Taken from 10" Mini-Album "Tolmie Wild Thymes" (KUS 030). For orders please send a message to: kus-mail@gmx.de
or visit our shop on Discogs: https://www.discogs.com/de/seller/KUS-2015/profile
Bart & Friends are a collaborative songwriting project from Melbourne, Australia led by Bart Cummings with help from other musical luminaries such as Scott Stevens from Summer Cats, The Earthmen, Jeremy Cole from The Zebras, Mark (Monnone Alone) & Louis Richter from The Lucksmiths, Pam Berry from the legendary Black Tambourine, Glo-Worm, Veronica Lake, The Shapiros ... and Gary Olson on Trumpet! Lead vocals on this song by Pam Berry.
Artwork by Frederik Jehle

Bart & Friends - All The Stage Belongs To You

everything written/recorded by me except drums

to say

02 Gnoomes - Sword In The Stone

About “Something in the Way”

We are excited to announce that Palberta's new single, "Something in the Way," will be out on 8/5. Since the release of the acclaimed Roach Goin' Down, Ani, Lily, and Nina have been busy touring the U.S., releasing a live benefit album and opening for Bikini Kill at Brooklyn Steel. All the while, they have been writing and perfecting new songs, a few of which entered the band's sets before the global pandemic shut live music down and postponed their first U.K./Europe tour, originally scheduled for April.   

"Something in the Way" marks the first Palberta release tracked in a professional studio environment. They found a great recording partnership with Matt Labozza (Palm, Shimmer) and took easily to putting down their new material in a studio setting while still experimenting with song-structure, as they do on the outro of "Something in the Way," a repeating motif from John Coltrane's "A Love Supreme." 

The recording of "Something in the Way" achieves a clarity not heard on past Palberta releases. From the harmony vocals to the guitars that chime and caterwaul, Palberta's singular sound is brought into focus in Matt Labozza's recording. Below are some words from the band about how the song came to be and what it means to them.

About "Something in the Way" from Palberta 

"Something in the Way" started as many Palberta songs do, with one person playing a drum, guitar, or bass riff and then the other two building off of that initial feeling. As usual, we frantically but carefully guided each other to the end of the song. When we got there, we found ourselves fading into a tricked-out looped fragment of John Coltrane's "A Love Supreme." Coltrane's melody has a direct connection for us to our beautiful friend Pablo Ramirez, who passed in 2019. His view on life—"LIFE IS BEAUTIFUL LIFE IS IN COLOR LIFE IS A W A Y"—impacted us all in such a positive way, and his beauty and genuine LOVE of life lives on through the thousands of people that he blessed through meeting. We dedicate this song to Psplifff and his mother, the amazing Mammasplifff, and all the beautiful people on the right side of history showing up right now. We love you! - Palberta

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Palberta - Something in the Way

"Country Church" is from the album 'Horse' out 10/16

About 'Horse' by Holy Motors

Holy Motors' new LP 'Horse,' which is due out on Wharf Cat on October 16th, finds the band acknowledging the Americana and rockabilly strands of their musical DNA without sacrificing any of the otherworldly mystique that keeps them from neatly conforming to the shoegaze and dreampop labels often applied to their music.  

From the album’s opening moments, songs like “Country Church,” with its major key and classic rhythm and blues guitarline, and “Midnight Cowboy,” which sounds like a lost Buddy Holly 45 played at 33 rpm, make it clear that Horse — even if it may not accomplish the impossible task of demystifying this band of ex-Soviet cowboys — will at least show you that there’s more to them than the near-impenetrable darkness of their work to date may suggest. Although tracks like “Trouble” and “Endless Night” gravitate toward the ethereal production and existential subject matter of prior releases, repeat listens reveal complex compositions and an empathy that is central to this eight-song album.  

As a whole, Horse stands as a warmer, more human counterpoint to 2018’s celestial Slow Sundown, and showcases Holy Motors as a hypnotic force that draws listeners in and leaves them wanting more. This effect, paired with their ability to write lyrics and music that resonate with a deeply relatable feeling of isolation, has resulted in an album built to connect with people from devoted shoegaze and western psychedelia fanatics to dreamer cowboys, driving through wide open country roads under the stars.

