AND STOPS THE MEN IN MONKEY SUITS
FROM DISHING OUT THE DIRT

I’M THE UNTOUCHABLE GUY
ON A UNNATURAL HIGH
I MASTER THE SEA
AND I MASTER THE SKY

THE PIGS HAVE GOT NOTHING ON ME
THEY’VE GOT NOTHIN’
THEY’VE GOT…THEY’VE GOT…THEY’VE GOT…THEY’VE GOT NOTHIN’

THE PIGS HAVE GOT NOTHING ON ME
THEY’VE GOT NOTHIN’

THE PIGS HAVE GOT NOTHING ON ME

This is a colab between myself and The Shaolin Sniper, The original song had no leadwork and Mathis did such a great job that i remixed the song and added his leadwork!!

In the 90's i really had a hard time finding anything musically i liked. Being a kid of the late 70's and 80's... that was the kind of music i wanted to listen to. There were 2 bands that came along in the 90's that i couldn't help liking the grooves in there music and that was Tool and Helmet. This song was inspired by these 2 groups

All music written and performed by: John Baker
All lyrics and vocals written and performed by: The Shaolin Sniper
All guitar leads written and performed by: Mathis

Lyrics:
How could you go away so fast
Why did my best dream end in a a nightmare?
In the blink of an eye all the good times are gone
I never thought death would split us apart so fast
And I start to believe that the best things never last
And every one told me that time would heal the pain
But the pain just seems to grow
and this hole in my soul is now out of control
If I could just touch you and hold you again
And say to your face how much i missed you again
And love you and kiss you and feel you again
I know it's not to be and it's too late
but I just wanna say I'm forever gonna miss you
I miss how you would be there waiting
When I would come back home
And you would always be there for me when I was stressed
And needed a helping hand
on..it's all in the past
And I start to believe that the best things never last
And every one told me that time would heal the pain
But the pain just seems to grow
and this hole in my soul is now out of control
If I could just touch you and hold you again
And say to your face how much i missed you again
And love you and kiss you and feel you again
I know it's not to be and it's too late
but I just wanna say I'm forever gonna miss you
Gone away too soon
Gone away too soon
If I could just touch you and hold you again
And say to your face how much i missed you again
And love you and kiss you and feel you again
I know it's not to be and it's too late
but I just wanna say I'm forever gonna miss you.

Miss You

Serving up a new dish of harmonic and rhythmic adventures in pursuit of flavors to be savored  and pondered.  

- Music by: Robin Benjamins, @blunt-force-serenity, http://BluntForceSerenity.com
- Arranged and produced by: Robin Benjamins
- Photograph: "Morning Moon over Peeler Lake, Eastern Sierra Nevada" by Robin Benjamins

Key: G minor, Bb, E minor, Eb minor Pentatonic, Bb minor, G# minor, F, and various in between...
Time signature: 15/8, 8/4, 13/4
BPM: 82

Instruments: 
- Arturia KeyLab 88

DAW: 
- Mac Pro 12 Core, macOS 10.14.6 (Mojave)
- Apple Logic Pro X 10.4.6
- Plug-ins: Logic Stock, Surge, Ez Drummer
- Focusrite Saffire Pro 40
- Mackie Control Universal

Total Aquarium

Horizon Drift with Boiled Potatoes

A composition born out of a Jazz influenced vibe, in the context of a COVID life experience.  As the title implies, this one wanders a bit with a mix of increasing intensity concluding in trailing bliss.

- Music by: Robin Benjamins, @blunt-force-serenity, BluntForceSerenity.com
- Arranged and produced by: Robin Benjamins
- Photograph: "Erratic along Tioga Road" by Robin Benjamins

Key: G minor, G# minor, Ab major, and various others here and there…
Time signature: 11/8, 10/8, 12/8
BPM: 100

Instruments:
- Arturia KeyLab 88

DAW:
- Mac Pro 12 Core, macOS 10.15.4 (Catalina)
- Apple Logic Pro X 10.5.1
- Plug-ins: Logic Stock, Spitfire Audio – BBC Symphony Orchestra, Ez Drummer
- Focusrite Saffire Pro 40
- Mackie Control Universal

Erratica

I was inspired by Liisa Pentti’s recording of “Black Is the Color” to do a remix of her interpretation of a traditional folk song.  I was so impressed with her performance and her beautiful voice, so I roughed out an initial version and sent it over to her.  She offered me her original recorded tracks, which enabled me to produce this posted version.  I am very thankful to Liisa for allowing me to do the remix and post it for your enjoyment.  Please visit her SoundCloud site @liisapentti and listen and comment on all of her amazing songs.

- Vocal by: Liisa Pentti, @liisapentti
- Liisa's original version: @liisapentti/black-is-the-color
- Original folk version performed and written by John Jacob Niles, @johnjacobniles/black-is-the-color-of-my-2
- Remix arranged and produced by: Robin Benjamins
- Photograph: "Rue des Mages” by Robin Benjamins

Key: G minor
Time signature: 4/4
BPM: 106.75

Instruments:
- Arturia KeyLab 88

DAW:
- Mac Pro 12 Core, macOS 10.15.4 (Catalina)
- Apple Logic Pro X 10.5.1
- Plug-ins: Logic Stock, Ez Drummer
- Focusrite Saffire Pro 40
- Mackie Control Universal

Liisa Pentti - Black Is the Color (B•F•S mix)

A composition initially influenced by a John Bonham groove that evolved into a G minor vamp with weaving melodies, based on a double harmonic scale, played by an English Horn and Bansuri.

- Music by: Robin Benjamins, @blunt-force-serenity, BluntForceSerenity.com
- Arranged and produced by: Robin Benjamins
- Photograph: "Illumination at 304" by Robin Benjamins

Key: G minor, double harmonic scale
Time signature: 7/4, 4/4
BPM: 80

Instruments:
- Arturia KeyLab 88

DAW:
- Mac Pro 12 Core, macOS 10.15.4 (Catalina)
- Apple Logic Pro X 10.5.1
- Plug-ins: Logic Stock, Spitfire Audio – BBC Symphony Orchestra, Ez Drummer
- Focusrite Saffire Pro 40
- Mackie Control Universal

Waves At 304

B L U N T • F O R C E • S E R E N I T Y

"I don't always make music.  But when I do, I prefer dynamics.  Stay below -6dB, my friends."

Composition explorations in musical textures, stories and grooves.

I am an amateur composer, producer and musician who has been inspired and influenced by music my entire life.  Beyond my interests in developing harmony and rhythm ideas, a song’s timbres and textures have always held a deeper emotional grip on me.  This passion for tone has dominated my compositions and productions, which are combined with playful melodies and progressions that are immersed in sophisticated soulful beats.

B L U N T • F O R C E • S E R E N I T Y is led by Robin Benjamins and features collaborations with composers and musicians from down the road, and from around the world.  These artists are:

Олег Ястребов @v28yterij7ek
Liisa Pentti @liisapentti
Home Sweet Somewhere @homesweetsomewhere
Pia @pia-rose-music
Gabriel Bustamante, @gabriel-bustamante-12
Mindsongs Musique @nancy-joie
PlasticSky @plasticsky
Ingolfur Bjornsson @ingolfur-bjornsson
Gemma Cao @psychological_music
Niti Dharwadkar @niti-dharwadkar
UMD Anokha @anokhaumd
Nick Osmonovich @osmo94

Superstar (BFS Remix)

B L U N T • F O R C E • S E R E N I T Y

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