🤫 Silence.
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🧡 Ahren Merz
https://open.spotify.com/artist/5FdiWUlvWZSOAIxlmnO4YQ
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💿 Suggested track: https://youtu.be/b0uJYdQq0Mw

📷 Photo by Ferran Ventura
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Watch on YouTube 🧡

Ahren Merz - Silence (Rework)

Allow

Home Again (Circle 46)

if you had everything 
would you still count on me 
when nobody knows 
and i'm alone
 i'll be here now and again 
so don't just walk past
it's there for a reason 
it's there for a reason 

i used to do it all on my own 
boneless, lifeless drone 
from my head to my toes i was alone 
i'll be here now and again 

strung out 
my hand 
would you let go of me

wishcounting

Music, instruments, mixing, mastering, photo ( Bai Tu Long, August 2025)

Rennes, september 2025

Le paysage gâche le sujet

Summer Rain

Drawing By Tomasz Bednarczyk is track 3 from the album Let's Make Better Mistakes Tomorrow and features an already slow, repeated melody. Stretched the track becomes a meditation on stillness and open space, like standing on the edge of a calm ocean or floating in the vastness of space. 

Drawing By Tomasz Bednarczyk Stretched

Hydrangea

I never took ambient music seriously. I always wanted to create a composition of some kind or build some kind of phrase or melody that somehow involved caring about where it went.

I never understood that a scene could be built within a collection of sounds and ideally remove me from the current.





THEY MADE SIMPLE MATH OF US AND MET METHOD WITH MOCKING
THEY MADE SIMPLE MATH OF US AND MET METHOD WITH MOCKING
THEY MADE SIMPLE MATH OF US AND MET METHOD WITH MOCKING
THEY MADE SIMPLE MATH OF US AND MET METHOD WITH MOCKING
THEY MADE SIMPLE MATH OF US AND MET METHOD WITH MOCKING
THEY MADE SIMPLE MATH OF US AND MET METHOD WITH MOCKING
THEY MADE SIMPLE MATH OF US AND MET METHOD WITH MOCKING
THEY MADE SIMPLE MATH OF US AND MET METHOD WITH MOCKING
THEY MADE SIMPLE MATH OF US AND MET METHOD WITH MOCKING
THEY MADE SIMPLE MATH OF US AND MET METHOD WITH MOCKING
THEY MADE SIMPLE MATH OF US AND MET METHOD WITH MOCKING
THEY MADE SIMPLE MATH OF US AND MET METHOD WITH MOCKING
THEY MADE SIMPLE MATH OF US AND MET METHOD WITH MOCKING
THEY MADE SIMPLE MATH OF US AND MET METHOD WITH MOCKING
THEY MADE SIMPLE MATH OF US AND MET METHOD WITH MOCKING
THEY MADE SIMPLE MATH OF US AND MET METHOD WITH MOCKING
THEY MADE SIMPLE MATH OF US AND MET METHOD WITH MOCKING
THEY MADE SIMPLE MATH OF US AND MET METHOD WITH MOCKING
THEY MADE SIMPLE MATH OF US AND MET METHOD WITH MOCKING
THEY MADE SIMPLE MATH OF US AND MET METHOD WITH MOCKING
THEY MADE SIMPLE MATH OF US AND MET METHOD WITH MOCKING
THEY MADE SIMPLE MATH OF US AND MET METHOD WITH MOCKING
THEY MADE SIMPLE MATH OF US AND MET METHOD WITH MOCKING
THEY MADE SIMPLE MATH OF US AND MET METHOD WITH MOCKING
THEY MADE SIMPLE MATH OF US AND MET METHOD WITH MOCKING
THEY MADE SIMPLE MATH OF US AND MET METHOD WITH MOCKING
THEY MADE SIMPLE MATH OF US AND MET METHOD WITH MOCKING
THEY MADE SIMPLE MATH OF US AND MET METHOD WITH MOCKING
THEY MADE SIMPLE MATH OF US AND MET METHOD WITH MOCKING
THEY MADE SIMPLE MATH OF US AND MET METHOD WITH MOCKING
THEY MADE SIMPLE MATH OF US AND MET METHOD WITH MOCKING
THEY MADE SIMPLE MATH OF US AND MET METHOD WITH MOCKING
THEY MADE SIMPLE MATH OF US AND MET METHOD WITH MOCKING
THEY MADE SIMPLE MATH OF US AND MET METHOD WITH MOCKING
THEY MADE SIMPLE MATH OF US AND MET METHOD WITH MOCKING
THEY MADE SIMPLE MATH OF US AND MET METHOD WITH MOCKING
THEY MADE SIMPLE MATH OF US AND MET METHOD WITH MOCKING
THEY MADE SIMPLE MATH OF US AND MET METHOD WITH MOCKING
THEY MADE SIMPLE MATH OF US AND MET METHOD WITH MOCKING
THEY MADE SIMPLE MATH OF US AND MET METHOD WITH MOCKING
THEY MADE SIMPLE MATH OF US AND MET METHOD WITH MOCKING
THEY MADE SIMPLE MATH OF US AND MET METHOD WITH MOCKING
THEY MADE SIMPLE MATH OF US AND MET METHOD WITH MOCKING
THEY MADE SIMPLE MATH OF US AND MET METHOD WITH MOCKING
THEY MADE SIMPLE MATH OF US AND MET METHOD WITH MOCKING
THEY MADE SIMPLE MATH OF US AND MET METHOD WITH MOCKING
THEY MADE SIMPLE MATH OF US AND MET METHOD WITH MOCKING
THEY MADE SIMPLE MATH OF US AND MET METHOD WITH MOCKING
THEY MADE SIMPLE MATH OF US AND MET METHOD WITH MOCKING
THEY MADE SIMPLE MATH OF US AND MET METHOD WITH MOCKING
THEY MADE SIMPLE MATH OF US AND MET METHOD WITH MOCKING
THEY MADE SIMPLE MATH OF US AND MET METHOD WITH MOCKING
THEY MADE SIMPLE MATH OF US AND MET METHOD WITH MOCKING
THEY MADE SIMPLE MATH OF US AND MET METHOD WITH MOCKING
THEY MADE SIMPLE MATH OF US AND MET METHOD WITH MOCKING
THEY MADE SIMPLE MATH OF US AND MET METHOD WITH MOCKING
THEY MADE SIMPLE MATH OF US AND MET METHOD WITH MOCKING
THEY MADE SIMPLE MATH OF US AND MET METHOD WITH MOCKING
THEY MADE SIMPLE MATH OF US AND MET METHOD WITH MOCKING
THEY MADE SIMPLE MATH OF US AND MET METHOD WITH MOCKING

