composed and orchestrated by Robin Hoffmann

Original Score performed by FILMharmonic Orchestra, Prague
recorded at Smecky Music Studios, Prague

conducted by Adam Klemens
Score Recording Engineer: Jan Holzner
Score Recording Assistant: Michael Hradiský
Score Librarian: Pavel Ciboch
Recording Manager and Music Contractor: Petr Pycha
Score Mixer: Nico Berthold at Viktoria Studios, Berlin

(c)2020 by Robin Hoffmann. All rights reserved.

A Father's Job (Original Motion Picture Soundtrack)

Improvisation.
2023.

Once quantized in equal notes and orchestrated, this original play became the piece "Turbulence". 

Raw recording. No editing on the score except the left hand part doubled one octave below.

Genesis of Turbulence

From a higher point of view it's always great to experience a sense of infinity when looking at the horizon!
It also creates a deeper feeling of tranquility...nothing what can bother your head in such a particular moment 😊

Sense Of Infinity

Je vous présente "Passionnément" ma nouvelle composition piano. J'espère que vous apprécierez bonne écoute mes amis musiciens...  I présent "Passionnément" my new composition hope you enjoy it... Good listening my musicians Friends...  Musique : Sylvie Febvay  Arrgt et enregistrement piano : François Marvy

Passionnément

“All my means are sane, my motive and my object mad.” - Captain Ahab

Some Part Of A Whale ?

IDGlitch's remix of Darci Shaw's vocals from her episode of Brassic.

Darci Remix 2 l IDGlitch

Love to the Middle East

Thanks to Ian Haygreen for the photo.

https://cousinsilas1.bandcamp.com/album/short-stories-6

Cousin Silas - Childhood Adventures

Dreaming Of The Dead

Dimi Kaye - The Market Crash Of 1987

Another impro and noodling inspired by a tv series 🧝‍♀️. Finally I used my trusty SH09 again. Love the filter resonance and squealing. 🎶 Please enjoy!

Gear:
Behringer DeepMind 12D
Alchemy
Behringer neutron
Roland SH09
moog Mother32
Roland D05 (Boutique D50)


01.10.2019

Image: nbcNews:
https://media3.s-nbcnews.com/j/newscms/2018_51/2686641/181217-rian-dark-crystal-cs-403p_2d3f10832497c5df1d32d18bc3dee2aa.fit-760w.jpg

From 19

Rian's Quest (the dark crystal)

Nothing More Than Ashes

I Should Have Stayed

His Stage

Then You Came

Anna

Specialized in working on projects with real orchestras with more than 20 years of experience.

I worked on film scores for many international productions, including the Golden Globe 2024 nominee SUZUME, STAR WARS VISIONS, SAVE ANGEL HOPE, TELL, A WAR WITHIN and LIEBLING, LASS UNS SCHEIDEN. I co-composed the multi award winning musical DÄLLEBACH KARI, (co-)arranged the hit show THE ONE and VIVID at Friedrichstadt-Palast Berlin and worked on highly successful game music scores such as BATMAN – ARKHAM SHADOW, LINEAGE W, ANNO 1404, BLACK PROPHECY, and HALO LEGENDS. My scores for HERO and A FATHER’S JOB won several awards around the world.

Besides my work for media I also write music for several international artists such as ANASTACIA, GARY BARLOW, RONAN KEATING, BONNIE TYLER, SOPHIE ELLIS-BEXTOR, SARAH CONNOR, THE LONDON SYMPHONY ORCHESTRA and others. I won a Golden Record for my arrangements for ALEX CHRISTENSEN.

I’m holding a diploma in composition, arrangement and piano from the music university in Dresden, Germany.

I Should Have Stayed

Robin Hoffmann

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