Wonderful Track . as usual  , Robin.Keep it UP !!!!!!!!!!!!!!!!!!!!!!!!!

composed, orchestrated and produced by Robin Hoffmann

(c)2022 by Robin Hoffmann. All rights reserved.

http://www.robin-hoffmann.com/

Across The Great Plains

Here's the first movement of Symphony No. 3. It's a bit different to the first two!

Symphony No. 3

official demo for Orchestral Tools' "Nocturne Violin".

Violin Fantasy (official demo for Orchestral Tools' "Nocturne Violin")

https://sonokinetic.net/products/classical/sotto
Orchestral sampled instrument for delicate moments and deafening silence. We have covered a lot of ground in our orchestral series already; there’s the scary Tutti, the uplifting Vivace, the understated Minimal, the driving Grosso and the majestic Capriccio. We’ve always had a yearning to capture something more delicate, and now we’ve done it… presenting “Sotto”. As a composer there are certain musical rules that you have to obey, and one of them is that there always has to be contrast. A loud passage will not sound really loud unless it’s contrasted by a softer counterpart, and a climax cannot arrive without a journey to get you there.  We have always been fascinated by the sound of a majestic orchestra hitting the brake pedal and laying down soft beds and patterns, and that is what we’ve achieved with this library. Anyone who has ever attempted to capture a live orchestra will be able to tell you that very quiet playing is a tricky thing to record. The softer you try to go, the closer you get to the breakpoint between sound and no sound. The starts of phrases in brass and woodwinds become increasingly hard to align for the players, resulting in beautiful imperfection. The balance of sound to mechanical noise tips slightly in favour of the mechanical noise, but to us it all sounds very much alive. There are a lot of beautiful beds with different playing techniques, like sul tasto, sul ponticello and harmonics for strings, frullato for woods and different mutes for brass. For Sotto we further expanded our voice leading concept to get even smoother transitions between chords. The combinations of different phrases and sections sound absolutely stunning, with a very warm and rich timbre. We’re so excited to add this product to our range as it stands proud alone and also complements other Sonokinetic orchestral products.  To add intimacy we have included a breath slider for woodwinds and brass that will add ‘air’ to the phrases, further blurring the line between sound and no sound, and musical sound versus human sound. We really wanted this to be a living breathing instrument that can add life to your compositions and feel we have succeeded in doing just that. We hope you agree.
We, at Sonokinetic BV, are very proud to introduce Sotto to you and can’t wait to hear the amazing things you, our valued customer base, will produce with it. Sonokinetic has established a name as one of the best value & quality sample producers and with this product we’d like to underline that statement. We stick with our unbeatable pricing module and high quality sampling.


Sotto Demo -Discovery- By Franck Barré

Composed by Sascha Knorr 2015 All Rights Reserved
Production: Sascha Knorr
Mix: Tom Rußbüldt


Trailer Score for METROPOLIS ARK 1 - The Monumental Orchestra
by Orchestral Tools

METROPOLIS ARK 1 - Trailer Score

To access and study the MIDI from this VST-ONLY track, check out the MIDI Study pack for this piece, which comes with MIDI (and Cubase Files--bonus if you're a Cubase user), reference audio, and a multi-page PDF for guided composition and orchestration instruction and assignments. https://store.fortecomposeracademy.com/midi-study-pack-1-commanding-the-fleet

I wrote this adventurous track as a demo for Musical Sampling's debut sample library, "Soaring Strings," which has won a spot in my template due to it's ease of use, solid sound, and the most fluid, agile legatos I've ever used. Programming and performing with this library is remarkably easy--there are a few spots in this track where the melody line remains almost untouched since my first pass at inputting it via keyboard and modwheel. With a ridiculously low retail price of $249 (and an introductory price of $199) this library demands a look: http://www.musicalsampling.com/soaring-strings/

Also used in this piece:

Berlin Woodwinds Main and Ex B
Berlin Percussion
Metropolis Ark 1 (choirs + brass)
Cinebrass Core 
CinePerc Core (timpani)
Hollywood Brass (6horns legato)
Spitfire Harp

LICENSE

Commanding the Fleet (Soaring Strings Demo)

Demo for Musical Sampling that showcases Adventure Strings.

http://www.musicalsampling.com

A Tall Tale - Blakus

Some cues from The Time Carousel soundtrack, which I´ve recorded at Teldex Berlin.

Time Carousel - Showdown

One of the pieces I wrote for an Adventure album for FPM Music UK. 
Performed by Sofia Session Orchestra
Conducted by Lyubo Denev Jr. 
https://www.youtube.com/watch?v=12Nrh92T1J4

Final Frontier

Composed by Sascha Knorr 2019 All Rights Reserved
Production & Mix: Sascha Knorr

Demo Composition for Orchestral Tools JunkieXL Brass by Tom Holkenborg.

Performed and produced with sample library collections from
Orchestral Tools

Let The Games Begin

official demo for Orchestral Tools' BERLIN SYMPHONIC STRINGS composed & produced by Benny Oschmann.

"The Great Sled Dog Race" is exclusively made with Orchestral Tools Collections.

The Great Sled Dog Race (official demo for Orchestral Tools' BERLIN SYMPHONIC STRINGS)

Specialized in working on projects with real orchestras with more than 20 years of experience.

I worked on film scores for many international productions, including SUZUME, STAR WARS VISIONS, SAVE ANGEL HOPE, TELL, A WAR WITHIN and LIEBLING, LASS UNS SCHEIDEN. I co-composed the multi award winning musical DÄLLEBACH KARI, (co-)arranged the hit show THE ONE and VIVID at Friedrichstadt-Palast Berlin and worked on highly successful game music scores such as LINEAGE W, ANNO 1404, BLACK PROPHECY, HALO LEGENDS and PIXAR'S KINECT RUSH. My scores for HERO and A FATHER'S JOB won several awards around the world.

Besides my work for media I also write music for several international artists such as GARY BARLOW, RONAN KEATING, BONNIE TYLER, SOPHIE ELLIS-BEXTOR, SARAH CONNOR, THE LONDON SYMPHONY ORCHESTRA and others. I won a Golden Record for my arrangements for ALEX CHRISTENSEN.

I'm holding a diploma in composition, arrangement and piano from the music university in Dresden, Germany.

Across The Great Plains

Robin Hoffmann

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