65°20'53.4"N 15°23'49.0"W

Bandcamp

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Tiny Leaves - Notes on Belonging was released in 2017 and has now been reworked by a host of artists. The album, an exploration of landscapes was inspired by the Welsh term 'Cynefin'. When translated it means the environment in which you live, to which you are naturally acclimatised.
The beautiful vocals and talents of Julianna Barwick rework 'Cynefin'. An uplifting melancholia results alongside crafted sounds that envelop and delve deep into the soul, setting the tone as the first single of the highly anticipated Notes on Belonging rework album.
Other artists on the forthcoming rework album include Haiku Salut, Oscuro, Billion One and Ink Project

Cynefin - Julianna Barwick rework

4th Front - Forgiven 🙌
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Stream & Download

4th Front - Forgiven

Robot Koch
www.robotsdontsleep.com
contact@treesandcyborgs.com

Robot Koch is an award-winning composer, producer, and sonic innovator whose work exists at the intersection of sound, art, and immersive technology. With a deep curiosity about the connection between music, science, and consciousness, he creates cinematic soundscapes that transcend traditional genres, blending electronic, ambient, and modern classical elements into deeply evocative experiences.

With a discography spanning multiple albums and over 100 million streams, Koch's music has been featured in films, TV series, and immersive audiovisual experiences that captivate audiences worldwide. His live performances, known for their multi-sensory depth, have sold out venues across the globe.

A recipient of multiple international awards, including "Best Immersive Experience" at the DTLA Film Festival, Koch has collaborated with renowned artists such as Grammy-nominated conductor Kristjan Järvi, as well as Max Richter, Christian Löffler, and Anoushka Shankar.

Constantly exploring the transformative power of sound, Koch’s work pushes the boundaries of music as a tool for healing, connection, and expanded awareness—bridging art, technology, and human emotion in profound and unexpected ways.

Home Again (Circle 46)

Robot Koch

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