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Ash Tones

Enemies

Text:
[Spoken Intro – “Jim’s Awakening”]
Where am I?
The air smells like plastic, the lights don’t flicker — they hum.
Everyone’s eyes are glowing blue…
Did I die — or did the world?

I reach for a match,
but fire’s gone.
There’s only screens now…
and no one burns anymore.

(Soft electric guitar fades in…)

Verse 1:
I woke up in a world of glass and glow,
everyone’s face lit by a screen below.
No one talks, they just scroll and stare,
and I’m standing here — breathing air.

Chorus:
People are stranger now,
colder somehow.
Eyes wide shut in the digital crowd,
People are stranger now.

(solo)

Verse 2:
I walked past ghosts in mirrored halls,
reflections whisper from shopping malls.
I said, “Hey, I’m Jim…” but they laughed it away,
“Who’s Jim?” — “Just another yesterday.”

Spoken Bridge:
They used to sing my songs in firelight,
now their music comes from clouds.
No guitars, no pain, no soul,
just code and ads — too loud.

I met a boy with wires in his head,
he said, “Man, I don’t dream — I download instead.”

(solo)

Chorus (reprise):
People are stranger now,
don’t even know how.
Hearts on mute in a digital crowd,
People are stranger now.

Outro:
Maybe I’m the ghost that stayed too long,
in a world that forgot the song.

Stranger now... stranger now...
(echo fades into analog hiss…)

People Are Stranger Now

Frequency of the Forgotten tunes into the ghosts of yesterday’s melodies — a baroque-psychedelic dream where voices linger between the hum of time and memory. Phantom Harmony fuses warm analogue guitars, Mellotron choirs, and vintage organ tones into a cinematic swirl of colour and nostalgia. Each chord feels like a transmission from a lost broadcast, echoing across the frequencies of love and loss.

Frequency of the Forgotten

Dromedary Of The Mirage Lexicon

Let's Spend the Night Together

Some new songs, some old ones, stripped and sanded down to the bare wood.

She Lied to the Preacher - Acoustic

Cosmic night

SNAKE


Busy old sun, breaking through my blinds
Why do you insist on waking us this time?
Do lovers have to live by your command?
Must we rise and fall by your hand?

Go bother schoolkids dragging to their desks
Go wake the workers grinding through their shifts
Go tell the bosses that the day begins
But leave us here in darkness skin on skin

Love doesn't answer to the clock
Love doesn't care about your time
We make our own hours within these bounds
So busy old sun, go do your rounds
Busy old sun, go do your rounds
Busy old sun…
Busy old sun…

You predictable fool with your reliable rise
Your punctual arc across the skies
We don't need your light to know what's real
We' make our own heat the better to feel

So go chase the farmers to their fields
Go hurry merchants through their deals
Go rule the world that lives by your design
But you've got no power in this space of mine

Love doesn't answer to the clock
Love doesn't care about your time
We make our own hours within these bounds
So busy old sun, go do your rounds
Busy old sun, go do your rounds
Busy old sun…
Busy old sun

Busy Old Sun

The Rodeo Terrorists play around with synthesisers, loops and things that make funny squelchy noises, the result of which are tunes that they quite like.

In the summer of 2006 the Rodeo Terrorists got their first Apple Mac, it was raining, they got drunk on home-brew beer and discovered the simple joys of Garageband.

Their musical influences are best described as eclectic, growing up in the 1970's they scratched numerous LP's (most of which they still have) on the family hi-fi , the sounds of rock, classical, country, disco and avant-garde filled the air, along with Lego bricks, train sets & anything electrical & electronic that could be taken apart with a soldering iron. By the mid 80's they were leading a charmed life of singing in a choir, playing the piano and bassoon, while programming sequencers and their Yamaha DX-7.

Somewhere along the line they got lost in that field in Hampshire, their jeans went baggy and hair grew long . Finding an abandoned BOSS Dr. Rhythm DR-550 drum machine in a charity shop & overnight they became full time techno ravers. Inspired by the gods of techno, Kraftwerk, Giorgio Moroder, The Orb, KLF, 808:State, Orbital, Joy Division, Depeche Mode and many to many to mention, the Rodeo Terrorist knew that they could do that music thing to but probably not a well (obviously). Early incarnations of the Rodeo Terrorists included Drago5 a techno DJ and The Lady Marmalade, an indy outfit who appeared in a Ride video (though not really on camera!).

Music is for entertainment and the Rodeo Terrorists shy away from serious commercial exposure, though if their tunes do get played on the radio, supermarket or lift even, they would grin from ear to ear!


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Rodeo Terrorists

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