Industrial trance, with talk box improvisation.
All live, all fun, with Blumen und Klee.
ElectroKaiser promotes radical democratic music making. The audience gets live, hands-on experience via kaospads (iMS 20 touch pad input)

My vision is to democratize electronic music. Many electronic instruments have the ability to be programmed harmonically and rhythmically that it gets easy for everybody to improvise without technical or instrumental knowledge.

Rigger Rose

Floppex

From the new album Moments of Vertical
Buy: https://scapeone.bandcamp.com/album/moments-of-vertical
Stream: https://share.amuse.io/OQC1u9QAs9v7

Thinking Structures

Enjoy this with the visuals on the halF unusuaL YouTube channel at https://youtu.be/wkS2xkqAu-Y ... 

We recently unearthed a VERY rare set of tin cylinders with some of the creations from my unusually great uncle - dated 1910! I've taken the opportunity to riff on top of his proto-EDM - with sounds WAY ahead of their time! No way would they have found an audience in his lifetime ... Let's try again 😜

Family legend has it that my Great Uncle Crackleton P. Valve was not so much born as assembled! His crib rattled with loose copper coils, his lullabies were hummed through wax cylinders, and his first word was said to be a faint but distinctly glitchy “bzzzzzt” ...

By the turn of the last century, when most men were proud to own a sturdy hat, Uncle Crackleton was already soldering strange contraptions in the garden shed, where every evening the glow of red-hot valves spilled out into the hedgerows. He refused to play the piano “like a commoner,” preferring instead to hammer phonograph needles against tin cylinders until they shrieked, warbled, and sang with a peculiar beauty only he seemed to understand.

The neighbours swore they could hear his experiments late at night: a ghostly stutter of sound, like church bells melting, or a brass band tumbling downstairs. He called it Music of the Future, although others called it a dreadful racket.

It’s said he once built a mechanical echo chamber out of two bathtubs, a bicycle pump, and a dozen mismatched radio valves. When he cranked it up, it produced a looping hiccup that terrified the vicar's cats and made their milk curdle. Even so, he declared it his masterpiece.

Though none of his recordings were thought to have survived, until now (most cylinders were repurposed as makeshift candle holders), family lore insists that without him, modern glitch music would not exist. Every time a record skips, a tape warbles, or a speaker crackles, somewhere, faintly, Uncle Crackleton P. Valve is smiling.

More on the 717th weekly Disquiet Junto project, Generation Gambit — The Assignment: Layer two eras of recordings, one of them imaginary — at https://disquiet.com/0717/

visuals (YouTube)

halF 1910 [disquiet0717]

Nani wo tabeta n desu ?
(beta under progress)

Untitledbeta.120

indrijku

Púca

Endless Excuses

Marco Lucchi : synthesizer

*

il mio obbiettivo sarebbe produrre una lunga traccia di “musique d’ameublement”, quindi se qualcuno volesse aggiungere i propri suoni - pochi, sparsi e quieti - la cosa sarebbe molto gradita. Nel caso, fatemi sapere.

wallpaper music n*1

SnakeFish - Agent Octopus

Fractal

DAW : ABLETON Live 12
HARDWARE : DIGITAKT II, NORDLEAD A1, MOOG MINITAUR

Fractal

Rojé

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