working title: Morgentau.
what I thought boring. 
so I changed it to: Morgen Tao
then translated it to english as most of my friends aint talkin german anyways…

describe your track: no…

but here`s a haiku I like:

the world of dew is, yes,
a world of dew,
but even so

Kobayashi Issa

Morning Dao

Snow

"Atmospheric, fragile, beautifully dark soundtracks evoking mystery, introspection & emotional complexity. Featuring melancholic piano, sombre strings & rich electronic backdrops."

Available to licence:
tinyurl.com/3nsj8pzd

Ice Fjord

🎧An audio recording of my April 2025 blogpost, For National Poetry Month. To read the blogpost and follow links to my poetry readings from 📚Hope Like Sunlight, go to: https://www.stacieeirich.com/post/for-national-poetry-month

To purchase 📚Hope Like Sunlight, proceeds of which benefit St. Jude Children’s Research Hospital & Ronald McDonald House, go to: https://www.amazon.com/Hope-Like-Sunlight-Stacie-Eirich/dp/195760459X/

For National Poetry Month Blogpost

Skaian Gates

Grind, Torsten Grind

My latest composition with vocals, piano, bass, percussion, erhu and synths. 
Mastered by my lovely Sander. 😊❤️🎶❤️

Not A Moment Too Soon

Marc M : paroles et musique
Marc M : voix, guitares, programmation

Le Grand Guignol

just trust the bass and all will be fine...

Well. Before I forget and because somebody might be interested and because I`m a little talkative at the moment:

EverBlue was born through three phases. The first one as a little piano song. The basic cadence quite usual then opened to something more interesting. Found that quite nice but boring.

But it was nice and…. because I had lost myself in a fabulous indie rock band from Singapore that day, I decided to try something else by adding straight guitars on the 8ts… what led to using another rhythm which I then combined with another rhythm.  Additional layers of strings were attached.  That worked quite ok. What means mehh but showed the right direction. And that was the second phase.

Third phase I killed it all, erased all of the melodic instruments except one e-piano which I fuzzed, delayed and filtered… programmed two synthbass lines, some breaks and added the high hookline for which I then searched for the right sound for hours.

Then I listened and listened and could not stop listening, thought about turning down the bass but decided not to cause I realized that it`s the bass I`m floating on. 

And that’s that story…

EverBlue

Treehouse

As the name suggests, One Hundred Songs is a celebration of my hundred songs on Soundcloud. Clearly, I don't get to think about it much. Let's just say it's been good. And it's allowed me to meet, albeit from a distance, many very interesting people. Greetings to everyone. For the first time, I incorporate something like a piano, among other nonsense.

Hundred songs

Library music composer based in Yorkshire, UK.

I tend to use this is a dumping ground for all tracks as they are written so I can listen back and review. Lots of different versions knocking about.

Tracks available for licence through:

Lift Music (Boost Publishing)
https://tinyurl.com/3nsj8pzd

InStyle Music
https://tinyurl.com/yne4256m

Hitpoint Music
https://tinyurl.com/59j79anj

Squirky Music
https://tinyurl.com/yxfsvcbj

Collision Production Music
https://tinyurl.com/3a7pbwyn

Ice Fjord

Chris Roden

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