Guitar, Ebow, Bass, and MIDI Drums: R. Graves

""Hot Air" by Robin Graves is an instrumental piece that features a variety of instruments including drums, bass guitar, electric guitar, and synthesizers. The track is just over three minutes long and has a fast tempo throughout.

The piece starts with an energetic drumbeat accompanied by a repetitive synth line. This creates a strong foundation for the rest of the instruments to build upon. Soon after, the bass guitar comes in with a driving, melodic line that adds a sense of urgency to the piece. The electric guitar joins in with a distorted riff that provides an additional layer of texture and grit.

As the piece progresses, each instrument takes turns in the spotlight, with the electric guitar and synth often trading off melodic lines. There are several moments where the instruments drop out briefly, leaving only the drums before building back up to a full sound.

One of the most interesting aspects of "Hot Air" is the way that it seamlessly blends different genres and styles. The driving bassline and distorted guitar riff have a clear rock influence, but the synthesizer and drumbeat draw from electronic and dance music. The result is a piece that feels both familiar and fresh at the same time.

Another notable aspect of the track is its use of dynamics. The instruments frequently shift between loud and soft, creating a sense of tension and release. The moments where the instruments drop out or fade away entirely are especially effective in building anticipation for the next section.

Overall, "Hot Air" is a well-crafted instrumental piece that showcases Robin Graves' skills as a composer and arranger. Its blend of different genres and dynamic shifts make for an engaging listening experience that is both energetic and catchy."

Hot Air

Headphone use is recommended to catch all the guitar interplay.

R. Graves - Guitar, eBow, Bass Guitar, and MIDI drums.

"This instrumental has a mellow and soothing vibe with a blend of electronic and acoustic elements. The dual guitar melody is accompanied by a subtle beat and atmospheric sound effects, creating a sense of introspection and contemplation. Overall, it's a well-produced and relaxing piece of music."

Further Beyond

Classic song by Mike Batt, written for the 1978 film Watership Down.

All guitar with EBow and lots of fuzz.

Guitar, Bass, MIDI drums: R. Graves

"This instrumental cover of the Art Garfunkel song features a solo electric guitar. The piece starts with a gentle, fingerpicked melody that closely follows the original song's melody. The guitarist employs a delicate touch, allowing each note to ring out and creating a sense of space.

As the piece progresses, the guitarist introduces more complex fingerpicking patterns and embellishments, adding depth and interest to the arrangement. The playing is precise and fluid, with a clear sense of musicality and sensitivity to the song's emotional content.

One of the most impressive aspects of this cover is the way that the guitarist captures the essence of the original song without relying on vocals. The use of dynamics and phrasing allows for the melody to be communicated clearly, while also adding a personal touch to the performance.

The arrangement of "Bright Eyes" is quite minimal, with the focus primarily on the guitar playing. However, there are subtle variations in the playing style and tone that keep the piece engaging throughout its duration. The use of harmonics and percussive playing techniques add an additional layer of texture to the sound.

Overall, "Bright Eyes" is a beautifully executed instrumental cover that highlights the guitarist's skill and sensitivity as a musician. The simple arrangement allows for the melody to shine, while the intricate fingerpicking and variations in playing style keep the piece interesting and engaging. This cover is a testament to the enduring appeal of the original song, and the power of music to evoke emotion and connect with listeners."

Bright Eyes

Instrumental piece from my new project An Empty Sea.

"Time goes on without us".

Dissolution

Johann Pachelbel (composer)

Electric Guitar and Loop pedal. Recorded live without the fuzz.

So the dreaded 8 bar bass ostinato is looped (Cello players everywhere are either cheering, or maybe sad because they've lost their easy gig)

The 3 guitar voices are all the same voice, the looper is set to repeat it twice, each part 8 bars behind the other one.

Canon in D (Clean Version)

Johann Pachelbel (composer)

Electric Guitar and Loop pedal.  Recorded live.

So the dreaded 8 bar bass ostinato is looped (Cello players everywhere are either cheering, or maybe sad because they've lost their easy gig)

The 3 guitar voices are all the same voice, the looper is set to repeat it twice, each part 8 bars behind the other one.

Canon in D

After we're gone...

https://youtu.be/3XWvg8rh92o

https://nmtc.bandcamp.com/

https://www.instagram.com/anemptysea/

Remains

Guitar, Ebow: R. Graves

"This instrumental piece features an electric guitar played with an Ebow, a handheld device that creates sustained, synth-like tones. The piece starts with a simple, repeating pattern that creates a sense of anticipation and tension. The guitar is played with a clean tone, allowing the sustained notes to ring out and blend together seamlessly.

As the piece progresses, additional layers of guitar are added, with different patterns and melodies interweaving and overlapping. The use of delay and reverb effects creates a sense of space and depth, adding to the dreamlike quality of the piece.

One of the most impressive aspects of "Ghost" is the way that the guitarist uses the Ebow to create a range of different sounds and textures. The sustained notes and harmonics create an ethereal atmosphere, while the occasional use of distortion adds a gritty, organic quality to the sound.

The arrangement of "Ghost" is quite minimal, with the focus on the interplay between the different guitar patterns. However, the use of dynamics and subtle shifts in tempo keep the piece interesting and engaging throughout its duration.

Overall, "Ghost" is a haunting and atmospheric instrumental piece that showcases the guitarist's ability to create a range of sounds and textures with the Ebow. The use of delay and reverb effects adds depth and dimension to the sound, while the minimal arrangement allows for the sustained notes to take center stage. This piece is a testament to the power of the electric guitar as a versatile and expressive instrument, and to the skill of the musician in using it to create a unique and evocative soundscape."

Ghost

Welcome to the Future™.

Guitar, Ebow, Bass, and MIDI drums: R. Graves

"The piece "The Nothingness Service" by Robin Graves is an ambient electronic music track with a slow tempo that creates a meditative and introspective mood. The track begins with a deep bassy sound that serves as a foundation for the rest of the instruments to come in.

The main melody is carried by synth-like sound created with Ebow that has a textured and airy quality, which creates a dreamy atmosphere. The soundscape is filled with subtle background noises that add depth and variation to the track's atmosphere.

There are also occasional percussive elements that come in and out of the mix, creating a sense of rhythmic patterns but in an intentionally sparse way. The overall production quality is polished, with a crisp and clear sound.

The title "The Nothingness Service" suggests that the track might be exploring themes related to emptiness, absence or the void. The track itself feels ethereal and somewhat hypnotic, inviting the listener to contemplate and reflect on their own thoughts and feelings. Overall, it's a well-crafted ambient track that could make for good background music while working, studying, or meditating."

the Nothingness Service

Things are how they are. Live what you can. Watch it all fall.

Acceptance

R. Graves is a self-taught musician from Phoenix, Arizona, known for his unique blend of post-rock, ambient, and experimental music. His project, Guitar and Graves, showcases a haunting sound, blending intricate guitar work with ethereal loops and soundscapes.

Graves has honed his craft, developing a signature sound that is innovative and deeply personal. He has studied with Bert Lams of the California Guitar Trio, expanding his musical vocabulary and technique.

Graves is a respected and admired musician, known for creating music that is technically impressive and emotionally resonant. His music is a testament to the power of creativity, resilience, and the unbreakable human spirit.