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Holy Motors - Country Church (From the album 'Horse' out 10/16)

"Endless Night" is from the album 'Horse' out 10/16

About 'Horse' by Holy Motors

Holy Motors' new LP 'Horse,' which is due out on Wharf Cat on October 16th, finds the band acknowledging the Americana and rockabilly strands of their musical DNA without sacrificing any of the otherworldly mystique that keeps them from neatly conforming to the shoegaze and dreampop labels often applied to their music.  

From the album’s opening moments, songs like “Country Church,” with its major key and classic rhythm and blues guitarline, and “Midnight Cowboy,” which sounds like a lost Buddy Holly 45 played at 33 rpm, make it clear that Horse — even if it may not accomplish the impossible task of demystifying this band of ex-Soviet cowboys — will at least show you that there’s more to them than the near-impenetrable darkness of their work to date may suggest. Although tracks like “Trouble” and “Endless Night” gravitate toward the ethereal production and existential subject matter of prior releases, repeat listens reveal complex compositions and an empathy that is central to this eight-song album.  

As a whole, Horse stands as a warmer, more human counterpoint to 2018’s celestial Slow Sundown, and showcases Holy Motors as a hypnotic force that draws listeners in and leaves them wanting more. This effect, paired with their ability to write lyrics and music that resonate with a deeply relatable feeling of isolation, has resulted in an album built to connect with people from devoted shoegaze and western psychedelia fanatics to dreamer cowboys, driving through wide open country roads under the stars.

Holy Motors - Endless Night (From the album 'Horse' out 10/16)

Same Old, Same Old

Warwick

Track is taken from the upcoming album 'All' (out November 6, 2020)

+++++

It has been nine years since Urlaub in Polen announced they were disbanding with the release of their fifth album Boldstriker. However, drummer Jan Philipp Janzen and multi-instrumentalist and singer Georg Brenner have always made up one of those rare and highly unlikely bands who, despite market laws to the contrary, have put the context of their own work above fads and opportunity without ever denying that they inhabit a particular historical moment. On All, their unexpected sixth album, it becomes immediately clear that the term »reunion«, at least in the sense we’ve gotten used to, does not do justice to this particular ocurance. All is light years away from offering a lukewarm rehashing of ancient recipes for success - the album is highly ambitious and sounds fresh in its concentrated performance—not unlike a debut. This is because the considerable advantages of a long-term musical relationship are at display throughout the record. Not only with regards to the tightness of performance, which was and is every bit as unbelievable as everyone says, particularly those who have been privy to their ecstatic live performances, but also regarding a level of musical familiarity withone another; a rare feat that has always carried the band’s musical explorations, and which balances the dynamics and structures of All as a whole. This interplay is accentuated by the record’s production, for which Janzen (among others a founding member part of Von Spar, current drummer of Die Sterne and producer of Die Sterne, The Field, PTTRNS, Albrecht Schrader etc.) and Brenner are also responsible.

Urlaub in Polen have also always been a band that defies categorization. All is probably their most formally coherent album so far, but it is nevertheless anything but a work of genre: What the songs on All have in common is an architecture evoking Krautrock, developing sprawling synthesizer and guitar workouts on the foundations of finely woven rhythm arrangements. The echoes of West Coast Pop (the harmonies and the bass!), of Rhineland Tech House and of early Dire Straits (the vocals and the guitar production!) make All a characteristically versatile and international affair. The album shares with their previous efforts the interest and attention for sonic textures and contrasts, but showcases more constraint and focus. In place of noise, details and the enormous joy of playing between Brenner and Janzen come to the fore, equally in the stoic Desert Kraut hits »Impulse Response« and »THDT,« the polyrhythmic »Overall«, or the discoid »Proxy Music.« All as a musical statement thus bears witness to the fact that Urlaub in Polen’s artistic vision is not centred by musical niche or content, but by formal considerations and the ever new presence of playing together: All, in this sense, stands for nothing more and nothing less than the latest expansion of their oeuvre.

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https://www.tapeterecords.de/artists/urlaub-in-polen/

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Urlaub in Polen - Impulse Response

From Dark Tea's Sophomore self titled album out in April on Fire Talk. 

Pre Order: https://ffm.to/darktea

02 Gnoomes - Sword In The Stone

Rocket Recordings

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