Some of the best techno ive heard in years

Techno in it's purest form! 🎉☢🔞 1

Woke Up Right Handed

Gosk

Ketch & Hitam - Spirits [SYXT]

Amotik - Adsath [Amotik]

We True LP

Self Control

ZC-DIG013 - Paul Renard - Self Control - We True LP

A Deep Techno Track, created wit FL Studio.

KBLD - Tightnezz

Label: Mord
Artist: Ritzi Lee
Title: Audiologics EP
Cat No: MORD029
Format: 12" and Digital
Art by: Dennis Beutner

Audiologics EP

Ritzi Lee - Framework

Shlømo | Golem

Download and Streaming:
Traxsource: http://bit.ly/atyrvol2
Beatport: http://bit.ly/atyvol2bp
Spotify: http://bit.ly/atyvol2sp

After Ten Years, Remixes Part 2

Perpetual Changes (Park & Sons Remix)

Buy on Traxsource

Belocca & S-Man - Perpetual Changes (Park & Sons Remix)

Track released on Hayes Collective first Ep "HYS001"

A2 Moddullar - Encrypt

Blawan - 993

XX Part 1

Synchro

About the movie: Blade Runner is a 1982 neo-noir science fiction film directed by Ridley Scott, written by Hampton Fancher and David Peoples, and starring Harrison Ford, Rutger Hauer, Sean Young, and Edward James Olmos. It is a loose adaptation of Philip K. Dick's novel Do Androids Dream of Electric Sheep? (1968). 
The film is set in a dystopian future Los Angeles of 2019, in which synthetic humans known as replicants are bio-engineered by the powerful Tyrell Corporation to work on off-world colonies. When a fugitive group of replicants led by Roy Batty (Hauer) escapes back to Earth, burnt-out cop Rick Deckard (Ford) reluctantly agrees to hunt them down. Blade Runner initially underperformed in North American theaters and polarized critics; some praised its thematic complexity and visuals, while others were displeased with its slow pacing and unconventional plot. It later became an acclaimed cult film regarded as one of the all-time best science fiction movies. Hailed for its production design depicting a "retrofitted" future, Blade Runner is a leading example of neo-noir cinema. The soundtrack, composed by Vangelis, was nominated in 1983 for a BAFTA and a Golden Globe as best original score. 
The film has influenced many science fiction films, video games, anime, and television series. It brought the work of Philip K. Dick to the attention of Hollywood, and several later big-budget films were based on his work. In the year after its release, Blade Runner won the Hugo Award for Best Dramatic Presentation, and in 1993 it was selected for preservation in the United States National Film Registry by the Library of Congress as "culturally, historically, or aesthetically significant".
A sequel, Blade Runner 2049, was released in October 2017.

“J.R ISIDORE"  Score theme all most pure Blade Runner / Vangelis style. Original music Composed and produced by Antonio Hidalgo (HUMAN FACTOR). Dedicated to the great work of Ridley Scott and Vangelis.

J.R. ISIDORE (THE LAST REPLICANT) - BLADE RUNNER SCORE

WSNWG004

Ø [Phase] & Rødhåd - 190318

Ø [Phase] & Rødhåd - 190319

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Christian Smith's @tronic-music imprint is pleased to present you two remixes of the recent release 'Body Control' by @dj-rush-official and & @ericsneo, one by Truncate and the second by Harry Romero.

Los Angeles native Truncate delivered an elegant, tricky remix with his trademark dosage of funk and groove.

Follow Truncate
SoundCloud: @truncate
Facebook: www.facebook.com/Truncate.LA
Instagram: www.instagram.com/truncate_la
Twitter: www.twitter.com/truncate_la
Bandcamp: www.truncate.bandcamp.com

Follow 6AM Group
Website: www.6amgroup.com
Facebook: www.facebook.com/6amgroup
Twitter: www.twitter.com/6amgroup
Instagram: www.instagram.com/6amgroup
SoundCloud: @6amgroup
YouTube: www.youtube.com/6amgroup

Body Control / Take Me Back

Premiere: DJ Rush & Eric Sneo "Body Control" (Truncate Remix) - Tronic

Presentism EP

Presentism (Original mix)

Now an established force in contemporary Techno, Mike Bierbach, better known under his stage name Rødhåd is someone who has seriously put in the work. Having cut his teeth DJing as a relatively unnoted (but well loved by those in the know) local in Berlin for 10 years, one could argue that by the time success knocked on his door, he was more than ready for playing the international stage. It was during these 10 years of obscurity when he refined his craft to become the singular DJ he is now. 

Launching his party-series-turned-label Dystopian in 2009 was what truly tipped the ball over for Rødhåd. In a time where the Berlin scene was heavily oversaturated by fluffy, miscellaneous dance music, he & his peers set out to form a platform for real techno. The reception to this was raucous. 

Although he has lauded productions and remixes to his name, DJing is his true forte. Before abandoning his day job as a draftsman in construction “The Red” (as some call him due to his gingered, bearded appearance) was known for playing very long sets in Berlin’s most notorious hideaways. 

With an album, several EPs & remixes for a multitude of different artists under his belt, Rødhåd the producer has received equal praise as Rødhåd the DJ. Dystopian has hosted most of his releases, but in 2018 he founded a new label WSNWG that serves as a home for collaborative productions, excavated in sessions at his East-Berlin studio with his peers such as Lucy, Alex.Do, & Antigone.

Ø [Phase] & Rødhåd - 190318

Rødhåd

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